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Bartolomeo Guidobono
Seated Sibyl, c. 1690

brush and brown, blue, and gray ink over black chalk and graphite, heightened with white on laid paper
overall: 39.2 x 26.8 cm (15 7/16 x 10 9/16 in.)
framed: 62.23 x 46.99 cm (24 1/2 x 18 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Carlo Antonio Tavella
The Rest on the Flight into Egypt, c. 1720

pen and brown ink and brush and brown wash, heightened with white, on laid paper
sheet: 39 x 29.9 cm (15 3/8 x 11 3/4 in.)
mount: 40.5 x 31.1 cm (15 15/16 x 12 1/4 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Giovanni Andrea Podesta
Bacchanal with Altar, Faun, and Silenus, 1640

etching on laid paper
sheet: 26.6 x 39.3 cm (10 1/2 x 15 1/2 in.)
framed: 44.45 x 59.69 cm (17 1/2 x 23 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Giovanni Benedetto Castiglione
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, 1645/1650

etching on laid paper
plate: 18.1 x 14.6 cm (7 1/8 x 5 3/4 in.)
sheet: 31.6 x 23 cm (12 7/16 x 9 1/16 in.)
framed: 40.01 x 32.39 cm (15 3/4 x 12 3/4 in.)
National Gallery of Art, Washington, Florian Carr Fund

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Giovanni Benedetto Castiglione
Self-Portrait(?), Wearing a Plumed Cap ["Portrait of Bernini"], c. 1645/1647

etching on laid paper
plate: 18.9 x 13.6 cm (7 7/16 x 5 3/8 in.)
sheet: 31.9 x 23 cm (12 9/16 x 9 1/16 in.)
framed: 40.01 x 32.39 cm (15 3/4 x 12 3/4 in.)
National Gallery of Art, Washington, Florian Carr Fund

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Giovanni Benedetto Castiglione
Old Man with a Long Beard and Skullcap, Leaning Forward, c. 1645/1647

etching on laid paper
plate: 18.2 x 14.9 cm (7 3/16 x 5 7/8 in.)
sheet: 31.7 x 23 cm (12 1/2 x 9 1/16 in.)
framed: 40.01 x 32.39 cm (15 3/4 x 12 3/4 in.)
National Gallery of Art, Washington, Florian Carr Fund

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Giovanni Benedetto Castiglione
Man with a Beard and a Tassled Headdress, Facing Left, c. 1645/1647

etching on laid paper
plate: 18 x 15 cm (7 1/16 x 5 7/8 in.)
sheet: 31.6 x 23.2 cm (12 7/16 x 9 1/8 in.)
framed: 40.01 x 32.39 cm (15 3/4 x 12 3/4 in.)
National Gallery of Art, Washington, Florian Carr Fund

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Giovanni Benedetto Castiglione
Man with a Long Beard and Headdress, Facing Right, c. 1645/1647

etching on laid paper
plate: 18.7 x 13.3 cm (7 3/8 x 5 1/4 in.)
sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.)
framed: 40.01 x 32.39 cm (15 3/4 x 12 3/4 in.)
National Gallery of Art, Washington, Florian Carr Fund

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Giovanni Benedetto Castiglione
Bearded Man in a Fur Cap, Facing Left, c. 1645/1647

etching on laid paper
plate: 18.2 x 14.7 cm (7 3/16 x 5 13/16 in.)
sheet: 32.1 x 23.1 cm (12 5/8 x 9 1/8 in.)
framed: 40.01 x 32.39 cm (15 3/4 x 12 3/4 in.)
National Gallery of Art, Washington, Florian Carr Fund

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Giuseppe Palmieri
The Vision of the Immaculate Conception, 1732

brush with brown wash, pen and brown ink, and white heightening over black chalk
overall: 66 x 48.9 cm (26 x 19 1/4 in.)
framed: 97.16 x 76.84 cm (38 1/4 x 30 1/4 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund and Andrea Woodner Fund

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Domenico Piola
A Satyr Entertaining His Family, 1690s

pen and brown ink with brown wash over traces of black chalk on laid paper
sheet: 28 x 24.5 cm (11 x 9 5/8 in.)
mount: 40.6 x 32.4 cm (16 x 12 3/4 in.)
framed: 60.96 x 45.72 cm (24 x 18 in.)
National Gallery of Art, Washington, Purchased as the Gift of Joan and David Maxwell

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Giovanni Battista Gaulli, called Baciccio
The Triumph of the Name of Jesus, c. 1676

oil on paper, laid down on canvas
overall: 163 x 111 cm (64 3/16 x 43 11/16 in.)
framed: 175.9 x 123.5 x 6 cm (69 1/4 x 48 5/8 x 2 3/8 in.)
Princeton University Art Museum, Museum purchase, Fowler McCormick, Class of 1921, Fund and Laura P. Hall Memorial Fund
Princeton University Art Museum / Art Resource, NY

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Giacomo Antonio Ponsonelli
Stefano Durazzo, 1677

marble
overall: 80 x 78 x 45 cm (31 1/2 x 30 11/16 x 17 11/16 in.)
gross weight: 90–100 kg (198.414–220.46 lb.)
separate, detachable base: 25 x 29 x 25 cm (9 13/16 x 11 7/16 x 9 13/16 in.)
approx. base weight: 30 kg (66.138 lb.)
Fondazione Brignole-Sale Negroni, Casa della Missione, Genoa
Photo by Luigino Visconti

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Andrea Ansaldo
The Invention of the Holy Cross, 1620/1625

pen and brown ink with brown wash over traces of black chalk, heightened with white, on blue prepared paper
sheet: 32.8 x 24 cm (12 15/16 x 9 7/16 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa

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Sebastiano Galeotti
Prophet Daniel, c. 1730

pen and black ink with brush and gray wash on gray-green paper
sheet: 32.1 x 24.5 cm (12 5/8 x 9 5/8 in.)
framed: 53.3 x 43.1 x 3.8 cm (21 x 16 15/16 x 1 1/2 in.)
Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection

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Bartolomeo Biscaino
Fantastic Landscape with a Man Drinking from a Stream, 1650s

red chalk with white heightening
sheet: 34.8 x 27.2 cm (13 11/16 x 10 11/16 in.)
mount: 41.1 x 33.4 cm (16 3/16 x 13 1/8 in.)
framed: 62.23 x 46.99 cm (24 1/2 x 18 1/2 in.)
National Gallery of Art, Washington, New Century Fund

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Alessandro Magnasco
The Baptism of Christ, 1720s

brown wash over black chalk, heightened with white gouache, on buff laid paper
sheet: 30.6 x 22.2 cm (12 1/16 x 8 3/4 in.)
mount: 32.9 x 22.9 cm (12 15/16 x 9 in.)
National Gallery of Art, Washington, New Century Fund

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Aurelio Lomi
The Stoning of Saint Stephen, c. 1602

pen and ink with oil over chalk on four sheets of paper
sheet: 94.5 x 78 cm (37 3/16 x 30 11/16 in.)
framed: 106.5 x 86.5 x 5.5 cm (41 15/16 x 34 1/16 x 2 3/16 in.)
National Gallery of Art, Washington, New Century Fund and The Ahmanson Foundation

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Gioacchino Assereto
The Death of Saint Joseph, c. 1640–1650

black chalk
sheet: 10.5 x 15.3 cm (4 1/8 x 6 in.)
framed: 31.75 x 39.37 cm (12 1/2 x 15 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa

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Alessandro Magnasco
Monks Warming Themselves at the Fire, c. 1725–1730

oil on canvas
overall: 76.5 x 54 cm (30 1/8 x 21 1/4 in.)
Rob Smeets Gallery, Geneva

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Giovanni Battista Paggi
Virgin and Child with the Young Saint John the Baptist, 1604

oil on canvas
overall: 153 x 112 cm (60 1/4 x 44 1/8 in.
framed: 170 x 129 cm (66 15/16 x 50 13/16 in.)
Private collection

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Giovanni Battista Paggi
The Stoning of Saint Stephen, 1604

pen and brown ink with brush and brown wash over black chalk, squared in black chalk
sheet: 41.1 x 27.7 cm (16 3/16 x 10 7/8 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

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Bernardo Castello
Christ Healing the Centurion’s Servant, c. 1590

red chalk with red wash over black chalk
sheet: 40.5 x 28.7 cm (15 15/16 x 11 5/16 in.)
framed: 63.5 x 51.44 cm (25 x 20 1/4 in.)
Mr. and Mrs. Jimmy J. Younger

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Lazzaro Tavarone
Kneeling Male Figure, c. 1633

black chalk, heightened with white on red prepared paper
sheet: 36.2 x 26 cm (14 1/4 x 10 1/4 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
© Gabinetto Disegni e Stampe di Palazzo Rosso

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Peter Paul Rubens
Giovan Carlo Doria, 1606

oil on canvas
overall: 265 x 188 cm (104 5/16 x 74 in.)
framed: 293 x 208 x 14 cm (115 3/8 x 81 7/8 x 5 1/2 in.)
Galleria Nazionale della Liguria a Palazzo Spinola, Genoa
Scala / Ministero per i Beni e le Attività culturali / Art Resource, NY

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Giulio Cesare Procaccini
The Ecstasy of the Magdalen, 1618/1621

oil on canvas
original canvas: 213.8 x 143.6 cm (84 3/16 x 56 1/2 in.)

overall size (lined canvas and stretcher): 216 x 146 cm (85 1/16 x 57 1/2 in.)

framed: 258.1 x 189.6 x 10.8 cm (101 5/8 x 74 5/8 x 4 1/4 in.)

gross weight (painting and frame together): 65.772 kg (145 lb.)
National Gallery of Art, Washington, Patrons' Permanent Fund

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Simon Vouet
David with the Head of Goliath, 1621

oil on canvas
overall: 123 x 94 cm (48 7/16 x 37 in.)
framed: 146 x 113.2 x 7 cm (57 1/2 x 44 9/16 x 2 3/4 in.)
Musei di Strada Nuova, Palazzo Bianco, Genoa
© Musei di Strada Nuova

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Orazio Gentileschi
Danaë and the Shower of Gold, 1621/1625

oil on canvas
overall: 161.5 x 227.1 cm (63 9/16 x 89 7/16 in.)
framed: 201.3 x 266.4 x 9.5 cm (79 1/4 x 104 7/8 x 3 3/4 in.)
The J. Paul Getty Museum, Los Angeles
Digital image courtesy of the Getty's Open Content Program

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Bernardo Strozzi
Pelias and Jason (?), c. 1610/1615

pen and brown ink
sheet: 14.5 x 20.9 cm (5 11/16 x 8 1/4 in.)
framed: 45.1 x 60.3 cm (17 3/4 x 23 3/4 in.)
The British Museum, London
© The Trustees of the British Museum

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Bernardo Strozzi
Studies of a Bust with Armor and a Head with Helmet (recto), and Studies of an Arm and Hands (verso), c. 1618/1620

black chalk on blue paper
sheet: 28.2 x 38.6 cm (11 1/8 x 15 3/16 in.)
framed: 41.91 x 54.61 cm (16 1/2 x 21 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

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Bernardo Strozzi
Minerva, c. 1636

black and red chalks
sheet: 37.3 x 26.2 cm (14 11/16 x 10 5/16 in.)
framed: 59.37 x 44.13 cm (23 3/8 x 17 3/8 in.)
The Cleveland Museum of Art, John L. Severance Fund

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Bernardo Strozzi
The Cook, c. 1625

oil on canvas
overall: 176 x 186 cm (69 5/16 x 73 1/4 in.)
framed: 193.5 x 211.5 x 8.5 cm (76 3/16 x 83 1/4 x 3 3/8 in.)
Musei di Strada Nuova, Palazzo Rosso, Genoa
© Musei di Strada Nuova

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Bernardo Strozzi
Scenes from the Life of Cleopatra, c. 1618/1620

oil on canvas
diameter: 72.5 cm (28 9/16 in.)
framed: 96 x 96 x 8.2 cm (37 13/16 x 37 13/16 x 3 1/4 in.)
Ashmolean Museum, University of Oxford, Purchased with the assistance of the Victoria and Albert Museum Purchase Grant Fund, 1969.
Image © Ashmolean Museum, University of Oxford

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Dutch or Flemish Silversmith, after Bernardo Strozzi
Basin with Scenes from the Life of Cleopatra, c. 1618/1620

silver
diameter: 75.6 cm (29 3/4 in.)
The J. Paul Getty Museum, Los Angeles
Digital image courtesy of the Getty's Open Content Program

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Silversmith GAB (Giovanni Aelbosca Belga)
Basin and Ewer in Celebration of Giovanni Grimaldi (The Lomellini Basin and Ewer) [Basin], 1621

silver
diameter: 64 cm (25 3/16 in.)

depth: 5.3 cm (2 1/16 in.)

weight: 4.78 kg (10.538 lb.)
Victoria and Albert Museum, London, Purchased with assistance from The Art Fund
© Victoria and Albert Museum, London

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Silversmith GAB (Giovanni Aelbosca Belga)
Basin and Ewer in Celebration of Giovanni Grimaldi (The Lomellini Basin and Ewer) [Ewer], 1622

silver
overall: 54 x 24 x 19 cm (21 1/4 x 9 7/16 x 7 1/2 in.)
weight: 4.65 kg (10.251 lb.)
Victoria and Albert Museum, London, Purchased with assistance from The Art Fund
© Victoria and Albert Museum, London

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Matthias Melijn
Basin with the Departure of Christopher Columbus, c. 1630

silver
diameter: 56.5 cm (22 1/4 in.)
Galleria Nazionale di Palazzo Spinola, Genoa
With the Permission of the Ministero dei Beni e delle Attivita Culturali - Galleria Nazionale di Palazzo Spinola-Genova

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Gioacchino Assereto
Alexander and Diogenes, 1626/1628

oil on canvas
overall: 180.3 x 148.6 cm (71 x 58 1/2 in.)
framed: 203 x 172.2 cm (79 15/16 x 67 13/16 in.)
Gemäldegalerie, Staatliche Museen zu Berlin
bpk Bildagentur / Gemaldegalerie / Joerg P. Anders / Art Resource, NY

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Andrea Ansaldo
Esther before Ahasuerus, c. 1635

oil on canvas
overall: 130 x 120 cm (51 3/16 x 47 1/4 in.)
framed: 160 x 150 x 10 cm (63 x 59 1/16 x 3 15/16 in.)
Private collection

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Anthony van Dyck
Agostino Pallavicini, c. 1621

oil on canvas
overall: 216.2 x 141 cm (85 1/8 x 55 1/2 in.)
framed: 265.4 x 185.4 x 11.4 cm (104 1/2 x 73 x 4 1/2 in.)
The J. Paul Getty Museum, Los Angeles
Digital image courtesy of the Getty's Open Content Program

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Luciano Borzone
Rosamund Refusing the Cup, 1635/1640

oil on canvas
overall: 160 x 190 cm (63 x 74 13/16 in.)
Estate of Aldo Zerbone

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Orazio De Ferrari
Ecce Homo, c. 1640/1645

oil on canvas
overall: 95 x 118 cm (37 3/8 x 46 7/16 in.)
Pinacoteca di Brera, Milan
© Pinacoteca di Brera, Milano

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Orazio De Ferrari
The Adoration of the Magi, 1640/1650

pen and brown ink with brush and brown wash
sheet: 19.2 x 29.4 cm (7 9/16 x 11 9/16 in.)
framed: 44.45 x 59.69 cm (17 1/2 x 23 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

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Gioacchino Assereto
The Suicide of Cato, c. 1640

oil on canvas
overall: 203 x 253 cm (79 15/16 x 99 5/8 in.)
framed: 223.3 x 274.5 x 7 cm (87 15/16 x 108 1/16 x 2 3/4 in.)
Musei di Strada Nuova, Palazzo Bianco, Genoa
© Musei di Strada Nuova

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Domenico Fiasella
The Impeturbability of Anaxarchus, 1630/1635

oil on canvas
overall: 153 x 189 cm (60 1/4 x 74 7/16 in.)
framed: 155.5 x 191.5 x 4 cm (61 1/4 x 75 3/8 x 1 9/16 in.)
Musei di Strada Nuova, Palazzo Bianco, Genoa
© Musei di Strada Nuova

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Domenico Fiasella
The Risen Christ, c. 1610/1615

red chalk
sheet: 29.7 x 20.3 cm (11 11/16 x 8 in.)
framed: 60.3 x 45.1 cm (23 3/4 x 17 3/4 in.)
The British Museum, London
© The Trustees of the British Museum

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Giovanni Andrea de Ferrari
The Drunkenness of Noah, 1630/1640

oil on canvas
overall: 124 x 149 cm (48 13/16 x 58 11/16 in.)
framed: 145 x 169 x 12 cm (57 1/16 x 66 9/16 x 4 3/4 in.)
Museo dell'Accademia Ligustica di Belle Arti, Genoa
Photo by Luigino Visconti

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Sinibaldo Scorza
The Royal Hunt of Dido and Aeneas, c. 1625/1630

oil on canvas
overall: 46 x 71 cm (18 1/8 x 27 15/16 in.)
framed: 62 x 88 x 6.5 cm (24 7/16 x 34 5/8 x 2 9/16 in.)
Private collection

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Sinibaldo Scorza
Orpheus Charming the Animals, 1621

pen and brown ink
sheet: 40 x 57 cm (15 3/4 x 22 7/16 in.)
framed: 63.5 x 83.5 cm (25 x 32 7/8 in.)
Rijksmuseum, Amsterdam, Purchased with the support of the F.G. Waller-Fonds RP
Rijksmuseum, Amsterdam

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Sinibaldo Scorza
A Dead Lapwing, c. 1620/1630

brush and colored washes over traces of black chalk
sheet: 19.5 x 19.3 cm (7 11/16 x 7 5/8 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

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Cornelis de Wael
The Departure of the Prodigal Son, 1630/1635

oil on canvas
overall: 57 x 86 cm (22 7/16 x 33 7/8 in.)
framed: 70 x 100 cm (27 9/16 x 39 3/8 in.)
Private collection

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Cornelis de Wael
The Prodigal Son Wasting His Substance, 1630/1635

oil on canvas
overall: 57 x 86 cm (22 7/16 x 33 7/8 in.)
framed: 70 x 100 cm (27 9/16 x 39 3/8 in.)
Private collection

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Cornelis de Wael
The Prodigal Son Expelled from the Tavern, 1630/1635

oil on canvas
overall: 57 x 86 cm (22 7/16 x 33 7/8 in.)
framed: 70 x 100 cm (27 9/16 x 39 3/8 in.)
Private collection

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Cornelis de Wael
The Prodigal Son Amid the Swine, 1630/1635

oil on canvas
overall: 57 x 86 cm (22 7/16 x 33 7/8 in.)
framed: 70 x 100 cm (27 9/16 x 39 3/8 in.)
Private collection

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Giacomo Legi
The Larder, 1630/1640

oil on canvas
overall: 149 x 188 cm (58 11/16 x 74 in.)
framed: 176 x 219 x 10 cm (69 5/16 x 86 1/4 x 3 15/16 in.)
Private collection, courtesy Galerie Canesso, Paris

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Giovanni Benedetto Castiglione
Noah's Sacrifice after the Deluge, 1645/1650

oil on canvas
overall: 140.3 x 193.7 cm (55 1/4 x 76 1/4 in.)
framed: 167.6 x 218.4 x 8.9 cm (66 x 86 x 3 1/2 in.)
Los Angeles County Museum of Art, Gift of the Ahmanson Foundation

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Giovanni Benedetto Castiglione
Scene from Apuleius' "Golden Ass", 1630/1635

brush with brown wash, watercolors, and red and brown oil
sheet: 28.3 x 41.3 cm (11 1/8 x 16 1/4 in.)
framed: 51 x 63.8 x 3.8 cm (20 1/16 x 25 1/8 x 1 1/2 in.)
The Morgan Library & Museum, New York, Purchased by Pierpont Morgan (1837–1913) in 1909
The Morgan Library & Museum, New York

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Giovanni Benedetto Castiglione
Noah Leading the Animals into the Ark, 1645/1650

brush with brown and red oil pigments
sheet: 24.5 x 39 cm (9 5/8 x 15 3/8 in.)
framed: 46 x 63.5 cm (18 1/8 x 25 in.)
Rijksmuseum, Amsterdam, I.Q. van Regteren Altena Bequest
Rijksmuseum, Amsterdam

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Giovanni Benedetto Castiglione
The Animals Going toward the Ark, 1645/1650

etching
sheet (trimmed within plate mark): 20.7 x 39.8 cm (8 1/8 x 15 11/16 in.)
framed: 44.45 x 59.69 cm (17 1/2 x 23 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

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Antonio Travi
Shore with Fishermen and Ruined Tower, 1650/1655

oil on canvas
overall: 125 x 177 cm (49 3/16 x 69 11/16 in.)
framed: 151 x 203 x 9 cm (59 7/16 x 79 15/16 x 3 9/16 in.)
Private collection

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Giulio Benso
Virgin and Child with Saint Benedict, Saint Scholastica, and Angels, 1629

pen and brown ink with brush and brown wash, squared in graphite
sheet: 35.1 x 23.6 cm (13 13/16 x 9 5/16 in.)
mount: 40.9 x 30.2 cm (16 1/8 x 11 7/8 in.)
framed: 62.23 x 46.99 cm (24 1/2 x 18 1/2 in.)
National Gallery of Art, Washington, Eugene L. and Marie-Louise Garbáty Fund

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Giovanni Benedetto Castiglione
The Adoration of the Shepherds, 1645

oil on canvas
overall: 398 x 218 cm (156 11/16 x 85 13/16 in.)
Fondazione Spinola, Chiesa di San Luca, Genoa
Photo by Luigino Visconti

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Giovanni Benedetto Castiglione
Virgin and Child in Glory with an Angel, 1650/1655

oil on paper, laid down on canvas
sheet: 53.5 x 39.2 cm (21 1/16 x 15 7/16 in.)
framed: 60.9 x 46.3 x 2.54 cm (24 x 18 1/4 x 1 in.)
Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection

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Giovanni Benedetto Castiglione
The Adoration of the Shepherds, 1650/1655

oil on laid paper; laid down
overall: 41.2 x 60.9 cm (16 1/4 x 24 in.)
framed: 66.04 x 86.36 cm (26 x 34 in.)
National Gallery of Art, Washington, Woodner Collection, Gift of Dian Woodner

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Valerio Castello
The Marriage of the Virgin, 1645/1650

oil on canvas
overall: 95.5 x 122.5 cm (37 5/8 x 48 1/4 in.)
framed: 119 x 146.5 cm (46 7/8 x 57 11/16 in.)
Galleria Nazionale di Palazzo Spinola, Genoa
With the Permission of the Ministero dei Beni e delle Attivita Culturali - Galleria Nazionale di Palazzo Spinola-Genova

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Valerio Castello
Diana and Actaeon with Pan and Syrinx, 1650/1655

oil on canvas
overall: 165.1 x 251.5 cm (65 x 99 in.)
framed: 183.5 x 275 x 6.4 cm (72 1/4 x 108 1/4 x 2 1/2 in.)
Norton Museum of Art, West Palm Beach, Florida, Gift of R. H. Norton, 49.3

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Valerio Castello
The Appearance of the Column and Transport of the Ark of the Covenant, 1645/1650

pen and brown ink with brown wash over red chalk
sheet: 37.3 x 24.7 cm (14 11/16 x 9 3/4 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

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Valerio Castello
The Finding of Moses, 1650/1655

pen and brown ink with brown wash, heightened with white, on blue paper
sheet: 18.1 x 21.9 cm (7 1/8 x 8 5/8 in.)
framed: 60.3 x 45.1 cm (23 3/4 x 17 3/4 in.)
The British Museum, London
© The Trustees of the British Museum

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Bartolomeo Biscaino
The Adoration of the Magi, 1650/1655

oil on canvas
overall: 124 x 173 cm (48 13/16 x 68 1/8 in.)
Strasbourg, Musee des Beaux-Arts
Musees de Strasbourg, M. Bertola

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Bartolomeo Biscaino
The Holy Family, c. 1655

brush and brown wash over red chalk
sheet: 25.5 x 18.3 cm (10 1/16 x 7 3/16 in.)
framed: 53.3 x 43.1 x 3.8 cm (21 x 16 15/16 x 1 1/2 in.)
Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection

File name: 5051-239.jpg
Bartolomeo Biscaino
The Nativity, c. 1655

etching on laid paper
plate: 39.5 x 28 cm (15 9/16 x 11 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

File name: 5051-244.jpg
Giovanni Battista Merano
The Massacre of the Innocents, 1660/1661

pen and brown ink with brush and gray wash over black chalk, squared in black chalk
sheet: 36 x 42 cm (14 3/16 x 16 9/16 in.)
framed: 59.69 x 74.93 cm (23 1/2 x 29 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa, D2492
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

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Domenico Piola
Job and His Sons, 1650

oil on canvas
overall: 175.5 x 220 cm (69 1/8 x 86 5/8 in.)
framed: 213.1 x 257.3 x 9.7 cm (83 7/8 x 101 5/16 x 3 13/16 in.)
Museo de Bellas Artes de Bilbao
© Bilboko Arte Ederren Museoa-Museo de Bellas Artes de Bilbao

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Domenico Piola
The Annunciation, 1679

oil on canvas
overall: 345 x 200 x 5 cm (135 13/16 x 78 3/4 x 1 15/16 in.)
estimated weight: 45 kg (99.207 lb.)
Basilica della Santissima Annunziata del Vastato, Genoa
Photo by Luigino Visconti

File name: 5051-113.jpg
Domenico Piola and Stefano Camogli
Putto with a Vase of Flowers (Allegory of Spring and Summer), c. 1685/1690

oil on canvas
overall: 132 x 93 cm (51 15/16 x 36 5/8 in.)
framed: 141 x 104.6 cm (55 1/2 x 41 3/16 in.)
Civica Galleria di Palazzo Rocca, Chiavari, Quadreria P. Torriglia

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Domenico Piola
Tobit Burying the Dead, c. 1650/1660

pen and brown ink with brown wash over traces of black chalk
sheet: 29 x 42.5 cm (11 7/16 x 16 3/4 in.)
framed: 54.61 x 67.31 cm (21 1/2 x 26 1/2 in.)
National Gallery of Art, Washington, Purchased as the Gift of Andrea Woodner

File name: 5051-248.jpg
Domenico Piola
Virgin and Child with Saint George, c. 1680

pen and brown ink with brush and brown wash, heightened with white, over traces of black chalk on gray-green paper
sheet: 38.8 x 25 cm (15 1/4 x 9 13/16 in.)
framed: 60.3 x 45.1 cm (23 3/4 x 17 3/4 in.)
The British Museum, London
© The Trustees of the British Museum

File name: 5051-246.jpg
Domenico Piola
Virgin and Child with Caterina Fieschi and Angels, c. 1682

pen and brown ink with brush and brown wash over traces of black chalk
sheet: 34.7 x 24.3 cm (13 11/16 x 9 9/16 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
© Gabinetto Disegni e Stampe di Palazzo Rosso

File name: 5051-249.jpg
Domenico Piola
Design for a Fan with Apollo and Daphne, 1680/1685

pen and brown ink with brush and brown wash over traces of black and red chalks
sheet: 24.8 x 48.5 cm (9 3/4 x 19 1/8 in.)
mat: 40 x 60 cm (15 3/4 x 23 5/8 in.)
framed: 44 x 64 cm (17 5/16 x 25 3/16 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
© Gabinetto Disegni e Stampe di Palazzo Rosso

File name: 5051-118.jpg
Gregorio De Ferrari
The Infant Moses with Pharaoh's Crown, 1675/1680

oil on canvas
overall: 150 x 200 cm (59 1/16 x 78 3/4 in.)
framed: 157 x 207 x 7 cm (61 13/16 x 81 1/2 x 2 3/4 in.)
Collezioni d'Arte Banca Carige, Genoa

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Gregorio De Ferrari
The Death of Saint Scholastica, c. 1700

oil on canvas
overall: 319 x 224 x 4 cm (125 9/16 x 88 3/16 x 1 9/16 in.)
estimated weight: 50 kg (110.23 lb.)
Museo Diocesano, Genoa, on deposit from the Abbazia di Santo Stefano
Photo by Luigino Visconti

File name: 5051-325.jpg
Gregorio De Ferrari
Portrait of a Lady, 1670/1680

black chalk and charcoal with black tempera, heightened with white
sheet: 27 x 17.1 cm (10 5/8 x 6 3/4 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

File name: 5051-305.jpg
Gregorio De Ferrari
Saint Michael and the Rebel Angels, c. 1682

pen and brown ink with brush and brown wash, heightened with white, over traces of black chalk, on gray-green paper
sheet: 47 x 29.1 cm (18 1/2 x 11 7/16 in.)
framed: 76.84 x 61.6 cm (30 1/4 x 24 1/4 in.)
National Gallery of Art, Washington, Elizabeth White Fund

File name: 5051-261.jpg
Gregorio De Ferrari
The Liberation of Saint Peter, 1680/1690

brush and brown wash over black chalk
sheet: 42.2 x 26.5 cm (16 5/8 x 10 7/16 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

File name: 5051-120.jpg
Bartolomeo Guidobono
Lot and His Daughters, 1694/1696

oil on canvas
overall: 225 x 164 cm (88 9/16 x 64 9/16 in.)
framed: 255 x 190 x 10 cm (100 3/8 x 74 13/16 x 3 15/16 in.)
Musei di Strada Nuova, Palazzo Rosso, Genoa
© Musei di Strada Nuova

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Pierre Puget
Saint Sebastian, 1664/1666

terracotta
overall: 93 x 40 x 35 cm (36 5/8 x 15 3/4 x 13 3/4 in.)
Petit Palais, Musee des Beaux-Arts de la Ville de Paris
© Stephane Piera /Petit Palais / Roger-Viollet

File name: 5051-054.jpg
Pierre Puget
Virgin of the Immaculate Conception (The Lomellini Immacolata), 1669–1670

marble
overall: 190 x 100 x 70 cm (74 13/16 x 39 3/8 x 27 9/16 in.)
estimated weight: 1500 kg (3306.9 lb.)
Oratorio di San Filippo Neri, Genoa
Photo by Luigino Visconti

File name: 5051-056.jpg
Pierre Puget
The Abduction of Helen, c. 1685/1686

bronze
overall: 97.2 x 48.3 x 43 cm (38 1/4 x 19 x 16 15/16 in.)
mount: 96.8 x 50.3 x 50.3 cm (38 1/8 x 19 13/16 x 19 13/16 in.)
Detroit Institute of Arts, Founders Society Purchase, Mr. and Mrs. Allan Shelden III Fund
Bridgeman Images

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Bernardino Schiaffino
Jupiter as the Swan with Helen and Pollux, 1707

marble
overall (excluding base): 146 x 99 x 60 cm (57 1/2 x 39 x 23 5/8 in.)
base: 50 x 50 x 22 cm (19 11/16 x 19 11/16 x 8 11/16 in.)
approximate weight: 500 kg
Musei di Strada Nuova, Palazzo Rosso, Genoa
Courtesy of Musei di Strada Nuova, Photo by Luigino Visconti

File name: 5051-139.jpg
Francesco Biggi, after Domenico Parodi
The She-Wolf with Romulus and Remus, c. 1707

marble
overall (excluding base): 136 x 93 x 48 cm (53 9/16 x 36 5/8 x 18 7/8 in.)
base: 50 x 50 x 22 cm (19 11/16 x 19 11/16 x 8 11/16 in.)
approximate weight: 500 kg
Musei di Strada Nuova, Palazzo Rosso, Genoa
Courtesy of Musei di Strada Nuova, Photo by Luigino Visconti

File name: 5051-101.jpg
Bernardo Strozzi
The Vision of Saint Dominic (Il Paradiso), 1620–1621

oil on canvas
overall: 177 x 107.5 cm (69 11/16 x 42 5/16 in.)
framed: 194 x 127 x 11.5 cm (76 3/8 x 50 x 4 1/2 in.)
Museo dell'Accademia Ligustica di Belle Arti, Genoa
Photo by Luigino Visconti

File name: 5051-103.jpg
Giovanni Battista Carlone
The Calling of Saint Peter, c. 1658

oil on canvas
overall: 140 x 127 cm (55 1/8 x 50 in.)
framed: 154 x 132 x 5 cm (60 5/8 x 51 15/16 x 1 15/16 in.)
Galleria Nazionale di Palazzo Spinola, Genoa
With the Permission of the Ministero dei Beni e delle Attivita Culturali - Galleria Nazionale di Palazzo Spinola-Genova

File name: 5051-104.jpg
Giovanni Battista Carlone
The Crucifixion of Saint Peter, c. 1658

oil on canvas
overall: 145 x 122 cm (57 1/16 x 48 1/16 in.)
framed: 154 x 130 x 5 cm (60 5/8 x 51 3/16 x 1 15/16 in.)
Galleria Nazionale di Palazzo Spinola, Genoa
With the Permission of the Ministero dei Beni e delle Attivita Culturali - Galleria Nazionale di Palazzo Spinola-Genova

File name: 5051-105.jpg
Giovanni Battista Carlone
The Fall of Simon Magus, c. 1658

oil on canvas
overall: 148 x 126 cm (58 1/4 x 49 5/8 in.)
framed: 154 x 132 x 5 cm (60 5/8 x 51 15/16 x 1 15/16 in.)
Galleria Nazionale di Palazzo Spinola, Genoa
With the Permission of the Ministero dei Beni e delle Attivita Culturali - Galleria Nazionale di Palazzo Spinola-Genova

File name: 5051-247.jpg
Domenico Piola
Vault with the Immaculate Conception, 1683/1684

pen and brown ink with brush and brown wash over traces of black chalk
sheet: 57.6 x 36.8 cm (22 11/16 x 14 1/2 in.)
framed: 74.93 x 59.69 cm (29 1/2 x 23 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
© Gabinetto Disegni e Stampe di Palazzo Rosso

File name: 5051-108.jpg
Domenico Piola
The Coronation of the Virgin, c. 1695

oil on canvas
overall: 61.5 x 146 cm (24 3/16 x 57 1/2 in.)
framed: 81 x 168 x 6.5 cm (31 7/8 x 66 1/8 x 2 9/16 in.)
Musei di Strada Nuova, Palazzo Bianco, Genoa
© Musei di Strada Nuova

File name: 5051-041.jpg
Gregorio De Ferrari
The Assumption of the Virgin, c. 1690

oil on canvas
overall: 112.5 x 148.5 cm (44 5/16 x 58 7/16 in.)
Musees Royaux d'Art et d'Histoire, Brussels
© RMAH, Brussels

File name: 5051-265.jpg
Gregorio De Ferrari
Vault with the Annunciation, c. 1700/1710

pen and brown ink with brush and brown wash, heightened with white, over traces of black chalk on gray-green paper
sheet: 42.6 x 54.8 cm (16 3/4 x 21 9/16 in.)
framed: 59.69 x 74.93 cm (23 1/2 x 29 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
© Gabinetto Disegni e Stampe di Palazzo Rosso

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Lorenzo De Ferrari
Study of an Angel in Flight, c. 1738

black chalk on blue paper, squared in red chalk
sheet: 54.9 x 39.4 cm (21 5/8 x 15 1/2 in.)
framed: 76.2 x 60.96 cm (30 x 24 in.)
National Gallery of Art, Washington, New Century Fund

File name: 5051-346.jpg
Lorenzo De Ferrari
Two Goddesses (Horae), 1742–1744

black and white chalks
sheet: 60 x 38 cm (23 5/8 x 14 15/16 in.)
framed: 74.93 x 59.69 cm (29 1/2 x 23 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

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Lorenzo De Ferrari
Project for Ceiling Decoration in Honor of an Admiral, c. 1730/1740

black chalk, heightened with white, on blue paper
sheet: 52.3 x 40.4 cm (20 9/16 x 15 7/8 in.)
framed: 72.39 x 81.28 cm (28 1/2 x 32 in.)
Private collection, New York

File name: 5051-128.jpg
Paolo Gerolamo Piola
Apollo and Daphne, 1700/1705

oil on canvas
overall: 54 x 78 cm (21 1/4 x 30 11/16 in.)
framed: 73.5 x 102 x 6 cm (28 15/16 x 40 3/16 x 2 3/8 in.)
Private collection, Genoa

File name: 5051-277.jpg
Paolo Gerolamo Piola
Virgin and Child in Glory with Saints Lucy, Nicholas, James the Greater, and Christopher, 1685/1690

brush with brown wash, heightened with white, over traces of black chalk
sheet: 51.5 x 41.3 cm (20 1/4 x 16 1/4 in.)
framed: 74.93 x 59.69 cm (29 1/2 x 23 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

File name: 5051-350.jpg
Paolo Gerolamo Piola
The Martyrdom of Saint Lawrence, 1720/1724

pen and brown ink with brown wash, heightened with white
sheet: 34.6 x 49.2 cm (13 5/8 x 19 3/8 in.)
mount: 42.5 x 29 cm (16 3/4 x 11 7/16 in.)
framed: 56.52 x 66.68 cm (22 1/4 x 26 1/4 in.)
National Gallery of Art, Washington, Purchased as the Gift of Andrea Woodner

File name: 5051-134.jpg
Domenico Parodi
Portrait of a Lady with Servant, c. 1715

oil on canvas
overall: 136 x 130 cm (53 9/16 x 51 3/16 in.)
framed: 146 x 140 cm (57 1/2 x 55 1/8 in.)
Goldfinch Fine Arts
Photo by Luigino Visconti

File name: 5051-251.jpg
Domenico Parodi
Design for a Nymphaeum, 1710/1720

pen and brown ink with brush and gray wash over traces of black chalk
sheet: 33.6 x 22.7 cm (13 1/4 x 8 15/16 in.)
framed: 59.69 x 44.45 cm (23 1/2 x 17 1/2 in.)
Gabinetto Disegni e Stampe di Palazzo Rosso, Genoa
Courtesy of Gabinetto Disegni e Stampe di Palazzo Rosso, Photo by Luigino Visconti

File name: 5051-253.jpg
Domenico Parodi
Design for a Clock Face, c. 1690/1700

pen and brown ink with brush and gray wash
sheet: 33.8 x 28.8 cm (13 5/16 x 11 5/16 in.)
framed: 63.5 x 46 cm (25 x 18 1/8 in.)
Rijksmuseum, Amsterdam
Rijksmuseum, Amsterdam

File name: 5051-138.jpg
Carlo Antonio Tavella
Landscape with the Flight into Egypt, c. 1735

oil on canvas
overall: 148 x 197 cm (58 1/4 x 77 9/16 in.)
framed: 152 x 201 x 3 cm (59 13/16 x 79 1/8 x 1 3/16 in.)
Collection Paolo Montanaro

File name: 5051-286.jpg
Carlo Antonio Tavella
Pastoral Landscape with Shepherd, Cow, and Flock of Sheep, 1716

pen and iron gall and brown inks over black chalk
sheet: 28.8 x 42.3 cm (11 5/16 x 16 5/8 in.)
framed: 48.2 x 63.5 x 3.8 cm (19 x 25 x 1 1/2 in.)
Blanton Museum of Art, The University of Texas at Austin, The Suida-Manning Collection

File name: 5051-045.jpg
Anton Maria Maragliano
The Baptism of Christ, 1723–1725

gilt and polychromed wood
overall without base: 220 x 210 x 135 cm (86 5/8 x 82 11/16 x 53 1/8 in.)
base: 33 x 215 x 157 cm (13 x 84 5/8 x 61 13/16 in.)
overall with base: 253 x 215 x 157 cm (99 5/8 x 84 5/8 x 61 13/16 in.)
Parrocchia di San Giovanni Battista, Pieve di Teco
Photo by Luigino Visconti

File name: 5051-135.jpg
Lorenzo De Ferrari
Alexander and the Gordian Knot, 1740/1744

oil on panel
overall: 143 x 117 cm (56 5/16 x 46 1/16 in.)
framed: 154.2 x 133.8 x 8.5 cm (60 11/16 x 52 11/16 x 3 3/8 in.)
Musei di Strada Nuova, Palazzo Bianco, Genoa
Courtesy of Musei di Strada Nuova, Photo by Luigino Visconti

File name: 5051-141.jpg
Genoese Silversmith, after Francesco Maria Schiaffino
Virgin of the Immaculate Conception, 1748

silver
overall: 194 x 68 x 46 cm (76 3/8 x 26 3/4 x 18 1/8 in.)
Museo del Tesoro della Cattedrale di San Lorenzo, Genoa
Photo by Luigino Visconti

File name: 5051-151.jpg
Alessandro Magnasco
Bacchanal, 1735/1740

oil on wood
overall: 87 x 117 cm (34 1/4 x 46 1/16 in.)
framed: 110 x 140 cm (43 5/16 x 55 1/8 in.)
Private collection

File name: 5051-150.jpg
Alessandro Magnasco
Saint Augustine and the Child, c. 1740

oil on canvas
overall: 118 x 92 cm (46 7/16 x 36 1/4 in.)
framed: 146.5 x 120.5 x 5.5 cm (57 11/16 x 47 7/16 x 2 3/16 in.)
Musei di Strada Nuova, Palazzo Bianco, Genoa
© Musei di Strada Nuova

File name: 5051-038.jpg
Alessandro Magnasco
Garden Party in Albaro, 1745/1749

oil on canvas
overall: 86.3 x 198 cm (34 x 77 15/16 in.)
framed: 97.2 x 209.8 x 6 cm (38 1/4 x 82 5/8 x 2 3/8 in.)
Musei di Strada Nuova, Palazzo Bianco, Genoa
© Musei di Strada Nuova

File name: 5051-288.jpg
Alessandro Magnasco
A Penitent at a Quaker Sermon, c. 1710/1720

brush and brown wash, heightened with white, on prepared gray-green paper
sheet: 32.5 x 24.1 cm (12 13/16 x 9 1/2 in.)
framed: 62.23 x 46.99 cm (24 1/2 x 18 1/2 in.)
National Gallery of Art, Washington, Pepita Milmore Memorial Fund

File name: 5051-338.jpg
Alessandro Magnasco
A Group of Shepherds, a Woman and Child, Resting Beneath a Tree, c. 1700–1710

brush and brown ink, heightened with white, over red chalk
sheet: 29.3 x 20.4 cm (11 9/16 x 8 1/16 in.)
framed: 60.3 x 45.1 cm (23 3/4 x 17 3/4 in.)
The British Museum, London
© The Trustees of the British Museum

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A Superb Baroque: Art in Genoa, 1600–1750
September 26, 2021–January 9, 2022 (CANCELED)

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