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Roxy Paine: Graft

Elements of "Graft" arrive from Treadwell, New York, on three flatbed trucks in the early morning hours of October 26.

Photo by Sheila Griffin.

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Roxy Paine's crew prepares "Graft" to be hoisted by a crane and lowered onto its cement pad.

Photo by Sheila Griffin.

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Roxy Paine directs the positioning of his sculpture in the Sculpture Garden.

Photo by Rob Shelley.

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Ben Jones (center), studio manager, helps to fit the two largest elements of "Graft," while artist Roxy Paine (left), prepares to weld the segments together.

Photo by Sheila Griffin.

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Roxy Paine (left) fits together two large components of his sculpture "Graft."

Photo by Rob Shelley.

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The artist welds together components of "Graft" in the Sculpture Garden.

Photo by Rob Shelley.

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Roxy Paine.

Photo by Rob Shelley.

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Paine dries off an element of "Graft" before it is hoisted by crane to be welded onto the main trunk.

Photo by Sheila Griffin.

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A component of "Graft" is hoisted by crane to be welded onto the base of the sculpture.

Photo by Sheila Griffin.

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Paine overseeing the installation of "Graft."

Photo by Rob Shelley.

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A component of "Graft" is hoisted by crane to be welded onto the base of the sculpture.

Photo by Sheila Griffin.

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The artist's crew at work assembling Roxy Paine's "Graft."

Photo by Sheila Griffin.

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Roxy Paine (right) and one of his crew members position elements of "Graft."

Photo by Rob Shelley.

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Paine's maquette, in the foreground, was used by the artist as a guide for the sculpture's installation.

Photo by Rob Shelley.

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Roxy Paine's crew at work installing "Graft" in the Sculpture Garden.

Photo by Sheila Griffin.

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This horizontal photograph shows the twisting branches of a shiny silver tree, the sculpture rising high above the treetops of the living trees behind it. The trunk breaks into two sets of branches about a fifth of the way up the height of the sculpture. The branches to our left in this photograph curve and wind up and out while the branches to our right flare up in straighter lines. Diffused sunlight on the overcast day glints off the metal, creating bright white highlights against steel-gray shadows. The sculpture sits on a patch of grass with bushes and trees behind it.

Roxy Paine, Graft, 2008-2009, stainless steel and concrete, Gift of Victoria and Roger Sant, Photo by Lee Ewing, 2009.109.1

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