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Press Images

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Film still from From Ally to Accomplice (Kelly Gallagher, 2015, digital, 18 minutes), to be shown at the National Gallery of Art on Saturday, January 6, at 2:00 p.m., as part of the film series Affinities, or The Weight of Cinema, in the program An Affinity for Witnessing, with Kelly Gallagher in person. Image courtesy the artist.

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Film still from Kuhani (Ntare Guma Mbaho Mwine, 2013, digital, 7 minutes), to be shown at the National Gallery of Art on Saturday, January 6, at 4:00 p.m., as part of the film series Affinities, or The Weight of Cinema, in the program An Affinity for the Interval, with Claudrena Harold in person. Image courtesy the artist.

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Film still from King of Boys (Abattoir of Makoko) (Karimah Ashadu, 2015, 5 minutes), to be shown at the National Gallery of Art on Sunday, January 7, at 4:00 p.m., as part of the film series Affinities, or The Weight of Cinema, in the program An Affinity for Labor, with Akosua Adoma Owusu in person. Image courtesy the artist.

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Film still from One Document for Hope (Margaret Rorison, 2016, 16mm, 8 minutes), to be shown at the National Gallery of Art on Sunday, January 7, at 5:30 p.m., as part of the film series Affinities, or The Weight of Cinema, in the program An Affinity for Constructivism, with Margaret Rorison in person. Image courtesy the artist.

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Film still from Grand Finale (Kevin Jerome Everson, 2015, digital, 5 minutes), to be shown at the National Gallery of Art on Saturday, January 13, at 2:00 p.m., as part of the film series Affinities, or The Weight of Cinema, in the program An Affinity for Color, with Kevin Jerome Everson in person. Image courtesy the artist, Trilobite-Arts DAC, and Picture Palace Pictures.

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Film still from 27.12.2013 Senegal (Friedl vom Gröller, 2014, 16mm, 3 minutes), to be shown at the National Gallery of Art on Saturday, January 13, at 4:00 p.m., as part of the film series Affinities, or The Weight of Cinema, in the program An Affinity for Minimalism, with Kevin Jerome Everson in person. Image courtesy sixpack film.

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Film still from Sugarcoated Arsenic (Kevin Jerome Everson and Claudrena Harold, 2015, digital, 20 minutes), to be shown at the National Gallery of Art on Saturday, January 14, at 4:00 p.m., as part of the film series Affinities, or The Weight of Cinema, in the program An Affinity for the Readymade, with Kevin Jerome Everson in person. Image courtesy the artist, Trilobite-Arts DAC, and Picture Palace Pictures.

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Film still from Reckless Eyeballing (Christopher Harris, 2004, 16mm, 16 minutes), to be shown at the National Gallery of Art on Sunday, January 14, at 5:30 p.m., as part of the film series Affinities, or The Weight of Cinema, in the program An Affinity for Collage, with Christopher Harris in person. Image courtesy the artist.

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Film still from World Without End (No Reported Incidents) (Jem Cohen, 2017, digital, 57 minutes), to be shown at the National Gallery of Art on Saturday, January 20, at 2:00 p.m., as part of the program Jem Cohen: Portraits of People and Place, with Jem Cohen in person. Image courtesy Grasshopper Film

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Film still from I Cannot Tell You How I Feel (Su Friedrich, 2016, digital, 41 minutes), to be shown at the National Gallery of Art on Sunday, January 21, at 2:00 p.m., with Stand in the Stream (Stanya Kahn, 2010-2017, digital, 60 minutes). Image courtesy Su Friedrich.

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Film still from Pollock (Ed Harris, 2000, 35mm, 122 minutes), to be shown at the National Gallery of Art on Saturday, January 27, at 3:30 p.m., screening in conjunction with the National Gallery of Art installation of Jackson Pollock’s Mural (1943). Image courtesy Sony Pictures Classic /Photofest.

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Film still from BREAKAWAY (Bruce Conner, 1966, 16mm, 5 minutes), to be shown at the National Gallery of Art on Saturday, February 3, at 2:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 1, in the program Short Films by Bruce Conner. Image courtesy the Conner Family Trust.

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Film still from A MOVIE (Bruce Conner, 1958, 16mm, 12 minutes), to be shown at the National Gallery of Art on Saturday, February 3, at 2:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 1, in the program Short Films by Bruce Conner. Image courtesy the Conner Family Trust.

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Film still from Mothlight (Stan Brakhage, 1963, 16mm, 3 minutes), to be shown at the National Gallery of Art on Saturday, February 10, at 2:00 p.m., as part of the film series Stan Brakhage: Metaphors on Vision, introduced by Thomas Beard. Image courtesy Anthology Film Archives and the Estate of Stan Brakhage.

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Film still from Dog Star Man (Stan Brakhage, 1961-1964, 16mm, 75 minutes), to be shown at the National Gallery of Art on Saturday, February 10, at 4:00 p.m., as part of the film series Stan Brakhage: Metaphors on Vision, introduced by Thomas Beard. Image courtesy Anthology Film Archives and the Estate of Stan Brakhage.

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Film still from Scenes from Under Childhood (Stan Brakhage, 1967-1970, 16mm, 138 minutes), to be shown at the National Gallery of Art on Sunday, February 11, at 4:00 p.m., as part of the film series Stan Brakhage: Metaphors on Vision, introduced by Thomas Beard. Image courtesy Anthology Film Archives and the Estate of Stan Brakhage.

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Film still from The Informer (Arthur Robison, 1929, 100 minutes), to be shown at the National Gallery of Art on Sunday, February 18, at 4:30 p.m., as part of the film series From Vault to Screen: The British Film Institute National Archive. Image courtesy the British Film Institute.

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Film still from Shooting Stars (Anthony Asquith, 1928, 103 minutes), to be shown at the National Gallery of Art on Saturday, March 3, at 4:00 p.m., as part of the film series From Vault to Screen: The British Film Institute National Archive. Image courtesy the British Film Institute.

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Film still from Women in Love (Ken Russell, 1969, 131 minutes), to be shown at the National Gallery of Art on Sunday, March 4, at 4:00 p.m., as part of the film series From Vault to Screen: The British Film Institute National Archive. Image courtesy the British Film Institute.

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Film still from King Lear (Grigori Kozintsev, 1971, 35mm, subtitles, 139 minutes) to be shown at the National Gallery of Art on Sunday, March 11, at 4:00 p.m. Image courtesy Artkino Pictures /Photofest.

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Film still from Creator of the Jungle (Jordi Morató, 2014, subtitles, 77 minutes), to be shown at the National Gallery of Art on Friday, March 16, at 2:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 1. Image courtesy La Termita Films.

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Film still from City of the Sun (Rati Oneli, 2017, subtitles, 104 minutes), American premiere to be shown at the National Gallery of Art on Saturday, March 17, at 2:00 p.m., in conjunction with the Environmental Film Festival. Image courtesy Synicado Film Sales.

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Film still from Five Seasons: The Gardens of Piet Oudolf (Thomas Piper, 2017, 75 minutes), to be shown at the National Gallery of Art on Saturday, March 17, at 4:30 p.m. Image courtesy Thomas Piper.

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Film still from The Sacrifice (Andrei Tarkovsky, 1986, subtitles, 149 minutes), Washington premiere of the restoration to be shown at the National Gallery of Art on Sunday, March 18, at 4:00 p.m. Image courtesy Kino Lorber.

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Film still from Minute Bodies: The Intimate World of F. Percy Smith (Stuart Staples, 2016, from footage of F. Percy Smith, 55 minutes), to be shown at the National Gallery of Art on Saturday, March 31, at 2:00 p.m., as part of the film series From Vault to Screen: The British Film Institute National Archive. Image courtesy the British Film Institute.

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Film still from Wittgenstein (Derek Jarman, 1993, 71 minutes), to be shown at the National Gallery of Art on Saturday, March 31, at 4:00 p.m., as part of the film series From Vault to Screen: The British Film Institute National Archive. Image courtesy the British Film Institute.

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Winter Films 2018

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