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Italian Renaissance

Filippino Lippi (Italian, 1457 - 1504), Sandro Botticelli (Italian, 1446 - 1510), and Raffaellino del Garbo (Italian, 1466 - 1524), Page from “Libro de’ Disegni,” drawings probably 1480 – 1504; compiled and mounted on an album page by Giorgio Vasari (Italian, 1511 - 1574) after 1524, silverpoint, leadpoint, and various media with decoration in pen and brown ink, brown and gray wash, on paper, 22 5/16 × 18 (56.7 × 45.7), National Gallery of Art, Woodner Collection, Patrons’ Permanent Fund, 1991.190.1.

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Raffaellino del Garbo (Italian, 1466 - 1524), Risen Christ and Studies of Hands, on a Page from “Libro de’ Disegni,” c. 1495/1497, mounted on an album page by Giorgio Vasari (Italian, 1511 - 1574), silverpoint heightened with white over blind stylus on gray prepared paper with decoration in pen and brown ink, 14 7/8 × 10 1/16 (37.8 × 25.5), On loan from The British Museum, London © The Trustees of the British Museum, London, Pp,1.32.

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Master of the Pala Sforzesca (Italian, active c. 1490 – c. 1500), Head of a Young Woman, c. 1490/1500, metalpoint (probably silverpoint), heightened with white, on greenish-brown prepared paper, 9 1/2 × 6 5/16 (24.2 × 16), On loan from The British Museum, London © The Trustees of the British Museum, London, 1895,0915.475.

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Giovanni Antonio Boltraffio (Italian, 1467 - 1516), Study for a Drapery for the Risen Christ, c. 1491, black chalk (figure and outline of drapery) and silverpoint, heightened with white, on blue prepared paper, 7 1/16 × 6 1/8 (18 × 15.5), On loan from The British Museum, London © The Trustees of the British Museum, London, 1895,0915.485.

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Lorenzo di Credi (Italian, c. 1457/1459 - 1536), Head of a Boy, c. 1485/1495, metalpoint (probably silverpoint), heightened with white, the outlines partly indented, on pale brown prepared paper, 9 1/8 × 7 13/16 (23.1 × 19.9), On loan from The British Museum, London © The Trustees of the British Museum, London, 1895,0915.460.

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Domenico Ghirlandaio (Italian, 1449 - 1494), Head of an Elderly Man, c. 1484/1494, metalpoint (probably silverpoint), heightened with white, on pink prepared paper, 6 9/16 × 5 1/16 (16.7 × 12.9), On loan from The British Museum, London © The Trustees of the British Museum, London, Pp,1.3.

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Attributed to Benozzo Gozzoli (Italian, c. 1421 - 1497), A Nude Man with a Horse, c. 1447/1449, silverpoint with gray-black wash, heightened with white, on blue prepared paper, 14 1/8 × 9 11/16 (35.9 × 24.6), On loan from The British Museum, London © The Trustees of the British Museum, London, Pp,1.18.

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Leonardo da Vinci (Italian, 1452 - 1519), A Bust of a Warrior, c. 1475/1480, silverpoint on cream prepared paper, 11 5/16 × 8 5/16 (28.7 × 21.1), On loan from The British Museum, London © The Trustees of the British Museum, London, 1895,0915.474.

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Fra Filippo Lippi (Italian, c. 1406 - 1469), Standing Woman, c. 1460/1469, silverpoint, black chalk, and brown wash, heightened with white, over blind stylus on pink prepared paper, 12 1/16 × 6 9/16 (30.7 × 16.6), On loan from The British Museum, London © The Trustees of the British Museum, London, 1895,0915.442.

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Filippino Lippi (Italian, 1457 - 1504), Two Male Figures, c. 1485/1488, silverpoint and leadpoint, heightened with white, over blind stylus on gray prepared paper, 10 3/16 × 7 5/16 (25.9 × 18.5), On loan from The British Museum, London © The Trustees of the British Museum, London, 1858,0724.4.

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Giovanni di Pietro, called Lo Spagna (Italian, 1465 - 1528), Study for a Dead Christ, c. 1515, metalpoint (probably silverpoint) heightened with white, on cream prepared paper, 7 3/8 × 6 1/4 (18.8 × 15.9), On loan from The British Museum, London © The Trustees of the British Museum, London, 1860,0616.73.

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Pietro Perugino (Italian, c. 1450 - 1523), Head of a Man, c. 1496/1500, metalpoint (probably silverpoint), heightened with white, the outlines indented, on cream prepared paper, 7 3/16 × 4 15/16 (18.3 × 12.5), On loan from The British Museum, London © The Trustees of the British Museum, London, 1895,0915.597.

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Raphael (Italian, 1483 - 1520), Head of the Virgin, and Four Studies of Heads (by a childish hand), c. 1502, silverpoint over blind stylus on warm white prepared paper, 10 3/16 × 7 1/2 (25.8 × 19.1), On loan from The British Museum, London © The Trustees of the British Museum, London, 1895,0915.611.

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Raphael (Italian, 1483 - 1520), Studies for an Infant Christ, c. 1509, silverpoint on pink prepared paper, 6 5/8 × 4 11/16 (16.8 × 11.9), On loan from The British Museum, London © The Trustees of the British Museum, London, Pp,1.72.

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Raphael (Italian, 1483 - 1520), The Heads of the Virgin and Child, c. 1509, silverpoint on pink prepared paper 5 9/16 × 4 3/8 (14.2 × 11.1), On loan from The British Museum, London © The Trustees of the British Museum, London, 1866,0714.79.

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Studio of Filippino Lippi, A Standing Man and a Seated Man, c. 1485/1495, silverpoint heightened with white, the outlines indented, on purple prepared paper, 8 1/16 × 8 3/4 (20.4 × 22.2), On loan from The British Museum, London © The Trustees of the British Museum, London, Pp,1.24.

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