Ron Olds

American, active late 20th century

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The image contains curved lines and shapes forming an abstract composition on a pale green background. The shapes suggest a swirling motion. Within the shapes are colorful illustrations, including scenes of a beach, a checkered pattern, and architectural blueprints. At the bottom, there is a road sign with "ONLY" and "Melrose Avenue." The image creates an abstract representation integrating everyday elements.
David Hockney, Daniel Freeman, Jeff Wasserman, Kenneth Tyler, Serge Lozingot, Ron Olds, Gemini G.E.L., Wind, 1973, color lithograph and screenprint on Arjomari wove paper, Gift of the Woodward Foundation, Washington, D.C., 1976.56.52

Wind

David Hockney, Daniel Freeman, Jeff Wasserman, Kenneth Tyler, Serge Lozingot, Ron Olds, Gemini G.E.L. · 1973 · color lithograph and screenprint on Arjomari wove paper ·  Accession ID  1976.56.52

This print shows a red pot with a leafy green plant in front of bright blue shutters. Streaks of yellow and green come in from the left side of the print, overlapping with the potted plant and the shutters. The plant casts a dark purple shadow that stretches to the right on the tan surface below it. In the bottom left is a red object or surface that also casts a shadow.
David Hockney, Ron Olds, Donna Rae Hirt, Robert Knisel, Gemini G.E.L., Sun, 1973, color lithograph and screenprint on Arjomari wove paper, Gift of the Woodward Foundation, Washington, D.C., 1976.56.51

Sun

David Hockney, Ron Olds, Donna Rae Hirt, Robert Knisel, Gemini G.E.L. · 1973 · color lithograph and screenprint on Arjomari wove paper ·  Accession ID  1976.56.51

The image displays bold, geometric shapes and lines like rectangles, circles, and curved lines intersecting and overlapping in a structured composition. A vibrant palette of red, yellow, blue, and black against a white background is used. Diagonal red and yellow stripes fill some shapes. Elements like semi-circular cut-outs and flat color fields evoke a modern, industrial feel.
Roy Lichtenstein, Ron Olds, Ron McPherson, Bruce Porter, Gemini G.E.L., Bull IV, 1973, color lithograph, screenprint, and line-cut on Arjomari wove paper, Gift of Gemini G.E.L. and the Artist, 1981.5.63

Bull IV

Roy Lichtenstein, Ron Olds, Ron McPherson, Bruce Porter, Gemini G.E.L. · 1973 · color lithograph, screenprint, and line-cut on Arjomari wove paper ·  Accession ID  1981.5.63

The image displays bold, black lines forming uppercase letters that spell out the words "SUCK CUTS" on a white background. The text creates a distinct visual separation between the two words. The design uses simple typography to draw the viewer's attention. The contrast between the black text and white background conveys a minimalist aesthetic.
Bruce Nauman, George Page, Ron Olds, Gemini G.E.L., Suck Cuts, 1973, lithograph on Arjomari wove paper, Gift of Benjamin B. Smith, 1985.47.138

Suck Cuts

Bruce Nauman, George Page, Ron Olds, Gemini G.E.L. · 1973 · lithograph on Arjomari wove paper ·  Accession ID  1985.47.138

The image displays overlapping lines and geometric shapes that spell out the word "DEATH" in both right-side-up and upside-down orientations. The letters are abstracted using linear sketches with variations in line thickness, creating a visual representation similar to light reflecting on a surface. The upper part of the image is lighter, while the lower part is denser and textured, resembling a mirrored reflection like looking through a foggy window at text.
Bruce Nauman, Ron Olds, Daniel Freeman, Gemini G.E.L., Eat Death, 1973, color lithograph on Arjomari wove paper, Gift of Benjamin B. Smith, 1985.47.135

Eat Death

Bruce Nauman, Ron Olds, Daniel Freeman, Gemini G.E.L. · 1973 · color lithograph on Arjomari wove paper ·  Accession ID  1985.47.135

This is a painting of a cow standing on a blue ground with a striped blue background. The cow is rendered in a bold graphic style using the colors blue, white, and black. The blue areas form shapes across the cow's body, outlined in black. The background consists of diagonal blue stripes, contrasting with the white areas. The style is reminiscent of Roy Lichtenstein, showcasing ben-day dots and comic-strip aesthetics associated with Pop Art.
Roy Lichtenstein, Ron McPherson, Bruce Porter, Ron Olds, Gemini G.E.L., Bull II, 1973, lithograph and line-cut in blue and black on Arjomari wove paper, Gift of Gemini G.E.L. and the Artist, 1981.5.62

Bull II

Roy Lichtenstein, Ron McPherson, Bruce Porter, Ron Olds, Gemini G.E.L. · 1973 · lithograph and line-cut in blue and black on Arjomari wove paper ·  Accession ID  1981.5.62

The image displays bold, black letters in an abstract arrangement on a white background. Lines and smudges create a sense of movement and texture. The words are reversed and mirrored, similar to text reflected in a mirror. The large block letters resemble signs or headlines, suggesting printed media or public notices.
Bruce Nauman, James Webb, Ron Olds, Gemini G.E.L., Pay Attention, 1973, lithograph on Arjomari wove paper, Gift of Benjamin B. Smith, 1985.47.137

Pay Attention

Bruce Nauman, James Webb, Ron Olds, Gemini G.E.L. · 1973 · lithograph on Arjomari wove paper ·  Accession ID  1985.47.137

The image shows a view of a valley from a slightly elevated perspective. In the background, there are hills on the horizon. A lightning bolt slashes vertically across the scene, stretching from dark clouds above. A winding path or road runs through the lower part of the image, leading towards the lightning. The artwork features soft brush strokes and a grayscale palette, emphasizing the contrast between the dark land and the bright sky. The grayscale tones create a moody atmosphere, with the lightning adding a striking element. The overall effect is one of tension and an approaching storm.
David Hockney, Ron Olds, Jeff Wasserman, Ron McPherson, Gemini G.E.L., Lightning, 1973, color lithograph and screenprint on Arjomari wove paper, Gift of the Woodward Foundation, Washington, D.C., 1976.56.54

Lightning

David Hockney, Ron Olds, Jeff Wasserman, Ron McPherson, Gemini G.E.L. · 1973 · color lithograph and screenprint on Arjomari wove paper ·  Accession ID  1976.56.54

The image shows a series of curved lines and oval shapes connected in an abstract arrangement. Two larger rounded forms at the top resemble the shape of musical cymbals or lids, while the interconnected lines suggest tubing or flexible wires. Below, the softer outlines evoke the notion of a variety of disjointed objects, such as hats or small containers, scattered randomly as if in a jumble.
Claes Oldenburg, Ron Olds, Gemini G.E.L., Soft Drum Set, 1972, lithograph on Angoumois à la Main handmade paper, Gift of Gemini G.E.L. and the Artist, 1991.74.176

Soft Drum Set

Claes Oldenburg, Ron Olds, Gemini G.E.L. · 1972 · lithograph on Angoumois à la Main handmade paper ·  Accession ID  1991.74.176

The image displays overlapping rectangular shapes and parallel lines in a complex geometric pattern. It features earthy red, green, and brown tones. The rectangles create a sense of movement and depth. They resemble corridors or tunnels leading to a central vanishing point. The composition has an organic quality contrasting with the precise geometry of the shapes.
Ronald Davis, Serge Lozingot, Ron Olds, Ron McPherson, Jeff Wasserman, Gemini G.E.L., Double Slice, 1972, color lithograph and silkscreen with embossing on Arches Cover wove paper, Gift of the Woodward Foundation, Washington, D.C., 1976.56.15

Double Slice

Ronald Davis, Serge Lozingot, Ron Olds, Ron McPherson, Jeff Wasserman, Gemini G.E.L. · 1972 · color lithograph and silkscreen with embossing on Arches Cover wove paper ·  Accession ID  1976.56.15