William S. Burroughs

American, 1914 - 1997

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Allen Ginsberg, Julian Schnabel, George Condo, David Hockney, Wim Wenders, Ed Ruscha, Hiro Yamagata, William S. Burroughs, John Giorno, Steven Taylor, Raymond Foye, Richard Kaz, James Reid, Gemini G.E.L., The Ballad of the Skeletons, 1996, color screenprint on Rives BFK wove paper, Gift of Lee and Ann Fensterstock, 2000.177.22

The Ballad of the Skeletons

Allen Ginsberg, Julian Schnabel, George Condo, David Hockney, Wim Wenders, Ed Ruscha, Hiro Yamagata, William S. Burroughs, John Giorno, Steven Taylor, Raymond Foye, Richard Kaz, James Reid, Gemini G.E.L. · 1996 · color screenprint on Rives BFK wove paper ·  Accession ID  2000.177.22

The image features a web of intersecting lines and curves forming an abstract composition. The lines overlap and crisscross, creating a tangled effect similar to wires or a spider web. The artwork's complexity encourages the viewer to follow the paths of the lines, which weave together like flight patterns or sketch lines.
William S. Burroughs, Mark Callen, Xiaowen Chen, Graphicstudio, Untitled, 1993, 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.14

Untitled

William S. Burroughs, Mark Callen, Xiaowen Chen, Graphicstudio · 1993 · 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper ·  Accession ID  1995.61.14

The image shows overlapping swirling lines in brown and green creating an intricate pattern across the canvas. The lines resemble tangled threads or a dense thicket of vines, creating a chaotic yet harmonious composition.
William S. Burroughs, Graphicstudio, Untitled, 1993, 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.13

Untitled

William S. Burroughs, Graphicstudio · 1993 · 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper ·  Accession ID  1995.61.13

The image shows intertwined lines in shades of gold and purple on a cream background, creating an abstract composition. The lines crisscross and loop in a chaotic manner. The overlapping curves and intersections suggest movement and capture the viewer's attention.
William S. Burroughs, Mark Callen, Xiaowen Chen, Graphicstudio, Untitled, 1993, 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.12

Untitled

William S. Burroughs, Mark Callen, Xiaowen Chen, Graphicstudio · 1993 · 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper ·  Accession ID  1995.61.12

The image shows thin intersecting lines in blue and green creating an intricate pattern on the canvas.
William S. Burroughs, Xiaowen Chen, Mark Callen, Graphicstudio, Untitled, 1993, 2-color photo-etching on chine collé of gampi paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.15

Untitled

William S. Burroughs, Xiaowen Chen, Mark Callen, Graphicstudio · 1993 · 2-color photo-etching on chine collé of gampi paper ·  Accession ID  1995.61.15

The image shows a series of chaotic, intertwining lines and shapes spread across the canvas. The dark, swirling lines overlap and intersect, resembling tangled vines or branches. The background is a vibrant orange, contrasting with the deep brown lines, resembling autumn foliage or energetic scribbles. The abstract composition draws the viewer's eye to various sections, similar to observing the spontaneity and movement of nature.
William S. Burroughs, Tim Baker, Julie Mahler, Graphicstudio, Untitled, 1993, photolithograph on Rives BFK Creme 280 gm. paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.10

Untitled

William S. Burroughs, Tim Baker, Julie Mahler, Graphicstudio · 1993 · photolithograph on Rives BFK Creme 280 gm. paper ·  Accession ID  1995.61.10

The image features swirling and textured shapes forming an abstract composition. A large, dark rectangular form is centrally placed, surrounded by intricate patterns resembling tree bark texture or geographical topography. Splashes of green and beige create an organic mosaic. The rectangular element contrasts with the chaotic forms, enhancing the abstract nature of the piece.
William S. Burroughs, Xiaowen Chen, Julie Mahler, Mark Callen, Tim Baker, Graphicstudio, Untitled, 1993, photolithograph and photo-etching on Rives BFK wove paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.9

Untitled

William S. Burroughs, Xiaowen Chen, Julie Mahler, Mark Callen, Tim Baker, Graphicstudio · 1993 · photolithograph and photo-etching on Rives BFK wove paper ·  Accession ID  1995.61.9

The image displays irregular, fragmented shapes in shades of orange and red, with white and yellow highlights. The colors and shapes create an abstract composition.
William S. Burroughs, Tim Baker, Julie Mahler, Graphicstudio, Untitled, 1993, photolithograph on Somerset Satin 250 gm. paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.8

Untitled

William S. Burroughs, Tim Baker, Julie Mahler, Graphicstudio · 1993 · photolithograph on Somerset Satin 250 gm. paper ·  Accession ID  1995.61.8

The image shows elongated and curved dark shapes stretching vertically across the canvas. These shapes are set against a textured background. The abstract composition resembles dripping ink or liquid, forming shapes reminiscent of long-stemmed flowers or tall sea creatures. The smudged black and white tones contribute to an organic, fluid impression. The forms suggest movement and depth within the composition.
William S. Burroughs, Julie Mahler, Tim Baker, Graphicstudio, Untitled, 1993, photolithograph on Rives BFK Creme 280 gm. paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.7

Untitled

William S. Burroughs, Julie Mahler, Tim Baker, Graphicstudio · 1993 · photolithograph on Rives BFK Creme 280 gm. paper ·  Accession ID  1995.61.7

The image shows intersecting red and blue lines forming irregular shapes on a light background.
William S. Burroughs, Xiaowen Chen, Mark Callen, Graphicstudio, Untitled, 1993, 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.11

Untitled

William S. Burroughs, Xiaowen Chen, Mark Callen, Graphicstudio · 1993 · 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper ·  Accession ID  1995.61.11