National Gallery of Art

2016–2020 | 2011–2015 | 2006–2010 | 2001–2005 | 1996–2000 | 1991–1995 | 1986–1990 | 1980–1985

1984–1985

Beryl Barr-Sharrar, New York City

Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985
The Derveni Krater and Its Legacy

Alessandro Bettagno, Università di Venezia; Fondazione Giorgio Cini, Venice
Ailsa Mellon Bruce Visiting Senior Fellow, winter 1985
Anton Maria Zannetti il Vecchio

Kathleen Weil-Garris Brandt, Institute of Fine Arts and College of Arts and Sciences, New York University
Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985

Sidera Domus: Raphael’s Chigi Chapel in Santa Maria del Popolo

Peter Heinz Feist, lnstitut für Aesthetik und Kunstwissenschaften, Akademie der Wissenschaften der DDR, Berlin
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1985
American Commissions to German Sculptors in the Second Half of the Nineteenth Century and Studies in Methodological Trends of Art Historiography in the United States

Anne Walter Lowenthal, Barnard College

Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985

The Paintings of Pieter Claesz: A Study of Style, Method, and Meaning in Still Lifes of Holland’s Golden Age

John Browning Onians, University of East Anglia

Ailsa Mellon Bruce Visiting Fellow, fall 1984

Final revision of work on the classical orders and research into the transformation of man’s relation to nature in the Roman world

Myra Nan Rosenfeld, Montreal

Ailsa Mellon Bruce Visiting Senior Fellow, spring 1985
Studies on the Hôtel de Cluny in Paris and the Sources of the French Renaissance Palace: 1350–1500

Margarita Anna Russell, Gresham College, City University, London
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1985

The Influence of Dutch Marine Painting on the Development of Dutch Landscape Painting of the Seventeenth Century

Christine Smith, Georgetown University; Charles Strong Center, Villa le Balze, Fiesole
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1985
Architectural Descriptions in Western Europe and Byzantium from Late Antiquity to the Renaissance

1983–1984

Sheila ffolliott, George Mason University

Ailsa Mellon Bruce Visiting Senior Fellow, summer 1983

Civic Sculpture of the Renaissance: Montorsoli's Fountains at Messina

Edith W. Kirsch, The Colorado College
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1983
Patronage and Chronology in Five Manuscripts of Giangaleazzo Visconti

Artur Rosenauer, Institut für Kunstgeschichte der Universität Wien
Ailsa Mellon Bruce Visiting Senior Fellow, spring 1984

Donatello's Development in the 1430s

Robert W. Scheller, University of Amsterdam

Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1983
State Symbolism in France in the Sixteenth Century

Alan Shestack, Yale University Art Gallery

Ailsa Mellon Bruce Visiting Senior Fellow, spring 1984
A Reconsideration of the Drawings of Wolf Huber

Elise Goodman-Soellner, University of Cincinnati

Ailsa Mellon Bruce Visiting Senior Fellow, fall–winter 1983

The Lady and the Landscape: A Seventeenth-Century Pictorial and Poetical Topos

Maren Stange, Maryland Institute, College of Art

Ailsa Mellon Bruce Visiting Senior Fellow, summer 1983
Documentary Photography in Social Reform Movements, 1900–1943

Sidra Stich, University Art Museum, University of California, Berkeley
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1984

Miró's Tableaux Sauvages


1982–1983

Xavier Barral I Altet, Université de Haute-Bretagne, Rennes II
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1982
Medieval Mosaic Pavements in France and Italy

Elizabeth Higdon, Duke University
Ailsa Mellon Bruce Visiting Senior Fellow, summer–fall 1982
Joan Miró's Head of a Catalan Peasant

Anatole Kopp, Université de Paris VIII
Ailsa Mellon Bruce Visiting Senior Fellow, summe–fall 1982
Architecture and Town Planning during the New Deal Period

Lynne Lawner, New York, New York
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1982
I modi: Giulio Romano, Marcantonio Raimondi, Pietro Aretino

Charlotte Stokes, Oakland University

Ailsa Mellon Bruce Visiting Senior Fellow, fall 1982
The Problems of Surrealist Form and Content in Max Ernst's Capricorn

1981–1982

Francesco Dal Co, Instituto Universitario di Architettura di Venezia
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1981
The Design Experience of Mies van der Rohe

Erica Dodd, American University, Beirut
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1981
Supplement to Byzantine Silver Stamps, including the Sion Treasure

James Fasanelli, University of Maryland, Baltimore County
Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1981
The Paris Book of Drawings Attributed to Jacopo Bellini

Madeleine Fidell-Beaufort, American College, Paris
Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1981
A Measure of Taste: Samuel P. Avery's Art Auctions 1864–1880

Jörg Garms, Austrian Institute, Rome
Ailsa Mellon Bruce Visiting Senior Fellow, spring 1982
Piranesi’s Drawings of Architectural Fantasies

Elise Goodman-Soellner, University of Cincinnati, Raymond Walters College
Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1981
Petrarchism in Secular Paintings of the Italian Renaissance

Jonathan Lane, Wayne, Pennsylvania
Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1981
The Pattern of Suburban Growth in the United States: Suburban Development in New York, Philadelphia, and Baltimore 1850–1940

Inabelle Levin, American University
Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1981
Traditions and Transformations in Late Roman and Early Byzantine Portrait Sculpture

Meredith Lillich, Syracuse University
Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1981
Stained Glass in Western France, 1250–1325

Gridley McKim-Smith, Bryn Mawr College
Ailsa Mellon Bruce Visiting Senior Fellow, spring 1982
Writing and Painting in the “Siglo de oro”

Joseph Rykwert, University of Cambridge
Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1981
The Architectural Orders as Metaphors of Culture and Nature in the Renaissance and Later

Charlotte Stokes, Oakland University
Ailsa Mellon Bruce Visiting Senior Fellow, spring–summer 1981
The Influence of Twentieth-Century Psychological Theory on the Working Methods of Max Ernst

1980

Peter Guenther, University of Houston
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1980
The second period of German expressionism

Caroline Karpinski, Washington, DC
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1980
Italian Chiaroscuro Woodcuts, 1515–1650

Marcel Roethlisberger, University of Geneva
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1980
The Heritage of Claude Lorrain in Landscape Painting through the Nineteenth Century