Anthony Zepeda

Zepeda, Tony

American, active late 20th century

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The image displays rounded shapes with intricate line patterns covering their surfaces. The larger shape at the bottom left resembles a human foot with smaller shapes above that echo the arrangement of smaller toes. The forms have texture and swirling lines that give the impression of a footprint on a textured surface.
Jonathan Borofsky, Anthony Zepeda, Kenneth Farley, Diana Kingsley, Gemini G.E.L., Half Foot, 1986, published 1989, photo-etching in purple on Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 1989.55.5

Half Foot

Jonathan Borofsky, Anthony Zepeda, Kenneth Farley, Diana Kingsley, Gemini G.E.L. · 1986, published 1989 · photo-etching in purple on Arches 88 wove paper ·  Accession ID  1989.55.5

The image displays various irregular shapes and dark lines creating an abstract pattern. White and gray patches are scattered among dark brown and green hues, resembling small islands or rugged terrain. The formations give the impression of a satellite view of a densely forested landscape with areas cleared or developed.
Sam Francis, Anthony Zepeda, Alan Holoubek, Gemini G.E.L., Mountain's Gate, 1985, color lithograph on two sheets of Arches 88 paper, Gift of Gemini G.E.L. and the Artist, 1989.55.21.a-b

Mountain's Gate

Sam Francis, Anthony Zepeda, Alan Holoubek, Gemini G.E.L. · 1985 · color lithograph on two sheets of Arches 88 paper ·  Accession ID  1989.55.21.a-b

The image features bold, wavy lines and large blocks of color that create an abstract composition. The shapes include broad strokes of blue, pink, and gray that intertwine across the canvas. Among the colorful swaths, there are suggestions of familiar elements such as trees with green and yellow hues, and small figures in the center suggestive of people walking on a landscape. The use of vivid colors and thick lines creates an animated, abstract representation that draws connections to natural scenery and human activity, while lines at the top and bottom could represent sky and ground.
Roy Lichtenstein, Alan Holoubek, Anthony Zepeda, Ron McPherson, James McGowan, Totti D'Angelo, Gemini G.E.L., View from the Window, 1985, color lithograph, woodcut, and screenprint on Arches 88 wove paper, Gift of Roy Lichtenstein and Gemini G.E.L., 2003.146.2

View from the Window

Roy Lichtenstein, Alan Holoubek, Anthony Zepeda, Ron McPherson, James McGowan, Totti D'Angelo, Gemini G.E.L. · 1985 · color lithograph, woodcut, and screenprint on Arches 88 wove paper ·  Accession ID  2003.146.2

The image displays an intricate arrangement of overlapping shapes in dark green and hints of blue tones. The composition consists of irregular and jagged forms that interlock and layer upon each other, resembling shards of broken glass or patches of foliage.
Sam Francis, Serge Lozingot, Anthony Zepeda, Chris Sukimoto, Gemini G.E.L., Green Buddha, 1985, color lithograph on Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 1989.55.26

Green Buddha

Sam Francis, Serge Lozingot, Anthony Zepeda, Chris Sukimoto, Gemini G.E.L. · 1985 · color lithograph on Arches 88 wove paper ·  Accession ID  1989.55.26

The image shows swirling and chaotic lines intersecting with rectangular and square shapes, creating a textured surface. Darker shades within the abstract elements suggest dynamic movement like waves or wind patterns, contrasting with geometric segments that provide structure amid the freeform designs.
Richard Diebenkorn, Anthony Zepeda, James Reid, Gemini G.E.L., Scrabbling, 1984, published 1986, color lithograph on Arches Aquarelle Satine wove paper, Gift of Gemini G.E.L. and the Artist, 1989.55.16

Scrabbling

Richard Diebenkorn, Anthony Zepeda, James Reid, Gemini G.E.L. · 1984, published 1986 · color lithograph on Arches Aquarelle Satine wove paper ·  Accession ID  1989.55.16

The image depicts an intricate pattern of dark, irregular shapes and lines creating an abstract texture. Lighter patches are scattered throughout the design, which features deep green and brown hues. The interplay of light and shadow suggests a moonlit landscape or city lights seen from above at night. The composition prompts viewers to consider their own interpretations and connections to distant sights.
Sam Francis, Anthony Zepeda, Alan Holoubek, Gemini G.E.L., Indigo Wood, 1984, color lithograph on Arches 88 wove paper, Gift of Mr. and Mrs. Roger P. Sonnabend, 1986.90.10

Indigo Wood

Sam Francis, Anthony Zepeda, Alan Holoubek, Gemini G.E.L. · 1984 · color lithograph on Arches 88 wove paper ·  Accession ID  1986.90.10

The image displays a composition of strong rectangular and square shapes layered over each other, with intersecting lines extending beyond the confines of the central shape. The artwork features large, blocky forms that evoke a geometric structure or an open box seen from an angle. Dark and light areas within these shapes create depth, reminiscent of looking into a shadowy corner or an empty room.
Richard Diebenkorn, James Reid, Anthony Zepeda, Gemini G.E.L., Black and Grey [special proof], 1984, published 1986, color lithograph on Arches Aquarelle Satine wove paper [special proof], Gift of Gemini G.E.L. and the Artist, 1989.55.19

Black and Grey [special proof]

Richard Diebenkorn, James Reid, Anthony Zepeda, Gemini G.E.L. · 1984, published 1986 · color lithograph on Arches Aquarelle Satine wove paper [special proof] ·  Accession ID  1989.55.19

The image depicts a simple line drawing of two calla lilies. One lily is larger and placed on the right, while a smaller lily is on the left. The drawing is done in black lines on a plain white background, showing the flowers with their stems leaning slightly towards each other.
Ellsworth Kelly, Serge Lozingot, Anthony Zepeda, Gemini G.E.L., Calla Lily II, 1983 - 1984, lithograph on Rives BFK wove paper, Gift of Gemini G.E.L. and the Artist, 1989.55.41

Calla Lily II

Ellsworth Kelly, Serge Lozingot, Anthony Zepeda, Gemini G.E.L. · 1983 - 1984 · lithograph on Rives BFK wove paper ·  Accession ID  1989.55.41

The image consists of three vertical panels. The left panel has abstract curved lines in black, white, and blue. The center panel has a bright yellow form with thick black outlines. The right panel includes abstracted shapes, including a dotted pink face and monochromatic elements that suggest parts of a familiar cartoon character, blending with yellow and black forms.
Roy Lichtenstein, James Reid, Anthony Zepeda, Gemini G.E.L., Two Paintings: Dagwood, 1983 - 1984, color woodcut and lithograph on Arches 88 wove paper, Gift of Gemini G.E.L. and the Artist, 1988.74.95

Two Paintings: Dagwood

Roy Lichtenstein, James Reid, Anthony Zepeda, Gemini G.E.L. · 1983 - 1984 · color woodcut and lithograph on Arches 88 wove paper ·  Accession ID  1988.74.95

The image features geometric shapes and lines creating an abstract form. Trapezoids and irregular polygons filled with red stripes and colors are at the top. A face with a triangular nose and almond-shaped eyes is in the lower section. Surrounding elements include a hat with a grid pattern, swirling lines, and star-like shapes. The composition is bordered by white curvy lines.
Roy Lichtenstein, Anthony Zepeda, James Reid, Kevin Kennedy, Krystine Graziano, Richard Hammond, Ron McPherson, Gemini G.E.L., Two Paintings, 1983 - 1984, color woodcut, lithograph, and screenprint with die-cut foil on Arches 88 wove paper, Gift of Mr. and Mrs. Roger P. Sonnabend, 1986.90.21

Two Paintings

Roy Lichtenstein, Anthony Zepeda, James Reid, Kevin Kennedy, Krystine Graziano, Richard Hammond, Ron McPherson, Gemini G.E.L. · 1983 - 1984 · color woodcut, lithograph, and screenprint with die-cut foil on Arches 88 wove paper ·  Accession ID  1986.90.21