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File name: 5158-122.jpg
James McNeill Whistler
Study, 1878

lithotint in brown on wove paper
sheet: 25.4 x 23.9 cm (10 x 9 7/16 in.)
framed: 55.88 x 40.64 cm (22 x 16 in.)
National Gallery of Art, Washington, Rosenwald Collection

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James McNeill Whistler
The Toilet, 1878

lithotint in black on wove paper
image: 26 x 16.4 cm (10 1/4 x 6 7/16 in.)
sheet: 38.2 x 26.3 cm (15 1/16 x 10 3/8 in.)
framed: 55.88 x 40.64 cm (22 x 16 in.)
National Gallery of Art, Washington, Rosenwald Collection

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James McNeill Whistler
Letter, Whistler to Fantin-Latour with sketch of "Wapping", January/June 1861

pen on off-white wove lined paper
overall: 20.5 x 25.4 cm (8 1/16 x 10 in.)
encapsulation on backboard: 21.4 x 26.1 x 3 cm (8 7/16 x 10 5/16 x 1/8 in)
Pennell-Whistler Collection, Manuscript Division, Library of Congress, Washington, DC

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James McNeill Whistler
Letter, Whistler to Fantin-Latour with sketch of "Blue Wave, Biarritz", October 1/5, 1862

pen and brown ink on cream laid paper
overall: 20.8 x 14 cm (8 3/16 x 5 1/2 in.)
encapsulation on backboard: 21.5 x 14.3 x 3 cm (8 1/2 x 5 7/8 x 1/8 in)
Pennell-Whistler Collection, Manuscript Division, Library of Congress, Washington, DC

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James McNeill Whistler
Letter, Whistler to Fantin-Latour with sketch of "Symphony in White, No. 3", August 16, 1865

pen and brown ink on cream laid paper
overall: 21 x 13.7 cm (8 1/4 x 5 3/8 in.)
Pennell-Whistler Collection, Manuscript Division, Library of Congress, Washington, DC

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unknown
Whistler's power of attorney, January 31, 1866

overall: 38.7 x 24.8 cm (15 1/4 x 9 3/4 in.)
Pennell-Whistler Collection, Manuscript Division, Library of Congress, Washington, DC

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unknown
Whistler's will, January 31, 1866

overall: 32.1 x 20.3 cm (12 5/8 x 8 in.)
Pennell-Whistler Collection, Manuscript Division, Library of Congress, Washington, DC

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James McNeill Whistler
Wapping, 1860–1864

oil on canvas
overall: 72 x 101.8 cm (28 3/8 x 40 1/16 in.)
framed: 92.1 x 123.5 x 7.6 cm (36 1/4 x 48 5/8 x 3 in.)
National Gallery of Art, Washington, John Hay Whitney Collection

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James McNeill Whistler
Ratcliffe Highway, 1859/1861

drypoint on pale grey wove paper
plate: 15.2 x 22.6 cm (6 x 8 7/8 in.)
sheet: 20 x 28.1 cm (7 7/8 x 11 1/16 in.)
mount: 40.6 x 55.8 cm (16 x 21 15/16 in.)
framed (provisional): 59 x 43.7 x 2.2 cm (23 1/4 x 17 3/16 x 7/8 in.)
The Hunterian, University of Glasgow

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James McNeill Whistler
The Little Rotherhithe, 1861

etching on Asian laid paper
plate: 12.2 x 10 cm (4 13/16 x 3 15/16 in.)
sheet: 19.1 x 13.7 cm (7 1/2 x 5 3/8 in.)
National Gallery of Art, Washington, Rosenwald Collection

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James McNeill Whistler
Rotherhithe, 1860

etching and drypoint on ivory laid paper
sheet (trimmed to plate mark): 27.6 x 20.1 cm (10 7/8 x 7 15/16 in.)
National Gallery of Art, Washington, Gift of John Nichols Estabrook and Dorothy Coogan Estabrook

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James McNeill Whistler
Battersea Reach, 1862/1863

oil on canvas
overall: 50.8 x 76.4 cm (20 x 30 1/16 in.)
framed: 70.49 x 95.89 x 7.62 cm (27 3/4 x 37 3/4 x 3 in.)
National Gallery of Art, Washington, Corcoran Collection (Bequest of James Parmelee; Frame restored in memory of Anne Wallick and Marianna Grove, members of the Women's Committee of the Corcoran Gallery of Art)

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James McNeill Whistler
Jo, 1861

drypoint on ivory laid paper
sheet: 45.1 x 31.1 cm (17 3/4 x 12 1/4 in.)
plate: 22.9 x 15.2 cm (9 x 6 in.)
National Gallery of Art, Washington, Rosenwald Collection

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James McNeill Whistler
The Open Book, 1861

etching and drypoint on ivory laid paper
plate: 15.1 x 11.3 cm (5 15/16 x 4 7/16 in.)
sheet: 32.2 x 25.3 cm (12 11/16 x 9 15/16 in.)
mount: 55.8 x 40.6 cm (21 15/16 x 16 in.)
framed (provisional): 59 x 43.7 x 2.2 cm (23 1/4 x 17 3/16 x 7/8 in.)
The Hunterian, University of Glasgow

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James McNeill Whistler
Jo's Bent Head, 1861

drypoint on tan laid paper
image: 22.4 x 15.6 cm (8 13/16 x 6 1/8 in.)
sheet: 28.1 x 23.7 cm (11 1/16 x 9 5/16 in.)
framed: 39 x 31.4 cm (15 3/8 x 12 3/8 in.)
Prints and Photographs Division, Library of Congress, Washington, DC

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James McNeill Whistler
Jo's Bent Head, 1861

drypoint on cream laid paper with Arms of Amsterdam watermark
plate: 22.9 x 15.2 cm (9 x 6 in.)
sheet: 29.2 x 19.4 cm (11 1/2 x 7 5/8 in.)
National Gallery of Art, Washington, Rosenwald Collection

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James McNeill Whistler
Jo's Bent Head, 1861

drypoint on cream laid paper with IV countermark
plate: 22.9 x 15.2 cm (9 x 6 in.)
sheet: 32.1 x 19.4 cm (12 5/8 x 7 5/8 in.)
framed: 51.12 x 38.42 cm (20 1/8 x 15 1/8 in.)
Collection of the University of Michigan Museum of Art, Ann Arbor, Bequest of Margaret Watson Parker, 1954/1.350

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James McNeill Whistler
Symphony in White, No. 1: The White Girl, 1861–1863, 1872

oil on canvas
overall: 213 x 107.9 cm (83 7/8 x 42 1/2 in.)
framed: 244.2 x 136.5 x 8.3 cm (96 1/8 x 53 3/4 x 3 1/4 in.)
National Gallery of Art, Washington, Harris Whittemore Collection

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James McNeill Whistler
A White Note, 1862

oil on canvas
overall: 36.8 x 31.8 cm (14 1/2 x 12 1/2 in.)
framed: 65.4 x 60 x 6 cm (25 3/4 x 23 5/8 x 2 3/8 in.)
The Lunder Collection, Colby College Museum of Art, Waterville, ME, 021.2011

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After James McNeill Whistler, engraved by the Dalziel Brothers
Joanna Douglas in "The Trial Sermon", 1862

wood engraving
image: 15.3 x 11.4 cm (6 x 4 1/2 in.)
sheet: 16.5 x 12.8 cm (6 1/2 x 5 1/16 in.)
mount: 40.64 x 55.88 cm (16 x 22 in.)
framed: 44.7 x 60 x 2.5 cm (17 5/8 x 23 5/8 x 1 in.)
The Syndics of the Fitzwilliam Museum, University of Cambridge
© The Fitzwilliam Museum, Cambridge

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After James McNeill Whistler, engraved by the Dalziel Brothers
Kenneth and Lena Graeme in "The Trial Sermon", 1862

wood engraving
image: 15.2 x 11.3 cm (6 x 4 7/16 in.)
sheet: 16.3 x 12.4 cm (6 7/16 x 4 7/8 in.)
mount: 40.64 x 55.88 cm (16 x 22 in.)
framed: 44.7 x 60 x 2.5 cm (17 5/8 x 23 5/8 x 1 in.)
The Syndics of the Fitzwilliam Museum, University of Cambridge
© The Fitzwilliam Museum, Cambridge

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James McNeill Whistler
Sleeping Woman, 1863

chalk and charcoal on cream wove paper mounted on paperboard
sheet (irregular bottom edge): 25 x 17.6 cm (9 13/16 x 6 15/16 in.)
mount: 35.9 x 27.8 cm (14 1/8 x 10 15/16 in.)
National Gallery of Art, Washington, Rosenwald Collection

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James McNeill Whistler
The Sleeper, 1863

chalk on white wove paper laid down
overall: 24.5 x 17.5 cm (9 5/8 x 6 7/8 in.)
framed (provisional): 55.88 x 40.64 cm (22 x 16 in.)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Image courtesy Clark Art Institute. clarkart.edu

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James McNeill Whistler
Weary, 1863

drypoint on cream Japan paper
plate: 19.7 x 13.1 cm (7 3/4 x 5 3/16 in.)
sheet: 34.5 x 23.5 cm (13 9/16 x 9 1/4 in.)
framed: 60 x 44.7 x 2.5 cm (23 5/8 x 17 5/8 x 1 in.)
The Syndics of the Fitzwilliam Museum, University of Cambridge
© The Fitzwilliam Museum, Cambridge

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James McNeill Whistler
Weary, 1863

drypoint on ivory Japan paper
plate: 20 x 13.3 cm (7 7/8 x 5 1/4 in.)
sheet: 25.6 x 18 cm (10 1/16 x 7 1/16 in.)
National Gallery of Art, Washington, Gift of Myron A. Hofer

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James McNeill Whistler
Weary, 1863, signed with butterfly c. 1874

drypoint on cream Asian laid paper
plate: 19.7 x 13.1 cm (7 3/4 × 5 3/16 in.)

sheet: 27.4 x 19.2 cm (10 13/16 x 7 9/16 in.)
framed: 51.12 x 38.42 cm (20 1/8 × 15 1/8 in.)
Collection of the University of Michigan Museum of Art, Ann Arbor, Bequest of Margaret Watson Parker, 1954/1.353

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James McNeill Whistler
Weary, 1863, signed with butterfly c. 1887

drypoint on buff Asian laid paper
plate: 19.7 x 13.2 cm (7 3/4 x 5 3/16 in.)
sheet: 26.3 x 19.6 cm (10 3/8 x 7 11/16 in.)
mount: 55.8 x 40.6 cm (21 15/16 x 16 in.)
framed (provisional): 59 x 43.7 x 2.2 cm (23 1/4 x 17 3/16 x 7/8 in.)
The Hunterian, University of Glasgow

File name: 5158-072.jpg
James McNeill Whistler
Weary, 1863

drypoint on cream Japanese paper
plate: 19.8 x 13.1 cm (7 13/16 x 5 3/16 in.)
sheet: 26.2 x 18.4 cm (10 5/16 x 7 1/4 in.)
framed: 48.74 x 38.42 x 2.86 cm (19 3/16 x 15 1/8 x 1 1/8 in.)
The Art Institute of Chicago, Clarence Buckingham Collection, 1938.1942

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James McNeill Whistler
Brushing the Hair, 1863, canceled and printed 1879

drypoint on ivory laid paper
plate: 22.7 x 15.2 cm (8 15/16 x 6 in.)
sheet: 23.2 x 15.7 cm (9 1/8 x 6 3/16 in.)
mount: 55.8 x 40.6 cm (21 15/16 x 16 in.)
framed (provisional): 59 x 43.7 x 2.2 cm (23 1/4 x 17 3/16 x 7/8 in.)
The Hunterian, University of Glasgow

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James McNeill Whistler
Agnes, 1875/1878

drypoint on cream Asian laid paper
plate: 22.7 x 15.2 cm (8 15/16 x 6 in.)
sheet: 27.5 x 19.9 cm (10 13/16 x 7 13/16 in.)
framed: 51.12 x 38.42 cm (20 1/8 x 15 1/8 in.)
Collection of the University of Michigan Museum of Art, Ann Arbor, Bequest of Margaret Watson Parker, 1954/1.357

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James McNeill Whistler
The Boy (Charlie Hanson), 1875/1876

drypoint on off-white laid paper
plate: 22.2 x 14.6 cm (8 3/4 x 5 3/4 in.)
sheet: 33.3 x 20.6 cm (13 1/8 x 8 1/8 in.)
National Gallery of Art, Washington, Rosenwald Collection

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James McNeill Whistler
Purple and Rose: The Lange Leizen of the Six Marks, 1864

oil on canvas
overall: 92 x 61.5 cm (36 1/4 x 24 3/16 in.)
framed: 123.2 x 86.7 x 7.6 cm (48 1/2 x 34 1/8 x 3 in.)
Philadelphia Museum of Art, John G. Johnson Collection, 1917
Courtesy of the Philadelphia Museum of Art

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James McNeill Whistler
Symphony in White, No. 2: The Little White Girl, 1864

oil on canvas
overall: 76.5 x 51.1 cm (30 1/8 x 20 1/8 in.)
framed: 108.5 x 83 x 11.8 cm (42 11/16 x 32 11/16 x 4 5/8 in.)
Tate, London, Bequeathed by Arthur Studd 1919
© Tate, London 2017

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James McNeill Whistler
In the Studio, 1865

watercolor, gouache, and black chalk on tan wove paper mounted to thick paper board
sheet: 29.8 x 19.7 cm (11 3/4 x 7 3/4 in.)
framed: 48.9 x 38.7 x 3.8 cm (19 1/4 x 15 1/4 x 1 1/2 in.)
Detroit Institute of Arts, Founders Society Purchase, Merrill Fund
Bridgeman Images

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James McNeill Whistler
The Artist in His Studio (Whistler in His Studio), 1865/1872, 1895

oil on paper mounted on panel
overall: 63 x 47.3 cm (24 13/16 x 18 5/8 in.)
framed: 86.7 x 71.1 cm (34 1/8 x 28 in.)
The Art Institute of Chicago, Friends of American Art Collection, 1912.141
The Art Institute of Chicago / Art Resource, NY

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James McNeill Whistler
Draped Figure Seated, Holding a Fan, 1865/1868

crayon on off-white laid paper with watermark of DEDB [De Erven de Blau]
overall: 34.9 x 22.3 cm (13 3/4 x 8 3/4 in.)
mount: 55.8 x 40.6 cm (21 15/16 x 16 in.)
framed (provisional): 59 x 43.7 x 2.2 cm (23 1/4 x 17 3/16 x 7/8 in.)
The Hunterian, University of Glasgow

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James McNeill Whistler
Study of a Draped Reclining Woman, 1865/1868

pencil on white laid paper with watermark of DEDB [De Erven de Blau]
overall: 22.8 x 22.2 cm (9 x 8 3/4 in.)
mount: 55.8 x 40.6 cm (21 15/16 x 16 in.)
framed (provisional): 59 x 43.7 x 2.2 cm (23 1/4 x 17 3/16 x 7/8 in.)
The Hunterian, University of Glasgow

File name: 5158-076.jpg
James McNeill Whistler
Study for Symphony in White, No. 3, 1865/1867

pencil and crayon on off-white laid paper
sheet: 13.2 x 21.4 cm (5 3/16 x 8 7/16 in.)
Munson-Williams-Proctor Arts Institute, Museum of Art, Utica, NY
Munson-Williams-Proctor Arts Institute / Art Resource, NY

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James McNeill Whistler
Symphony in White, No. 3, 1865–1867

oil on canvas
overall: 51 x 76.5 cm (20 1/16 x 30 1/8 in.)
framed: 86 x 112 x 6.7 cm (33 7/8 x 44 1/8 x 2 5/8 in.)
The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham
Bridgeman Images

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Gustave Courbet
Jo, the Irish Woman, c. 1866/1868

oil on canvas
unframed: 54.3 x 63.5 cm (21 3/8 x 25 in.)
framed: 73.99 x 85.42 x 6.68 cm (29 1/8 x 33 5/8 x 2 5/8 in.)
The Nelson-Atkins Museum of Art, Kansas City, Missouri (Purchase: William Rockhill Nelson Trust) 32-30

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Gustave Courbet
Jo, la belle Irlandaise, 1865–1866

oil on canvas
overall: 55.9 x 66 cm (22 x 26 in.)
framed: 77.5 x 88.9 x 8.3 cm (30 1/2 x 35 x 3 1/4 in.)
Lent by The Metropolitan Museum of Art, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929, 29.100.63

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Dante Gabriel Rossetti
Ecce Ancilla Domini! (The Annunciation), 1849–1850

oil on canvas
overall: 73.7 x 41.9 cm (29 x 16 1/2 in.)
framed: 100.2 x 69.8 x 8.8 cm (39 7/16 x 27 1/2 x 3 7/16 in.)
Tate, London, Purchased 1886
© Tate, London 2017

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George Frederic Watts
Lady Dalrymple also known as Sophia Dalrymple, 1851–1853

oil on canvas
overall: 198 x 78.7 cm (77 15/16 x 31 in.)
framed: 230 x 108 cm (90 9/16 x 42 1/2 in.)
Watts Gallery, Compton, Surrey
Bridgeman Images

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John Everett Millais
A Somnambulist, 1871

oil on canvas
overall: 154 x 91 cm (60 5/8 x 35 13/16 in.)
framed: 166.4 x 104.8 x 7 cm (65 1/2 x 41 1/4 x 2 3/4 in.)
Private Collection, Delaware, Courtesy of the Delaware Art Museum, Wilmington
Bridgeman Images

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Frederick Walker
The Woman in White, 1871

gouache on paper
overall: 217.2 x 128.9 cm (85 1/2 x 50 3/4 in.)
framed: 241.5 x 154 x 8 cm (95 1/16 x 60 5/8 x 3 1/8 in.)
Tate, London, Presented by Sir Claude Phillips in memory of his sister Eugenie Phillips 1906
© Tate, London 2017

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John Singer Sargent
Fumee d'ambre gris, 1880

oil on canvas
overall: 139.1 x 90.6 cm (54 3/4 x 35 11/16 in.)
framed: 163.8 x 115.6 x 7.6 cm (64 1/2 x 45 1/2 x 3 in.)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Image courtesy Clark Art Institute. clarkart.edu

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Fernand Khnopff
Portrait of Madeleine Mabille, 1888

oil with pencil on mahogany panel
overall: 69.9 x 34.3 cm (27 1/2 x 13 1/2 in.)
framed: 108.3 x 67.6 x 3.8 cm (42 5/8 × 26 5/8 x 1 1/2 in.)
Carnegie Museum of Art, Pittsburgh, Heinz Family Acquisition Fund, 93.120
Photograph © 2020 Carnegie Museum of Art, Pittsburgh

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Albert Herter
Portrait of Bessie (Miss Elizabeth Newton), 1892

oil on canvas
overall: 149.9 x 81.3 cm (59 x 32 in.)
framed: 198.1 x 129.5 x 6.5 cm (78 x 51 x 2 9/16 in.)
High Museum of Art, Atlanta, Purchase with funds from the Margaret and Terry Stent Endowment for the Acquisition of American Art and High Museum of Art Enhancement Fund, 2000.162

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Andree Karpelès
Symphonie en blanc, 1908

oil on canvas
overall: 142.5 x 79.7 cm (56 1/8 x 31 3/8 in.)
framed: 158.8 x 96 x 9 cm (62 1/2 x 37 13/16 x 3 9/16 in.)
Musee d’Arts de Nantes
Cecile Clos / Musee d'Arts de Nantes, © rights reserved

File name: 5158-077.jpg
After James McNeill Whistler
The Relief Fund in Lancashire, The Major's Daughter, The Morning Before the Massacre of St. Bartholomew, and The Nun in "Count Burkhardt" (Once a Week), 1862

wood engraving; proofs
sheet: 22.3 x 57.3 cm (8 3/4 x 22 9/16 in.)
image: 13.5 x 11.5 cm (5 5/16 x 4 1/2 in.)
image: 12.7 x 11.4 cm (5 x 4 1/2 in.)
image: 15 x 10 cm (5 7/8 x 3 15/16 in.)
image: 15.7 x 10.2 cm (6 3/16 x 4 in.)
mat: 61 x 29.9 cm (24 x 11 3/4 in.)
framed: 66.04 x 34.93 cm (26 x 13 3/4 in.)
Lent by The Metropolitan Museum of Art, Rogers Fund, 1922, 22.112.2-.5

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The Woman in White: Joanna Hiffernan and James McNeill Whistler

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