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Press Images

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Still image from The Flowers of St. Francis, directed by Roberto Rossellini (1950, subtitles, 35mm, 90 minutes), screening at the National Gallery of Art on April 1, 2018, at 2:30 p.m., in conjunction with the exhibition Heavenly Earth: Images of Saint Francis at La Verna. Image courtesy Photofest.

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Still image from Hawks and Sparrows, directed by Pier Paolo Pasolini (1966, subtitles, 35mm, 89 minutes), screening at the National Gallery of Art on April 1, 2018, at 4:30 p.m., in conjunction with the exhibition Heavenly Earth: Images of Saint Francis at La Verna. Image courtesy Photofest.

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Still image from The Watermelon Woman, directed by Cheryl Dunye (1996, digital restoration, 90 minutes), screening at the National Gallery of Art on April 7, 2018, at 2:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 2, introduced by co-producer, Alexandra Juhasz. Image courtesy First Run Features.

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Still image from The Watermelon Woman, directed by Cheryl Dunye (1996, digital restoration, 90 minutes), screening at the National Gallery of Art onApril 7, 2018, at 2:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 2, introduced by co-producer, Alexandra Juhasz. Image courtesy First Run Features.

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Still image from Who is Bozo Texino?, directed by Bill Daniel (2005, 56 minutes), screening at the National Gallery of Art on April 8, 2018, at 4:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 2, introduced by Vanessa Renwick. Image courtesy the artist.

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Still image from Richart, co-directed by Vanessa Renwick (with Dawn Smallman, 2001, 23 minutes), screening at the National Gallery of Art on April 8, 2018, at 4:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 2, introduced by Vanessa Renwick. Image courtesy the artist.

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Still image from Séraphine, directed by Martin Provost (2008, 35mm, subtitles, 125 minutes), screening at the National Gallery of Art on April 14, 2018, at 2:30 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 2. Image courtesy Music Box Films.

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Still image from Sonic Outlaws by Craig Baldwin (1995, 16mm, 98 minutes), screening at the National Gallery of Art on April 21, 2018, at 2:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 2, introduced by Craig Baldwin. Image courtesy the artist.

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Still image from Transport by Ernie Gehr (2017), screening at the National Gallery of Art on May 5, 2018, at 4:30 p.m., as part of the film series Ernie Gehr: Recent Work, introduced by Ernie Gehr. Image courtesy the artist.

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Still image from Beuys by Andres Veiel (2017, subtitles, 111 minutes), screening at the National Gallery of Art on May 11, 2018 at 1:00 p.m. and on May 12 and May 26, 2018 at noon. Image courtesy Andres Veiel.

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Still image from Crafting an Echo by Marco Williams (2018, 90 minutes), screening at the National Gallery of Art on May 13, 2018, at 4:00 p.m., as part of the film series Avant-Garde to Underground: Outliers and Film, Part 2, introduced by Marco Williams. Image courtesy the artist.

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Still image from Acéphale by Patrick Deval (1968, 35mm, subtitles, 65 minutes), screening at the National Gallery of Art on May 26, 2018, at 4:30 p.m., as part of the film series Paris, May ’68: Zanzibar and Philippe Garrel. Image courtesy Collectif Jeune Cinéma.

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Still image from Deux Fois by Jackie Raynal (1968, subtitles, 70 minutes), screening at the National Gallery of Art on May 27, 2018, at 4:00 p.m., as part of the film series Paris, May ’68: Zanzibar and Philippe Garrel. Image courtesy Collectif Jeune Cinéma and the artist.

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Still image from Vite by Daniel Pommereulle (1969, subtitles, 37 minutes), screening at the National Gallery of Art on May 27, 2018, at 5:30 p.m., as part of the film series Paris, May ’68: Zanzibar and Philippe Garrel. Image courtesy Collectif Jeune Cinéma.

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Still image from Leaning into the Wind by Thomas Ridelsheimer (2016, 93 minutes), screening at the National Gallery of Art on June 3, 2018, at 4:00 p.m. Image courtesy Kino Lorber.

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Still image from Children Make Movies by DeeDee Halleck (1961, 16mm, 13 minutes), screening at the National Gallery of Art on June 9, 2018, at 2:00 p.m., as part of the film program Hearts in a Heartless World: Access and Community Media, introduced by DeeDee Halleck. Image courtesy the artist.

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Still image from Anna-Liisa by Teuvo Puro and Jussi Snellman (1922, silent, subtitles, 88 minutes), screening at the National Gallery of Art, with live piano performance by Andrew Simpson, on June 23, 2018, at 4:00 p.m., as part of the film series From Vault to Screen: Finland. Image courtesy National Audiovisual Institute, Finland.

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Still image from Le Havre by Aki Kaurismäki (2011, 35mm, subtitles, 93 minutes), screening at the National Gallery of Art on June 24, 2018, at 4:00 p.m., as part of the film series From Vault to Screen: Finland. Image courtesy Janus Films / Photofest.

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Still image from Shadows in Paradise by Aki Kaurismäki (1986, subtitles, 74 minutes), screening at the National Gallery of Art on June 24, 2018, at 4:00 p.m., as part of the film series From Vault to Screen: Finland. Image courtesy Janus Films / Photofest.

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Still image from A Brief Spark Bookended by Darkness by Brent Green (2017, approximately 65 minutes), with live score by Brent Green and Brendan Canty (Fugazi), screening at the National Gallery of Art on June 30, 2018, at 3:00 p.m. Image courtesy Brent Green.

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2018 Spring Film Program

Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted.

Important: The images displayed on this page are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please provide your name, press affiliation, and all other information as required(*) utilizing the order form at the end of this page.

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