Visiting Senior Fellows, 1991–1995
1994–1995
Colin B. Bailey, Kimbell Art Museum
Paul Mellon Visiting Senior Fellow, fall 1994
Patriotic Collecting: Collectors of Modern Art in Paris at the End of the Ancien Régime
Maria Castro Miranda, Universidad de La Habana
Ailsa Mellon Bruce Latin American Visiting Senior Research Fellow, summer 1995
Color-Scheme and Iconography of Mummy Portraits from Roman Egypt (A Contribution to Their Interpretation and Dating)
Joseph Connors, Columbia University
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1994
The Architecture of Francesco Borromini (1599–1667)
Giuseppe Dardanello, Università di Torino
Paul Mellon Visiting Senior Fellow, summer 1995
Filippo Juvarra’s Altars: Design Process and Building Management
Smiljka Gabelič,
Ailsa Mellon Bruce Visiting Senior Fellow, winter 1995
Hagiographical Cycles and the Problem of Their Emergence
Maurizio Gargano, Terza Università di Roma
Paul Mellon Visiting Senior Fellow, fall 1994
Antonio da Sangallo il Vecchio (1455–1534)
Naomi Miller, Boston University
Ailsa Mellon Bruce Visiting Senior Fellow, winter 1995
The Renaissance Voyage: La
Stefan Morawski, Polish Academy of Sciences and Letters, Institute of Art
Ailsa Mellon Bruce Visiting Senior Fellow, spring 1995
On Artistic Postmodernism the United States
Gustavo L. Moré, Universidad Nacional Pedro Henríquez, Ureñia, Santo Domingo
Association of Research Institutes in Art History Fellow, summer 1995
Bibliographic Manual on Architecture and Urbanism in the Contemporary Greater Caribbean Region, 1900–1995
Daniel Schàvelzon, Centro de Arqueología Urbana, Instituto de Arte Americano e Investigaciones Estéticas “Mario J. Buschiazzo,” Universidad de Buenos Aires
Inter-American Development Bank and Ailsa Mellon Bruce Visiting Senior Research Fellow, fall 1994 / spring 1995
The Preservation of Artistic and Archaeological Heritage in Latin America: South America (1750–1990)
József Sisa, Art-Historical Institute of the Hungarian Academy of Sciences
Ailsa Mellon Bruce Visiting Senior Fellow and Soros Visiting Senior Research Travel Fellow, summer 1995
Neo-Gothic and Restoration of Monuments in Central Europe: Friedrich Schmidt and His School
Thea Vignau-Wilberg, Staatliche Graphische Sammlung München
Ailsa Mellon Bruce Visiting Senior Fellow, spring 1995
“Hortus
1993–1994
Richard Becherer, Carnegie Mellon University
Paul Mellon Visiting Senior Fellow, summer 1994
Robert Mallet-Stevens and the Adventure of Modernity
Peter Betthausen, Berlin
Paul Mellon Visiting Senior Fellow, fall 1993
Victor
Paul Mellon Visiting Senior Fellow and Soros Visiting Senior Research Travel Fellow, summer 1994
Architectural Hermeneutics: The Typological Interpretation of Alberti
Meredith Clausen, University of Washington
Ailsa Mellon Bruce Visiting Senior Fellow, spring 1994
The Pan Am Building and the Demise of Modernism
Alan Darr, Detroit Institute of Arts
Paul Mellon Visiting Senior Fellow, summer 1994
Completion of a Monograph on Pietro Torrigiani and Italian Sculpture in Renaissance England
Vojtech Jirat-Wasiutynski, Queen’s University, Kingston, Ontario
Ailsa Mellon Bruce Visiting Senior Fellow, winter 1994
Studies in the Painting Procedures of Paul Gauguin, 1873–1891
John Pohl, Fowler Museum of Cultural History, University of California, Los Angeles
Paul Mellon Visiting Senior Fellow, summer 1994
The Wall Paintings of Mitla
Vadim
Paul Mellon Visiting Senior Fellow, Soros Visiting Senior Research Travel Fellow, fall 1993
Catalogue Raisonné: Dutch and Flemish Drawings of the Sixteenth to Eighteenth Centuries in the Pushkin State Museum of Fine Arts
Victor Schmidt, Rijksuniversiteit, Groningen, Instituut
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1993
Panels for Private Devotion in Sienese Painting, 1250–1450: Form, Content, Function, Production
Marcio Veloz Maggiolo, Universidad Nacional Pedro Henríquez Ureñia, Santo Domingo
Ailsa Mellon Bruce Visiting Senior Fellow, winter 1994
Art and Society in the Precolumbian Antilles
Malcolm Warner, San Diego Museum of Art
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1994
A Survey of Contemporary Critical Responses to the Paintings of John Everett Millais, for a Catalogue Raisonné of His Works
Joanna Woods-Marsden, University of California, Los Angeles
Paul Mellon Visiting Senior Fellow, fall 1993
The Construction of Artistic Identity: Self-Portraiture and the Social Status of the Artist in the Renaissance
1992–1993
Jan Bakoš, Slovak Academy of Sciences, Institute of Art History, Bratislava
Soros Visiting Senior Research Fellow, spring–summer 1993
Metamorphoses of Ideas of the Vienna School of Art History
Paul Binski, University of Manchester
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1992
Westminster Abbey under the Plantagenets: Sainthood, Power, and the Art of Materials
Levon Chookaszian, Yerevan State University, Center of Armenological Studies
Soros Visiting Senior Research Fellow, fall 1992
The Art of
Michael Conforti, Minneapolis Institute of Arts
Paul Mellon Visiting Senior Fellow, winter 1993
The Idealist Enterprise and the Applied Arts
Judith Fryer, University of Massachusetts, Amherst
Paul Mellon Visiting Senior Fellow, fall 1992
Women’s Camera Work
Elena Ivanova, State Hermitage Museum
Paul Mellon Visiting Senior Fellow, spring 1993
French Ceramics of the Sixteenth and Seventeenth Centuries
Milan Lukeš, Charles University, Prague
Paul Mellon Visiting Senior Fellow, spring 1993
The Culture of Feasts and Carnival: Their Development and Reflection in the Dramatic and Visual Arts; Dreams as an Alternative World of Existence
Charles Morscheck, Jr., Drexel University
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1993
Ingenium quasi
Lena Orlin, Folger Institute, Folger Shakespeare Library
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1992
The Domestic Environment in Early Modern England
Martha Pollak, University of Illinois
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1992
The City in the Seventeenth Century: Representation and Aesthetics of Baroque Urban Culture
Nancy Pressly, National Endowment for the Arts
Paul Mellon Visiting Senior Fellow, fall 1992
The Specter of Intimidation: Controversy and the Arts
Artur Rosenauer, Institut für Kunstgeschichte der Universität Wien
Paul Mellon Visiting Senior Fellow, winter 1993
The Early Titian
Victor Stoichita, University of Fribourg
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1993
Painting and Visionary Experience in Spanish Art
Charles Zika, University of Melbourne
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1992
Representing Witchcraft: Images and Social Meaning in Sixteenth-Century Europe
1991–1992
Franca Trinchieri Camiz, Temple University, Philadelphia
Paul Mellon Visiting Senior Fellow, summer 1992
Painting and Music in Seventeenth-Century Rome
Anna Ottani Cavina, University of Bologna
Paul Mellon Visiting Senior Fellow, spring 1992
Townscapes in David's Circle in Rome: The Development of the Genre between the Eighteenth and Nineteenth Centuries
Kalpana S. Desai, Prince of Wales Museum of Western India
Paul Mellon Visiting Senior Fellow, summer 1992
Persian Elements in Akbari Paintings
Millard E Hearn, Jr., University of Pittsburgh
Paul Mellon Visiting Senior Fellow, winter 1992
Canterbury Cathedral Choir and the Cult of Becket
Joan A. Holladay,
Paul Mellon Visiting Senior Fellow, summer 1992
The Ursula Busts and the Cult of the Holy Virgins in Cologne, 1260 – 1360
Linda Neagley, University of California, Berkeley
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1991
Disciplined Exuberance: Essays on the Parish Church of Saint-Maclou and Late Gothic Architecture in Rouen
Michael E. Shapiro, Saint Louis Art Museum
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1992
Affinities and Parallels: Postwar German and American Art, 1950–1975
Dmitri V. Shelest, Lviv Art Gallery
Soros Visiting Senior Research Fellow, fall 1991–winter 1992
Old Master Drawings in Lviv Art Collections and Other Regional Museums in the Soviet Union
Rocco Sinisgalli, University of Rome “La Sapienza”
Paul Mellon Visiting Senior Fellow, summer 1992
Il Planisfero di Tolomeo
Jane ten Brink-Goldsmith, Stedelijk Museum Het Prinsenhof, Gemeente Musea Delft
Paul Mellon Visiting Senior Fellow, winter 1992
Leonaert Bramer: Painter in Delft, 1596–1674
Ivan Vacil'evich Aseyev, Institute of History, Philology, and Philosophy, Novosibirsk
Soros Visiting Senior Research Fellow, spring–summer 1992
Petroglyphs of the Northwestern Coast of North America and Their Interpretation
Toby Yuen, Frick Art Reference Library
Paul Mellon Visiting Senior Fellow, spring 1992
Engraved Gems and Related Small Antiquities: Survivals and Revivals in Renaissance Art
1990–1991
Jaynie Louise Anderson, University of Oxford, Ruskin School of Drawing and Fine Arts
Paul Mellon Visiting Senior Fellow, summer 1991
A Monograph on Giorgione
Görel Cavalli-Björkman, Nationalmuseum, Stockholm
Ailsa Mellon Bruce Visiting Senior Fellow, winter 1991
Dutch and Flemish Paintings: The Dutch School, 1600–1700
Giuseppe Dardanello, Politecnico di Torino
Ailsa Mellon Bruce Visiting Senior Fellow, fall 1990
Decorative and Architectural Drawings of the “Valperga Albums” in the Biblioteca Nazionale, Turin Patrons
Paula Harper, University of Miami, Coral Gables
Ailsa Mellon Bruce Visiting Senior Fellow, winter 1991
Daumier's Process: Merging Pop and Avant-Garde
Ernö Marosi, Hungarian Academy of Sciences, Budapest, Institute of Art History
Paul Mellon Visiting Senior Fellow, summer 1991
The Statue of Saint George (1373) by the Brothers Kolozsvár in Prague
Boris Marshak, State Hermitage Museum, Leningrad
Paul Mellon Visiting Senior Fellow, spring 1991
Metalwork of the Crusader Period
Annaliese Mayer-Meintschel, Staatliche Kunstsammlungen Dresden
Ailsa Mellon Bruce Visiting Senior Fellow, summer 1991
A Catalogue of Seventeenth-Century Flemish Paintings in the Gemäldegalerie Alte Meister, Dresden
Olga Palagia, Athens University
Ailsa Mellon Bruce Visiting Senior Fellow, spring 1991
Technical Aspects of Greek Marble Sculpture
Nigel Robert Thorp, Glasgow University Library
Paul Mellon Visiting Senior Fellow, fall 1990
An Edition of the Correspondence James McNeill Whistler
M.E. Warlick, University of Denver
Paul Mellon Visiting Senior Fellow, fall 1990
Max Ernst and Alchemy: His Art, Alchemical Symbolism, and Its Psychological Implications