National Gallery of Art

2016 – 2020 | 2011 – 2015 | 2006 – 2010 | 2001 – 2005 | 1996 – 2000 | 1991 – 1995 | 1986 – 1990 | 1980 – 1985

1984 – 1985

Jonathan Alexander, University of Manchester

Samuel H. Kress Senior Fellow, 1984 – 1985

Humanistic Book Illumination in Padua and Venice c. 1450 – 1530 and The Patronage of the English Court c. 1200 – 1420

Elizabeth Cropper, Temple University

Samuel H. Kress Senior Fellow, 1984 – 1985

The Crisis of Originality and Tradition in Seventeenth-Century Rome

Mojmir Svatopluk Frinta, State University of New York, Albany

Ailsa Mellon Bruce Senior Fellow, 1984 – 1985

Punched Decoration of Gilded Surfaces on Panel Paintings of the Trecento and Quattrocento; The Confrontation of ltalo-Byzantine Paintings with the Procedures of Byzantine Icon Painting

Martin Powers, University of California, Los Angeles
Samuel H. Kress Senior Fellow, 1984 – 1985

Immortals and Their Imagery in Han Pictorial Art

Edward A. Snow, Rice University

Samuel H. Kress Senior Fellow, 1984 – 1985
Interpreting Bruegel

Richard C. Trexler, State University of New York, Binghamton
Ailsa Mellon Bruce Senior Fellow, 1984 – 1985

The Journey of the Magi: The Social History of a Christian Iconologue

1983 – 1984

Anne Hagopian van Buren, Tufts University

Samuel H. Kress Senior Fellow, 1983 – 1984

Hesdin Castle and Broederlam's Paintings of the Golden Fleece

John C. Irwin, Victoria and Albert Museum (emeritus)
Ailsa Mellon Bruce Senior Fellow, 1983 – 1984

Origins of Monumental Art in Universal Myth

Elisabeth Kieven, Bibliotheca Hertziana
Samuel H. Kress Senior Fellow, spring 1984
Roman Architecture in the 1730s

V. A. Kolve, University of Virginia

Ailsa Mellon Bruce Senior Fellow, spring 1984
The God-denying Fool in Medieval Art and Literature

John A. Pinto, Smith College

Ailsa Mellon Bruce Senior Fellow, spring 1984
The Trevi Fountain in Rome

Thomas F. Reese, University of Texas, Austin
Samuel H. Kress Senior Fellow, fall 1983

Architecture and Reform Politics in the Age of Charles III

Charles S. Rhyne, Reed College

Samuel H. Kress Senior Fellow, 1983 – 1984

The Drawings and Paintings of John Constable: Catalogue Raisonné

Richard E. Spear, Oberlin College

Ailsa Mellon Bruce Senior Fellow, 1983 – 1984
Problems of Originality and Caravaggio Studies

1982 – 1983


Nicolai Cikovsky, Jr., University of New Mexico
Samuel H. Kress Senior Fellow, 1982 – 1983
Meaning and Content in Winslow Homer’s Art

Beatrice Farwell, University of California, Santa Barbara
Samuel H. Kress Senior Fellow, 1982 – 1983
Popular Imagery and High Art in Nineteenth-Century France

Alan Gowans, University of Victoria, British Columbia
Samuel H. Kress Senior Fellow, 1982 – 1983
Studies in Social Functions of Art and Architecture

Hubert H. Damisch, École des Hautes Etudes en Sciences Sociales, Paris
Ailsa Mellon Bruce Senior Fellow, fall 1982
Perspective Story

Barbara Miller Lane, Bryn Mawr College

Ailsa Mellon Bruce Senior Fellow, spring 1983
The Uses of History in Modem Architecture: Government Buildings and Urbanism since 1870

Anne McGee Morganstern, Ohio State University
Samuel H. Kress Senior Fellow, 1982 – 1983
The Genealogical Tomb: Thirteenth to Fifteenth Century

Amy L. Neff, University of Tennessee

Ailsa Mellon Bruce Senior Fellow, 1982 – 1983
The Supplications variae as a Franciscan Manuscript

Doris M. Srinivasan, Fairfax, Virginia
Ailsa Mellon Bruce Senior Fellow, 1982 – 1983
Origins of Divine Multiplicity in Indian Art: Meaning and Form

Gabriel P. Weisberg, University of Pittsburgh
Samuel H. Kress Senior Fellow, spring 1983
S. Bing and the Evolution of Art Nouveau


1981 – 1982


Christiane Andersson, Columbia University

Samuel H. Kress Senior Fellow, 1981 – 1982
A Catalogue Raisonné of the Drawings of Urs Graf

Irene A. Bierman, University of California, Los Angeles
Ailsa Mellon Bruce Senior Fellow, 1981 – 1982
The lconographic Significance of Interlocked Arabic Script: Lām/Alif, Alif/Lām

Yasushi Egami, Tokyo National Research Institute of Cultural Properties
Ailsa Mellon Bruce Senior Fellow, 1981 – 1982
Works Related to the Imperial “Painters' Bureau” in Early Medieval Japan

Molly Faries, Indiana University
Ailsa Mellon Bruce Senior Fellow, 1981 – 1982
Survey of Fifteenth- and Sixteenth-Century Northern European Panel Painting in the National Gallery with Infrared Reflectography

Alan Gowans, University of Victoria, British Columbia
Samuel H. Kress Senior Fellow, 1981 – 1982
Interrelations of Form, Cultural Expression, and Social Function in North American Architectural Styles

Donald Preziosi, State University of New York, Binghamton
Ailsa Mellon Bruce Senior Fellow, 1981 – 1982
Narrativity and Textuality in Palaeolithic art

Claire Richter Sherman, Washington, DC
Ailsa Mellon Bruce Senior Fellow, 1981 – 1982
The Illustrations of Nicole Oresme's Translations of Aristotle

Barbara Maria Stafford, University of Chicago
Samuel H. Kress Senior Fellow, 1981 – 1982
Voyage into Substance: Illustrated Travel Accounts, c. 1760 – 1840

1980 – 1981


Dora P. Crouch, Rensselaer Polytechnic Institute
Ailsa Mellon Bruce Senior Fellow, 1980 – 1981
The Water System of Morgantina, Sicily

Sandra Hindman, Northwestern University
Ailsa Mellon Bruce Senior Fellow, 1980 – 1981
Art and Politics in Christine de Pizan's Epistre de Othéa

Rosalind Krauss, Hunter College and the Graduate Center, CUNY
Samuel H. Kress Senior Fellow, 1980 – 1981
Nineteenth-Century "Landscape" Photography and The Role of Photography within Surrealism

Keith Moxey, University of Virginia
Samuel H. Kress Senior Fellow, 1980 – 1981
Peasant Imagery in German Graphics in the First Half of the Sixteenth Century