Daniel Freeman

Freeman, Dan
Freeman, Daniel Barton
American, born 1868

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The image shows a vintage portrait of a man and a woman. Both individuals are seated closely side by side. The man has short, neatly combed hair with slight graying and a well-groomed mustache. He is dressed in a dark suit jacket over a light-colored shirt with a high stiff collar and a tie. His suit has a small pin on the lapel, and a watch chain is visible on his vest. The woman has her dark hair styled in an elegant updo. She is wearing a high-necked bodice with distinctive patterns and embellishments, including stripes and stars, puffed sleeves, and lace details. She is wearing a long necklace with a circular pendant. The background of the image is a neutral, textured backdrop, typical of studio portraits from the period the photo seems to depict. The photo is presented in an oval frame.
Daniel Freeman, Portrait of a Man and Woman, c. 1899, gelatin silver print, Pepita Milmore Memorial Fund, 2023.176.1

Portrait of a Man and Woman

Daniel Freeman · c. 1899 · gelatin silver print ·  Accession ID  2023.176.1
This is a painting of a surreal landscape with a floating car and a thought bubble depicting a nude figure. The image features a cartoon-like depiction of a car hurtling off a cliff amidst rolling, abstract hills and buildings. Above the car is a series of thought bubbles leading to a cloud-like formation containing a stylized, nude figure with exaggerated proportions. The background has a gradient from dark pink at the top to lighter pinks towards the bottom, framed in bold yellow and black borders.
Ken Price, Kenneth Farley, Diana Kingsley, Claudio Stickar, Daniel Freeman, Mark Mahaffey, Gemini G.E.L., Don't Think About Her When You're Trying to Drive, 1989, published 1990, color lithograph and screenprint on Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 2017.54.86

Don't Think About Her When You're Trying to Drive

Ken Price, Kenneth Farley, Diana Kingsley, Claudio Stickar, Daniel Freeman, Mark Mahaffey, Gemini G.E.L. · 1989, published 1990 · color lithograph and screenprint on Arches 88 wove paper ·  Accession ID  2017.54.86
The image features bold, angular lines and rectangular shapes contrasting against a lighter background. The central form resembles a three-dimensional box or a bench, with shadowy portions suggesting depth and volume. The surrounding area is filled with splattered textures and grid-like intersections.
Ronald Davis, Anthony Zepeda, Daniel Freeman, Gemini G.E.L., Black Vent Beam, 1975, lithograph on Arches Buff wove paper, Gift of Benjamin B. Smith, 1985.47.38

Black Vent Beam

Ronald Davis, Anthony Zepeda, Daniel Freeman, Gemini G.E.L. · 1975 · lithograph on Arches Buff wove paper ·  Accession ID  1985.47.38
Two large cans labeled "BALAM" are displayed on a flat surface. Their designs are visible on the shelves to the left and right. The color palette includes black, white, and shades of teal.
Jasper Johns, Daniel Freeman, Barbara Thomason, Serge Lozingot, Gemini G.E.L., Ale Cans [trial proof D], 1975, lithograph in black and green on Richard de Bas handmade paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.149

Ale Cans [trial proof D]

Jasper Johns, Daniel Freeman, Barbara Thomason, Serge Lozingot, Gemini G.E.L. · 1975 · lithograph in black and green on Richard de Bas handmade paper [trial proof] ·  Accession ID  2008.136.149
This abstract image features a hand-drawn oval shape with intersecting diagonal lines over it in green, pink, and yellow tones. Below, there is a solid rectangular block containing two elongated forms.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [working proof], 1975, lithograph in black with graphite and watercolor on newsprint paper [working proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.507

Ale Cans [working proof]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · lithograph in black with graphite and watercolor on newsprint paper [working proof] ·  Accession ID  2008.136.507
There is an X shape made up of two intersecting lines at the top of the composition. Below this X, there is a rectangular area containing two cylindrical forms standing upright with rounded tops. The arrangement and use of shading add a textured effect to the image.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [trial proof], 1975, lithograph in black on Rives Roll wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.508

Ale Cans [trial proof]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · lithograph in black on Rives Roll wove paper [trial proof] ·  Accession ID  2008.136.508
The image shows abstract shapes and lines arranged in two distinct sections on a textured background. The top section includes two vertically aligned oval forms with patterned interiors, framed by thick, dark rectangular shapes. Below this, the second section features mirrored black ink blots resembling a Rorschach test or an intricate gate or architectural motif. The composition evokes familiar objects, despite its abstract nature.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [trial proof C], 1975, color lithograph on gray Jeff Goodman handmade paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.136

Ale Cans [trial proof C]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · color lithograph on gray Jeff Goodman handmade paper [trial proof] ·  Accession ID  2008.136.136
The image shows two sets of abstract black shapes on a white background. The shapes contain repetitive curves and lines, forming symmetrical patterns. One set looks like oval frames or window panes, while the other set has a more intricate, mirrored design resembling ornate architectural details or stylized chess pieces. The patterns are abstract and invite curiosity with a balance of familiarity and imagination.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [trial proof D], 1975, lithograph in black on Rives Roll wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.137

Ale Cans [trial proof D]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · lithograph in black on Rives Roll wove paper [trial proof] ·  Accession ID  2008.136.137
The image displays an abstract composition with a black "X" shape at the top section of a light-colored canvas. Below the "X," there is a rectangular area filled with a dark, smudged texture, within which two vertical, cylindrical forms are seen, connected at the base with a horizontal line. The overall composition is minimalistic and uses simple shapes to create an abstract impression.
Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L., Ale Cans [trial proof], 1975, lithograph in black on Jeff Goodman wove paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.506

Ale Cans [trial proof]

Jasper Johns, Daniel Freeman, Anthony Zepeda, Gemini G.E.L. · 1975 · lithograph in black on Jeff Goodman wove paper [trial proof] ·  Accession ID  2008.136.506
The image displays two large cans with an abstract pattern and the words "BALZAC ALE." The color scheme is black and white. On the left, there is a shelf with cylindrical containers with similar markings, and on the right, there are shelves holding smaller objects.
Jasper Johns, Daniel Freeman, Barbara Thomason, Serge Lozingot, Gemini G.E.L., Ale Cans [trial proof A], 1975, lithograph in black on Richard de Bas handmade paper [trial proof], Patrons' Permanent Fund and Special Friends of the National Gallery of Art, 2008.136.151

Ale Cans [trial proof A]

Jasper Johns, Daniel Freeman, Barbara Thomason, Serge Lozingot, Gemini G.E.L. · 1975 · lithograph in black on Richard de Bas handmade paper [trial proof] ·  Accession ID  2008.136.151