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Hans Rottenhammer
The Adoration of the Golden Calf, 1595/1596
pen and brown ink with brown wash, over black chalk on laid paper
sheet: 26.5 x 21.1 cm (10 7/16 x 8 5/16 in.)
National Gallery of Art, Washington, Ruth and Jacob Kainen Memorial Acquisition Fund

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Claudio Ridolfi
The Flagellation of Christ, c. 1619
oil paint over pen and black ink(?) on two pieces of laid paper mounted on fabric and wood
overall: 56.3 x 27 cm (22 3/16 x 10 5/8 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

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Domenico Campagnola
The Hermit Saints Paul and Anthony Receiving Bread from a Dove, 1530s
pen and brown ink over traces of leadpoint
overall: 39.2 x 25.9 cm (15 7/16 x 10 3/16 in.)
National Gallery of Art, Washington, Woodner Collection, Gift of Andrea Woodner

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Battista Franco
Spectators Amazed, early 1540s
pen and brown ink over red, and black chalk on laid paper (laid on late 18th-century mount)
Overall (approximate): 18.5 x 16.6 cm (7 5/16 x 6 9/16 in.)
support: 28.3 x 26.3 cm (11 1/8 x 10 3/8 in.)
National Gallery of Art, Washington, Andrew W. Mellon Fund

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File name: 4917-091.jpg
Paolo Farinati
The Flaying of Marsyas, 1570/1575
pen and brown ink with gray and brown wash over black chalk, heightened with white on greenish laid paper (originally blue)
sheet: 39.9 x 27.5 cm (15 11/16 x 10 13/16 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund

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Alessandro Maganza
A Compartmented Ceiling with Allegories and Myths, late 1580s
pen and brown ink over light black chalk and heavy black chalk (laid on 18th-century Venetian album sheet)
overall: 35.5 x 27.3 cm (14 x 10 3/4 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Attributed to Veronese
Apollo and Marsyas, c. 1600
pen and brown ink with brown wash over black chalk, heightened with white gouache, on blue laid paper
overall (approximate): 29.5 x 43 cm (11 5/8 x 16 15/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Paris Bordone
Man Playing a Viola da Gamba, c. 1525–1530
black chalk, heightened with white chalk, on blue paper
overall: 18.8 x 8.3 cm (7 3/8 x 3 1/4 in.)
The Morgan Library & Museum New York. Purchased by Pierpont Morgan (1837–1913) in 1909

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Andrea Schiavone
Virgin Annunciate, c. 1550–1560
brush with brown wash and white heightening over red chalk on laid paper; laid down on an old mount
sheet: 16.1 x 12.8 cm (6 5/16 x 5 1/16 in.)
mount: 23.3 x 16.9 cm (9 3/16 x 6 5/8 in.)
National Gallery of Art, Washington, Purchased as the Gift of Ann Matthew Nimetz

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Andrea Schiavone
Miracle or Apparition of a Saint, c. 1545–1555
brush and brown wash, with white opaque watercolor, over black chalk
overall: 28.2 x 21.4 cm (11 1/8 x 8 7/16 in.)
The Morgan Library & Museum, New York. Gift of János Scholz

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Jacopo Bassano
Mocking of Christ, c. 1568
black chalk with red, white, green, pink and brown chalks, on blue paper
overall: 41.3 x 52.5 cm (16 1/4 x 20 11/16 in.)
National Gallery of Art, Washington, Andrew W. Mellon Fund

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Leandro Bassano
Man Lifting a Bundle, c. 1592
charcoal with red and white chalk on blue paper (laid on modern blue paper)
overall: 22.4 x 28.5 cm (8 13/16 x 11 1/4 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund

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Paolo Veronese
Finding of Moses, c. 1580
pen and brown ink and wash
overall: 17.1 x 18.6 cm (6 3/4 x 7 5/16 in.)
The Morgan Library & Museum, New York. Purchased by Pierpont Morgan (1837–1913) in 1909

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Paolo Veronese
Studies for the Raising of Lazarus and Other Compositions [verso], c. 1582
pen and brown ink and wash on laid paper
overall: 29.8 x 19.4 cm (11 3/4 x 7 5/8 in.)
National Gallery of Art, Washington, The Armand Hammer Collection

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Paolo Veronese
Studies for Judith and Holofernes, David and Goliath, the Finding of Moses, and Other Subjects [recto], c. 1582
pen and brown ink with brown wash
overall: 29.8 x 19.6 cm (11 3/4 x 7 11/16 in.)
National Gallery of Art, Washington, The Armand Hammer Collection

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Tintoretto
Kneeling Man with a Staff, c. 1548–1550
charcoal, heightened with white chalk, on blue paper
overall: 23.6 x 34.8 cm (9 5/16 x 13 11/16 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Tintoretto
Standing Male Nude with Hands on Hips, c. 1560
brush and brown and white oil paint, over charcoal, on blue paper, squared in black chalk
overall: 34.4 x 17 cm (13 9/16 x 6 11/16 in.)
framed: 55.88 x 43.82 cm (22 x 17 1/4 in.)
The Morgan Library & Museum, New York. Gift of János Scholz

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Tintoretto Workshop
Study of the Grimani Vitellius, c. 1570–1580
charcoal with white chalk wash on blue paper faded to brown
overall: 33.2 x 24.9 cm (13 1/16 x 9 13/16 in.)
The Morgan Library & Museum, New York. Gift of Mr. and Mrs. Carl Stern

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Tintoretto(?) and Workshop
Study of Michelangelo's Samson and the Philistines, c. 1560–1570
charcoal and black chalk with white opaque watercolor on blue paper
overall: 44.3 x 28.5 cm (17 7/16 x 11 1/4 in.)
framed: 73 x 56.5 x 5.4 cm (28 3/4 x 22 1/4 x 2 1/8 in.)
The Morgan Library & Museum, New York. Thaw Collection

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Tintoretto
Study for a Man on Horseback, Seen from Behind, 1578–1579
charcoal, squared in charcoal
overall: 24.9 x 16.4 cm (9 13/16 x 6 7/16 in.)
The Morgan Library & Museum, Gift of János Scholz

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Tintoretto
Study for the Vision of Ezekiel, c. 1577–1578
charcoal, squared in charcoal, on blue-gray paper
overall: 17.2 x 15.6 cm (6 3/4 x 6 1/8 in.)
The Morgan Library & Museum, New York. Gift of János Scholz

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Tintoretto
Striding Youth with His Arms Raised, Seen from Behind, 1578–1579
charcoal
overall: 36.3 x 22.2 cm (14 5/16 x 8 3/4 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Domenico Tintoretto
Venetian Ships Attacking Constantinople, c. 1605–1615
brush and tempera over squaring in black chalk, on dark brown paper
overall: 43 x 22 cm (16 15/16 x 8 11/16 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Purchased as the Gift of Alexander M. and Judith W. Laughlin

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Domenico Tintoretto
Venetian Soldiers Attacking Constantinople, c. 1605–1615
brush and tempera on dark brown paper
overall: 31.5 x 19.4 cm (12 3/8 x 7 5/8 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Purchased as the Gift of Alexander M. and Judith W. Laughlin

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Attributed to El Greco
Pietà, c. 1570
brush and brown ink and wash, with white opaque watercolor, over black chalk, on light brown paper
overall: 25 x 17.5 cm (9 13/16 x 6 7/8 in.)
The Morgan Library & Museum, New York. Gift of János Scholz

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Attributed to El Greco
Pietà, c. 1570
pen and brown ink and wash over black chalk
sheet: 24.4 x 16.6 cm (9 5/8 x 6 9/16 in.)
mount: 29.5 x 22.8 cm (11 5/8 x 9 in.)
National Gallery of Art, Washington, Gift of David H. McDonnell

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Attributed to El Greco
Last Supper, c. 1575
brown wash, with white opaque watercolor, over black chalk, on light brown paper
overall: 40.1 x 27.4 cm (15 13/16 x 10 13/16 in.)
The Morgan Library & Museum, New York. Gift of János Scholz

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Palma Giovane
The Conversion of Saint Paul, The Martyrdom of St. Bartholomew, and Adam and Eve, c. 1590
pen and brown ink with brown wash
overall: 35.2 x 26.1 cm (13 7/8 x 10 1/4 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund

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Palma Giovane
The Martyrdom of Saint Bartholomew; The Conversion of Saint Paul, 1590/1595
pen and brown ink with brown wash
overall: 35.4 x 26.1 cm (13 15/16 x 10 1/4 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund

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Palma Giovane
Standing Doge, Turned to the Left, c. 1583
black and white chalk on blue paper
overall: 30.5 x 21.7 cm (12 x 8 9/16 in.)
The Morgan Library & Museum, New York. Purchased on the Edwin Herzog Fund

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Palma Giovane
Coronation of the Virgin, c. 1594
pen and brown and gray ink and brown wash, heightened with white, over charcoal, on brown prepared oatmeal paper
overall: 29.5 x 27.6 cm (11 5/8 x 10 7/8 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Patrons' Permanent Fund

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Palma Giovane
A Flying Angel, c. 1590–1595
pen and brown ink and wash, heightened with white, over black chalk, on oatmeal paper
overall (approximate): 27.4 x 17.4 cm (10 13/16 x 6 7/8 in.)
National Gallery of Art, Washington, Andrew W. Mellon Fund

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File name: 4917-077.jpg
Palma Giovane
Virgin and Child in Glory, with Five Saints, 1605
pen and brown ink and wash over red chalk
overall: 38.9 x 21.1 cm (15 5/16 x 8 5/16 in.)
The Morgan Library & Museum, New York. Purchased by Pierpont Morgan (1837–1913) in 1909

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File name: 4917-076.jpg
Palma Giovane
Christ Carried to the Tomb, c. 1610
brush and brown and white oil paint over black chalk on oatmeal paper
overall: 27 x 40.9 cm (10 5/8 x 16 1/8 in.)
National Gallery of Art, Washington, Wolfgang Ratjen Collection, Purchased as the Gift of Helen Porter and James T. Dyke

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Drawing in Tintoretto's Venice
March 24 – June 9, 2019

Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted.

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