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Provenance

Possibly Queen Isabel II of Spain [abdicated 1870, d. 1904]; possibly from her to Frederick Richards Leyland, Liverpool;[1] (his sale, Christie, Manson & Woods, London, 28 May 1892, no. 103); (Charles Fairfax Murray, London and Florence); Robert Henry [1850-1929] and Evelyn Holford [1856-1943] Benson, London and Buckhurst Park, Sussex, by 1893; sold 1927 to (Duveen Brothers, Inc., London, New York, and Paris);[2] purchased April 1928 by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 30 March 1932 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[3] gift 1937 to NGA.

Exhibition History

1927
Loan Exhibition of the Benson Collection of Old Italian Masters, City of Manchester Art Gallery, 1927, no. 26.
2014
Bernardino Luini e i suoi figli [Bernardino Luini and His Sons], Palazzo Reale, Milan, 2014, no. 40, repros
.

Bibliography

1914
Benson, Robert Henry. Catalogue of Italian Pictures at 16 South Street, Park Lane, London and Buckhurst in Sussex. London, privately printed, 1914: no. 66.
1935
Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 103, repro. (English ed., Masterpieces of European Painting in America. New York, 1939: 103, repro.).
1937
Cortissoz, Royal. An Introduction to the Mellon Collection. Boston, 1937: repro. 16.
1937
Jewell, Edward Alden. "Mellon's Gift." Magazine of Art 30, no. 2 (February 1937): 82.
1941
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no, 140, repro.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 116-117, no. 37.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 240, repro. 141.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 36, repro.
1952
Cairns, Huntington, and John Walker, eds., Great Paintings from the National Gallery of Art. New York, 1952: 64, color repro.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 303, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 78.
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:144, color repro.
1968
Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 1:235.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 69, repro.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 202, repro.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:282-283, 2:pl. 193.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 100, no. 54, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 236, repro.
1991
Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 66, 67, color repro.
1991
Morandotti, Alessandro. "La fortuna collezionistica della pittura gotica e rinascimentale fra Ottocento e Novecento." In Mauro Natale, ed. Pittura italiana dal '300 al '500. Milan, 1991: fig. 8.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 92, no. 66, color repro.
2015
Swicklik, Michael, Barbara H. Berrie, and Gretchen Hirschauer. "Sfumato and Sheen: Bernardo Luini's Lady in Black." Facture: conservation, science, art history 2 (2015): 140-157, figs. 1, 3 (detail), 4 (detail), 8, 11, 12, 13 (detail).
2019
Quattrini, Cristina. Bernardino Luini: Catalogo generale delle opere. Turin, 2019: 84, 389-390, 440, cat. 156, pl. XXX.
2021
Dal Pozzolo, Enrico Maria. Lorenzo Lotto: Catalogo generale dei dipinti. Milan, 2021: 180, fig. a.
2022
Brown, David Alan. Overshadowed--Leonardo da Vinci and Bernardino Luini. Milan, 2022: 53, 56, 57, color fig. 37, 66 note 104.

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