Stephen Thomas

American, active 1978

Explore selected works

See all 60 works of art
The image showcases abstract shapes and lines intertwining across the composition. Circular forms with cracked surfaces are prominently displayed alongside elongated, curved shapes resembling leaves or petals. These elements are set against a background of wavy, swirling patterns, adding an organic and dynamic quality to the artwork. Some lines converge to form structures evoking familiar natural objects like a stylized flower or plant.
Robert Kushner, Stephen Thomas, Crown Point Press, Victoria Regina from The Joy of Ornament, 1980, etching and aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.8

Victoria Regina from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · etching and aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.8

The image displays an arrangement of bold black and white shapes and lines that create a striking contrast within a rectangular frame. The abstract design resembles overlapping petals of a flower, with curved lines creating folds and contours. The central area contains crisscross patterns reminiscent of woven fabrics, adding complexity to the floral elements. The composition showcases an interplay of form and pattern, drawing parallels to familiar botanical motifs.
Robert Kushner, Stephen Thomas, Crown Point Press, Black Flowers from The Joy of Ornament, 1980, aquatint and drypoint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.2

Black Flowers from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · aquatint and drypoint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.2

The image features swirling, wavy lines and shapes across the vertical plane, forming an abstract composition. The shapes resemble roses in bloom with layered petals and sinuous leaves, reminiscent of a floral pattern. The bold outlines and contrasted shading add depth and texture, evoking the look of a dense, yet vibrant garden captured in monochrome.
Robert Kushner, Stephen Thomas, Crown Point Press, Climbing Roses from The Joy of Ornament, 1980, etching and aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.15

Climbing Roses from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · etching and aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.15

The image shows a pattern of swirling lines that form intricate shapes resembling floral patterns. The design consists of repeating motifs of lily-like flowers with elongated petals and central stems. The composition is densely packed with these swirling, leaf-like shapes, creating a sense of movement and continuity. The arrangement draws connections to the natural forms of a garden, while maintaining an abstract quality.
Robert Kushner, Stephen Thomas, Crown Point Press, Lilies from The Joy of Ornament, 1980, etching and aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.7

Lilies from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · etching and aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.7

The image displays bold lines and repeating patterns, with a central figure outlined against a background of checkerboard and geometric shapes. The abstract artwork features a bird-like form with defined body and head, alongside tail feathers flowing into intertwined lines. Surrounding shapes include heart-shaped leaves and angular forms, creating a stylized natural setting around the central figure. The layered background includes crosshatched squares and diamond patterns.
Robert Kushner, Stephen Thomas, Crown Point Press, Bird of Paradise from The Joy of Ornament, 1980, etching, aquatint, and drypoint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.12

Bird of Paradise from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · etching, aquatint, and drypoint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.12

The image displays a series of bold, curving lines and shapes that create an abstract pattern. These shapes resemble fish with elongated bodies and tail-like extensions, interwoven with repetitive wavy lines. The abstract representation of the fish suggests dynamic movement, while the symmetrical arrangement conveys organized chaos. The interplay of dark and light areas adds depth and texture, highlighting the contrast within the forms.
Robert Kushner, Stephen Thomas, Crown Point Press, Jumping Fish from The Joy of Ornament, 1980, aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.13

Jumping Fish from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.13

The image displays bold black lines and shapes in an abstract design. It includes curves and spikes resembling natural forms like leaves or petals, with linear patterns suggestive of flowing water. Central shapes resemble simplified pinecones or seed pods, adding an organic element to the composition. The monochrome color scheme enhances contrast and emphasizes the intricate patterns and textures.
Robert Kushner, Stephen Thomas, Crown Point Press, Pomegranates & Lilies from The Joy of Ornament, 1980, etching from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.5

Pomegranates & Lilies from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · etching from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.5

The image shows a collection of elongated oval shapes intersected with curved lines, layered with pointed leaf-like forms that create an intricate pattern. The abstract arrangement resembles clusters of stylized flowers or decorative bulbs. Black and white contrasts with gradual grays add depth to the composition.
Robert Kushner, Stephen Thomas, Crown Point Press, Vines from The Joy of Ornament, 1980, etching, aquatint, and drypoint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.1

Vines from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · etching, aquatint, and drypoint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.1

The image contains a series of curved black lines that intertwine across the rectangular frame, with smaller looped lines branching off. These shapes create a composition that resembles a forest or a network of vines. Within the loops and spaces, patterns like zigzags and dots provide a textured appearance. This artwork evokes a nature-inspired scene using simplified forms and repeated motifs.
Robert Kushner, Stephen Thomas, Crown Point Press, Coconuts in The Moonlight from The Joy of Ornament, 1980, drypoint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.11

Coconuts in The Moonlight from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · drypoint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.11

The image displays a complex arrangement of lines and shapes, including scalloped circular forms and jagged edges, creating an abstract pattern. The scalloped circles resemble flowers or gears, while the jagged lines could be seen as lightning bolts or zippers interlocking. Within the circles are elongated shapes with dark segments that might remind one of paintbrushes or pointed arrows. The composition has a layered effect, with varying shades of gray providing depth and texture to the overall abstract image.
Robert Kushner, Stephen Thomas, Crown Point Press, Bistam from The Joy of Ornament, 1980, etching and aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper, Gift of Kathan Brown, 1997.8.124.9

Bistam from The Joy of Ornament

Robert Kushner, Stephen Thomas, Crown Point Press · 1980 · etching and aquatint from a portfolio of 17 etchings and aquatints and three drypoints on wove Arches paper ·  Accession ID  1997.8.124.9