James Webb

Webb, Jim
American, active late 20th century

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The image consists of overlapping rectangular and square shapes in vibrant orange and pink colors, creating an abstract composition. There is a circular form near the top and other shapes that may resemble machinery or construction cranes. The colors blend together, adding depth to the image.
Robert Rauschenberg, Anthony Zepeda, James Webb, Gemini G.E.L., Romances (Pomegranate), 1977, color lithograph on John Koller handmade paper, Gift of Gemini G.E.L. and the Artist, 1991.74.276

Romances (Pomegranate)

Robert Rauschenberg, Anthony Zepeda, James Webb, Gemini G.E.L. · 1977 · color lithograph on John Koller handmade paper ·  Accession ID  1991.74.276
The image features a composition of vibrant and dynamic shapes. A central long, diagonal white line divides two distinct sections. On the left side, an abstract explosion of red and blue dots radiates outward in a circular pattern. To the right, a dark, rectangular shape with thin, converging lines suggests structure. Separating these two sections is a roughly circular dark form. There is an abstract interplay of chaos and order, with familiar hints of timepieces and festive displays.
James Rosenquist, Serge Lozingot, James Webb, Anthony Zepeda, Edward Henderson, Mark Stock, Gemini G.E.L., Star Pointer, 1977, color lithograph with collaged on die-cut Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 1981.5.91

Star Pointer

James Rosenquist, Serge Lozingot, James Webb, Anthony Zepeda, Edward Henderson, Mark Stock, Gemini G.E.L. · 1977 · color lithograph with collaged on die-cut Arches 88 wove paper ·  Accession ID  1981.5.91
The image shows an upper torso of a man seated at a desk. He is facing slightly to the side, with his right arm resting on the desk and his left hand positioned on what appears to be a chair arm or part of the desk. He is bald and has a full beard and mustache, wearing glasses. The man is dressed in a collared, button-up shirt with the sleeves pulled back slightly, and he is wearing pants with a visible belt. On the desk in front of him, there is a rotary file holder along with several sheets of paper and a few small objects. Behind the desk, there are shelves with a few scattered objects and outlines of other papers or books drawn on the wall, contributing to a sketch-like quality in the style of the image.
David Hockney, James Webb, Anthony Zepeda, Gemini G.E.L., Sidney in His Office, 1977, lithograph on gray Rives BFK wove paper, Gift of Gemini G.E.L. and the Artist, 1981.5.184

Sidney in His Office

David Hockney, James Webb, Anthony Zepeda, Gemini G.E.L. · 1977 · lithograph on gray Rives BFK wove paper ·  Accession ID  1981.5.184
The image shows circular shapes and lines intersecting and layered in an abstract composition. Various tones of black, gray, and brown splatters are scattered across the canvas. The splatters and lines create the impression of an interstellar map or a starry sky. Each circle could represent a celestial body. The splatters evoke a sense of unpredictability reminiscent of outer space.
Sam Francis, Serge Lozingot, James Webb, Gemini G.E.L., Always In and Out of Need, 1976, color lithograph on Arches 88 wove paper, Gift of David Gensburg, 1983.71.6

Always In and Out of Need

Sam Francis, Serge Lozingot, James Webb, Gemini G.E.L. · 1976 · color lithograph on Arches 88 wove paper ·  Accession ID  1983.71.6
The image is a drawing of a person shown from the upper torso upwards in profile facing right. The person has short, wavy hair framing their face, defined facial features, and a light-colored blouse or shirt. The background is plain.
David Hockney, Edward Henderson, James Webb, Gemini G.E.L., Small Head of Gregory, 1976, lithograph on Arches Cover wove paper, Gift of Gemini G.E.L. and the Artist, 1991.74.64

Small Head of Gregory

David Hockney, Edward Henderson, James Webb, Gemini G.E.L. · 1976 · lithograph on Arches Cover wove paper ·  Accession ID  1991.74.64
The image shows a large rectangular shape divided into three sections. One section contains overlapping, angular lines.
Jasper Johns, Anthony Zepeda, Edward Henderson, James Webb, Serge Lozingot, Gemini G.E.L., #3 (after 'Untitled 1975') [trial proof], 1976, lithograph in gray on Arches Cover wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.461

#3 (after 'Untitled 1975') [trial proof]

Jasper Johns, Anthony Zepeda, Edward Henderson, James Webb, Serge Lozingot, Gemini G.E.L. · 1976 · lithograph in gray on Arches Cover wove paper [trial proof] ·  Accession ID  2008.136.461
The image shows a pattern of diagonal lines tightly packed at the bottom, made up of thick brushstrokes in three colors: red, yellow, and blue. The lines overlap and crisscross to create a vibrant abstract section that resembles a patchwork quilt or a field of colorful pencil strokes. The upper part of the image is blank, contrasting with the dynamic design below.
Jasper Johns, Edward Henderson, Mark Stock, James Webb, Gemini G.E.L., #2 (after 'Untitled 1975') [trial proof], 1976, color lithograph on Arches 88 wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.455

#2 (after 'Untitled 1975') [trial proof]

Jasper Johns, Edward Henderson, Mark Stock, James Webb, Gemini G.E.L. · 1976 · color lithograph on Arches 88 wove paper [trial proof] ·  Accession ID  2008.136.455
The artwork features a small, central piece of cheese against a dark gray background. Fragments of cheese are scattered around the main block. The color palette is primarily dark gray with a contrasting light yellow for the cheese. The cheese is positioned in the middle of the composition.
Ed Ruscha, Charles Ritt, James Webb, Gemini G.E.L., Exploding Cheese, 1976, color lithograph on Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 1981.5.250

Exploding Cheese

Ed Ruscha, Charles Ritt, James Webb, Gemini G.E.L. · 1976 · color lithograph on Arches 88 wove paper ·  Accession ID  1981.5.250
The image displays a series of parallel lines in an abstract pattern. The lines are red, yellow, and blue. They vary in direction, creating a weave-like design resembling colorful matchsticks or a woven textile. The composition lacks a central focal point, allowing the eye to roam freely.
Jasper Johns, James Webb, Anthony Zepeda, Ron McPherson, Serge Lozingot, Gemini G.E.L., #1 (after 'Untitled 1975') [working proof], 1976, color lithograph with graphite, pen and ink, and colored pencil on Arches Cover wove paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.451

#1 (after 'Untitled 1975') [working proof]

Jasper Johns, James Webb, Anthony Zepeda, Ron McPherson, Serge Lozingot, Gemini G.E.L. · 1976 · color lithograph with graphite, pen and ink, and colored pencil on Arches Cover wove paper [working proof] ·  Accession ID  2008.136.451
In the image, overlapping circular shapes and lines form a dense, dark rectangle pattern at the center. The design is set against a light-colored background.
Jasper Johns, Anthony Zepeda, James Webb, Gemini G.E.L., 0 through 9 [trial proof], 1976, published 1977, lithograph in black on Torinoko wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.333

0 through 9 [trial proof]

Jasper Johns, Anthony Zepeda, James Webb, Gemini G.E.L. · 1976, published 1977 · lithograph in black on Torinoko wove paper [trial proof] ·  Accession ID  2008.136.333