Johann Koerbecke

German, c. 1420 - 1491

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German painter (c. 1410-1491)

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Twelve men and a woman kneel on the ground to either side of a moss-green rock and gesture or gaze up at a man floating on a black cloud, flanked by eight men, four to each side, in this vertical painting. The scene has an arched top with a shiny gold background within the curve. All the people have pale skin. The man at the top center, Jesus, sits enveloped in a red robe over a bare chest and feet. He looks down and to our left with light brown eyes under furrowed brows, and his brown hair falls to his shoulders. He has a long, straight nose, a curly beard, and his lips are closed. He holds up his right hand, on our left, with the first two fingers raised. In his other hand, he holds a thin, cross-topped staff with a fluttering red pennant marked with a cross. Red wounds pierce the palms of both hands and blood seeps from a gash over his right ribs. Bands of black clouds, one on each side, are occupied by four bearded men seen from the waist up in a vertical row, looking toward Jesus. Each man holds an object or two, including a palm frond, a book and miniature unicorn, two stone tablets, a harp, or sword, or they hold their hands up in prayer. In the upper corners, above where the gold background arches down, winged angels are painted in translucent white against a navy-blue background. Below Jesus and his cloud, a group of six men to our right and six men and a woman to our left create loose parentheses to either side of a smooth, rounded, green rock. The rock appears broken along the bottom and two footprints are impressed into the top. Closest to us to our left, a woman with pale skin and blond hair, wearing a deep, cobalt-blue mantle over her shoulders, looks up with light eyes and a slight smile on small lips. She holds her hands together in prayer and has a wide, flat, gold halo surrounding her head. Next to her, a cleanshaven young man with blond, curly hair, wearing a green cloak, wraps one arm around her and holds his other up in front of his chest. The other men all have trimmed or long beards. Some are balding with gray or white hair, and some have thick, chestnut or cinnamon-brown hair. They wear robes in crimson red, emerald green, lapis blue, or apricot orange. Most look up to the sky with furrowed brows, but one man, to our right, looks down at his neighbor. A row of leafy plants sprouts along the bottom edge of the painting, under the rock. Rays of light, created by lines incised into the gold background, radiate down from Jesus and upward from the heads of the people below.
Johann Koerbecke, The Ascension, 1456/1457, tempera on panel, Samuel H. Kress Collection, 1959.9.5

The Ascension

Johann Koerbecke · 1456/1457 · tempera on panel ·  Accession ID  1959.9.5

Bibliography

1937

  • Sommer, Johannes. Johann Koerbecke. Der Meister des Marienfelder Altares von 1457. Münster, 1937.

1941

  • Prinz, Joseph. "Urkundliches zur Geschichte der Malerfamilie Koerbecke." Westfalen 26 (1941): 99-102.

1977

  • Kirchhoff, Karl-Heinz. "Maler und Malerfamilien in Münster zwischen 1350 und 1534." Westfalen 55 (1977): 98-110.

1993

  • Hand, John Oliver, with the assistance of Sally E. Mansfield. German Paintings of the Fifteenth through Seventeenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 103.