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File name: 100619-lost-paradise.jpg
Still image from The Lost Paradise, directed by Basilio Martín Patino (1985, subtitles, 35mm, 94 minutes), screening at the National Gallery of Art, East Building Auditorium, as part of the film series Basilio Martín Patino, on Sunday, October 6, 2019, at 4:00 p.m. Image courtesy Spain Arts and Culture.

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Still image from Renzo Piano—The Architect of Light, directed by Carlos Saura (2018, subtitles, 80 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, October 12, 2019, at 2:30 p.m. Image courtesy Kino Lorber.

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Still image from Trapped, directed by Richard Fleischer (1949, 35mm, 78 minutes) screening at the AFI Silver Theatre, as part of the film series Film Noir: New 35mm Restorations, on Sunday, October 13, 2019, at 3:30 p.m., introduced by Foster Hirsch. Restored 35mm print courtesy Film Noir Foundation and UCLA Film & Television Archive. Image courtesy Universal/Photofest.

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Still image from Louise Bourgeois by Nina and Klaus Sohl (2007, subtitles, 40 minutes), screening at the Embassy of Italy, on Thursday, October 17, 2019, at 6:00 p.m., as part of the film series ArteCinema. Image courtesy Nina and Klaus Sohl. Registration is required for events at the Embassy of Italy at https://iicwashington.esteri.it/iic_washington/en/

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Still image from Ruskin, directed by Robert Beavers (1974/1997, 16mm, 45 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, October 19, 2019, at 2:30 p.m., introduced by Rebekah Rutkoff. Image courtesy of Robert Beavers.

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Still image from The Woman and the Glacier by Audrius Stonys (2017, 56 minutes), screening at the Freer Gallery of Art, on Sunday, October 20, 2019, at 4:00 p.m., in association with Films Across Borders: Stories of Water. Image courtesy Audrius Stonys.

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Still image from Ornette: Made in America by Shirley Clarke (1985, 77 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, October 26, 2019, at 4:00 p.m., as part of the film series Woman with a Movie Camera: Shirley Clarke at 100. Image courtesy Milestone Films.

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Still image from Walking on Water, directed by Andrey Paounov (2019, subtitles, 100 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Sunday, October 27, 2019, at 4:00 p.m., in association with Films Across Borders: Stories of Water. Image courtesy Kino Lorber.

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Still image from Pattern Language by Peter Burr (2017, 11 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, November 2, 2019, at 4:00 p.m., as part of the program Animation Beyond Cinema, with Anna Głowińska and Peter Burr in person. Image courtesy Animator Film Festival and Peter Burr.

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Still image from The Witness by Péter Bacsó (1969, subtitles, 103 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, November 2, 2019, at 1:00 p.m., as part of the film series Welcome to Absurdistan: Eastern European Cinema 1950 to 1989. Image courtesy Sándor Domonkos.

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Still image from The Barnabas Kos Case by Peter Solan (1964, subtitles, 92 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, November 9, 2019, at 1:30 p.m., as part of the film series Welcome to Absurdistan: Eastern European Cinema 1950 to 1989, introduced by Rastislav Steranka, director, Slovak Film Institute, Bratislava. Image courtesy National Film Archive, Slovak Film Institute.

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Still image from I Don’t Like Mondays by Tadeusz Chmielewski (1971, subtitles, 99 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Sunday, November 10, 2019, at 4:00 p.m., as part of the film series Welcome to Absurdistan: Eastern European Cinema 1950 to 1989, introduced by Gabriel M. Paletz, Prague Film School. Image courtesy Studio KADR.

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Still image from Le Pointe Courte by Agnès Varda (1954, subtitles, 86 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Monday, November 11, 2019, at 3:00 p.m., introduced by Nicholas Elliott, US correspondent, Cahiers du cinéma. Image courtesy Janus Films.

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Still image from Breaking the Frame by Marielle Nitoslawska (2012, 100 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, November 16, 2019, at 2:00 p.m., with Marielle Nitoslawska in person. Image courtesy Picture Palace Pictures.

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Still image from Varieté by E. A. DuPont (1925, 90 minutes), screening as a ciné-concert with Alloy Orchestra in performance at AFI Silver Theatre, on Sunday, November 17 at 3:30 p.m., with score commissioned by Indiana University Cinema and the Indiana University Office of the Bicentennial. Image courtesy Indiana University Cinema.

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Still image from Two Men and a Wardrobe by Roman Polanski (1958, subtitles, 14 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, November 23, 2019, at 12:30 p.m., as part of the film series Welcome to Absurdistan: Eastern European Cinema 1950 to 1989. Image courtesy Photofest.

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Still image from Nature’s Way by Elizabeth Barret and John Long (1973, 21 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Sunday, November 24, 2019, at 4:00 p.m., in the program "Body Publics", part of the film series We Tell: Fifty Years of Community Media. Image courtesy Appalshop.

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Still image from The Asthenic Syndrome by Kira Muratova (1989, subtitles, 153 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Sunday, November 24, 2019, at 4:00 p.m., as part of the film series Welcome to Absurdistan: Eastern European Cinema 1950 to 1989. Image courtesy Dovzhenko Centre.

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Still image from Herb Schiller Reads the New York Times: 712 Pages of Waste; The Sunday by DeeDee Halleck (1981, 30 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, December 7, 2019, at 2:00 p.m., in the program "Collaborative Knowledges", part of the film series We Tell: Fifty Years of Community Media. Image courtesy Paper Tiger TV.

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Still image from Lucinda Childs—Great Fugue of Beethoven by Marie-Hélène Rebois (2017, subtitles, 77 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, December 14, 2019, at 12:00 p.m., as part of the second screening in the film series ArtFIFA: International Festival of Films on Art. Image courtesy Marie-Hélène Rebois.

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Still image from Broken Blossoms by D.W. Griffith (1919, 90 minutes), screening as a ciné-concert with Appalasia in performance at Freer Gallery of Art, on Sunday, December 15 at 2:00 p.m. Image courtesy United Artists/Photofest.

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Still image from Los Trabajadores by Pablo Colapinto, Milton Machuga, and María Teresa Rodríguez, El Comite de Apoyo a Los Trabajadores Agricolas and Scribe Video Center (2002, 19 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Sunday, December 15, 2019, at 4:00 p.m., in the program "Wages of Work", part of the film series We Tell: Fifty Years of Community Media. Image courtesy Scribe Video Center.

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Still image from M4BL: Ceremony by Movement for Black Lives (2016, 5 minutes), screening at the National Gallery of Art, West Building Lecture Hall, on Saturday, December 21, 2019, at 2:00 p.m., in the program "States of Violence", part of the film series We Tell: Fifty Years of Community Media. Image courtesy Movement for Black Lives.

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National Gallery of Art 2019 Fall Film Program

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