Audio Tour Stop 4

Still Life: Le Jour, Georges Braque

NGA, East Building, EG-103-B, N
Part of East Building: Featured Selections (한국인)

조르주 브라크(Georges Braque)는 파블로 피카소와 함께 1910년경 입체파라는 새로운 양식을 창시한 것으로 유명합니다. 이 회화는 후에 브라크가 입체파 양식을 정물 및 기타 주제를 표현하는 데 적용했던 전형적인 후기 작품입니다. 이 작품에서 탁자의 나뭇결, 배경의 벽지 디자인, 신문지의 활자는 패턴과 질감의 상호 작용을 강조합니다.

Still Life: Le Jour (Korean)
A wood table is piled with stylized and abstracted objects, including a jug, lemons, a knife, guitar, newspaper, and a smoking pipe in this horizontal still life painting. The objects are made up of areas of mostly flat color and many are outlined in black, creating the impression that some shapes are two-dimensional and assembled almost like a collage. We look down onto the top of the table and at the front, where the grain of the wood is painted in tan against a lighter background. Concentric black and white circles make up the knob on the face of the table’s single drawer. There are two rows of objects on the table. Along the front, near the left corner of the table, the knife hangs with its blade slightly over the open drawer. A newspaper with the title “LE JOUR” rests next to the knife. Next to the newspaper are two yellow pieces of fruit, near the front right corner of the table. Behind the fruit, the right third of the pitcher is marine blue and the left two thirds is mostly straw yellow, with one round olive-green area near the handle. Next to the pitcher is a tobacco pipe, and, at the back left edge of the table, the guitar. The instrument rests on its side so the front of the soundboard faces the viewer, and the neck extends to our left. The instrument is bisected lengthwise into two halves that appear to be spliced together, and the edges and features of the halves are not symmetrical or aligned with each other. The bottom half of the guitar is painted a beige color, and is curved like a typical guitar body. The top half is painted black, and the contour of the instrument’s body rises into two pointed peaks instead of mirroring the rounded forms below. The sound hole is markedly smaller on the bottom half, and the two halves of the hole do not exactly line up. A rectangular form behind the table could be a screen. The left side is fern green, the right side black. Behind the screen is a wallpapered wall above wood paneling. The wallpaper is patterned with teardrop shapes, dots, and zigzagging lines in fawn brown against parchment white. The artist signed and dated the painting in the lower right corner, “G Braque 29.”
Georges Braque, Still Life: Le Jour, 1929, oil on canvas, Chester Dale Collection, 1963.10.91

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