Étienne Dupérac

du Perac, Stefano
French, c. 1525 - 1601/1604

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The artwork is a detailed engraving depicting the coronation of Cosimo I de' Medici. It shows a grand, rectangular interior with a high, ornate ceiling featuring geometric patterns. The central focus is on a raised platform at the far end of the room, where a group of figures is gathered. The attendees are arranged in a semi-circular formation, with many figures seated along the sides, wearing robes and facing the central event. The walls are adorned with large decorative panels and sculptures. In the foreground, figures in ceremonial attire are positioned, some holding banners.
Étienne Dupérac, The Coronation of Cosimo I de' Medici, c. 1570, etching, The Ahmanson Foundation, 2012.46.1.15

The Coronation of Cosimo I de' Medici

Étienne Dupérac · c. 1570 · etching ·  Accession ID  2012.46.1.15
This artwork is a detailed architectural illustration of the Roman Capitol. The viewpoint is elevated, looking directly at the central building beyond a circular plaza. The horizon is occupied by the main building, which features a central tower and symmetrical wings with statues. Two parallel buildings extend towards us on either side, framing the plaza. The engraving style is precise and linear, capturing architectural details with clarity. The color palette is monochromatic, using shades of black and white to emphasize form and depth. The sky contains stylized clouds.
Étienne Dupérac, Capitolii Sciographia [View of the Roman Capitol], 1569, etching, The Ahmanson Foundation, 2012.46.1.14

Capitolii Sciographia [View of the Roman Capitol]

Étienne Dupérac · 1569 · etching ·  Accession ID  2012.46.1.14
The artwork is an architectural plan of Saint Peter's Basilica in Rome, presented in a horizontal format. The plan features a symmetrical layout with a central crossing, marked by a circular shape, surrounded by large rectangular and semi-circular spaces. The design shows multiple chapels and niches, indicated by smaller, shaded rectangular areas. The shading highlights the structural walls, while the overall layout shows the basilica's cruciform shape. Details such as circular staircases and entryways are visible, positioned symmetrically along the perimeter. The text is inscribed along the right margin, providing a description and context for the architectural plan.
Étienne Dupérac, Étienne Dupérac, Ichnographia Templi Divi Petri [Plan of Saint Peter's Basilica in Rome], 1569, etching, The Ahmanson Foundation, 2012.46.1.6

Ichnographia Templi Divi Petri [Plan of Saint Peter's Basilica in Rome]

Étienne Dupérac, Étienne Dupérac · 1569 · etching ·  Accession ID  2012.46.1.6
The artwork presents a detailed bird’s-eye view of Saint Peter's Square, capturing a scene filled with numerous figures. The composition includes intricate architectural details of the Vatican's buildings, including arches and columns, depicted in a precise, linear style. The horizon is positioned high, allowing an expansive view of the square and the structures beyond. The color palette is monochromatic, emphasizing the fine lines and textures of the etching. In the sky, clouds are sketched with a soft, flowing technique, adding depth to the scene. The artwork is adorned with an ornate emblem in the upper left corner.
Étienne Dupérac, Bartolomeo Faleti, Areae et Palatii Pontificii Vaticani Topographia [A Papal Blessing in Saint Peter Square], 1567, Etching, The Ahmanson Foundation, 2012.46.1.12

Areae et Palatii Pontificii Vaticani Topographia [A Papal Blessing in Saint Peter Square]

Étienne Dupérac, Bartolomeo Faleti · 1567 · Etching ·  Accession ID  2012.46.1.12
The image shows a sketch of a person lying on their side. The person is facing forward with their head turned slightly to the side, resting on their arm. Their facial features are delicately sketched, and their hair is wavy. The individual is wearing flowing, draped garments with floral patterns. There are decorative elements or jewelry on their wrist and in their hair, and they hold a cluster of leaves or flowers. The background is a light sketch of an architectural cityscape.
Étienne Dupérac, View of the Tiber; Copy of a Roman Sculpture of a Bacchante [verso], c. 1552/1566, pen and brown ink and black chalk on laid paper, Ailsa Mellon Bruce Fund, 1973.40.1.b

View of the Tiber; Copy of a Roman Sculpture of a Bacchante [verso]

Étienne Dupérac · c. 1552/1566 · pen and brown ink and black chalk on laid paper ·  Accession ID  1973.40.1.b
The image shows an aerial view of a cityscape with detailed buildings and a river. Prominent structures include a circular tower on the right and a pavilion on the left. The drawing features precise lines, capturing the texture of the stone and the flow of the river. The color palette is sepia-toned. Closest to the viewer, dynamic lines represent water movement, with small figures and a floating barrel adding scale to the scene.
Étienne Dupérac, View of the Castle Sant'Angelo and the Ospedale di Santo Spirito [recto], c. 1552/1566, pen and brown ink on laid paper, Ailsa Mellon Bruce Fund, 1973.40.1.a

View of the Castle Sant'Angelo and the Ospedale di Santo Spirito [recto]

Étienne Dupérac · c. 1552/1566 · pen and brown ink on laid paper ·  Accession ID  1973.40.1.a
The artwork is an architectural engraving depicting a detailed cross-section of the interior of Saint Peter's Basilica. It is oriented horizontally and showcases the structure with precise line work. The central dome is prominently featured, flanked by two smaller domes. The design includes arches, columns, and decorative elements. The composition is symmetrical, with the central dome and entrance aligned centrally. The architectural elements are rendered, revealing the complexity and scale of the structure. The engraving includes inscriptions at the top, referencing the creators and the subject of the artwork.
Étienne Dupérac, Orthographia Partis Interioris Templi Divi Petri [Interior View of Saint Peter's Basilica], 1544/1572, etching, The Ahmanson Foundation, 2012.46.1.8

Orthographia Partis Interioris Templi Divi Petri [Interior View of Saint Peter's Basilica]

Étienne Dupérac · 1544/1572 · etching ·  Accession ID  2012.46.1.8
The artwork is an architectural drawing of Saint Peter's Basilica, presented in a landscape orientation. It features a detailed elevation of the building's exterior, showcasing its design and classical architectural elements. The central dome is prominent, flanked by smaller domes on either side. The facade includes a series of columns and arches, with decorative elements such as pilasters and statues. The drawing, executed in fine lines, depicts the structure. The text at the top, "Orthographia Partis Exterioris Templi Divi Petri," identifies the subject, along with additional inscriptions noting the creators involved in the design and execution of the drawing.
Étienne Dupérac, Orthographia Partis Exterioris Templi Divi Petri [Exterior View of Saint Peter's Basilica], 1544/1572, etching, The Ahmanson Foundation, 2012.46.1.7

Orthographia Partis Exterioris Templi Divi Petri [Exterior View of Saint Peter's Basilica]

Étienne Dupérac · 1544/1572 · etching ·  Accession ID  2012.46.1.7
Antonio Lafreri, Antonio Salamanca, Tommaso Barlacchi, Giacomo Lauro, Étienne Dupérac, Vincenzo Luchino, Jacob Bos, Bartolomeo Faleti, Nicolas Beatrizet, Pedro Perret, Enea Vico, Ferrando Bertelli, Marco Dente, Monogrammist HCB, Speculum Romanae Magnificentiae (Mirror of Roman Magnificence), 1544-1599, bound volume of 55 etched and engraved illustrations, including 3 later 16th century plates, The Ahmanson Foundation, 2012.46.1

Speculum Romanae Magnificentiae (Mirror of Roman Magnificence)

Antonio Lafreri, Antonio Salamanca, Tommaso Barlacchi, Giacomo Lauro, Étienne Dupérac, Vincenzo Luchino, Jacob Bos, Bartolomeo Faleti, Nicolas Beatrizet, Pedro Perret, Enea Vico, Ferrando Bertelli, Marco Dente, Monogrammist HCB · 1544-1599 · bound volume of 55 etched and engraved illustrations, including 3 later 16th century plates ·  Accession ID  2012.46.1
The image depicts a landscape with a low horizon featuring high mountainous peaks on the left. The terrain close by includes trees, rocks, and rocky formations on the right, leading to a range of hills and valleys in the distance. The artwork has detailed strokes creating texture and depth, particularly in the trees, rocks, and swirling clouds in the sky. The color palette is monochromatic, focusing on black and gray shades to enhance the sense of depth and intricacy.
Étienne Dupérac, Narcissus, late 16th century, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.2

Narcissus

Étienne Dupérac · late 16th century · etching on laid paper ·  Accession ID  2018.113.2

Bibliography

1907

  • Ref Number: 26.392 (Étienne du
    T.-B.26.392 (Étienne du Pérac, c.1525 - 1604)