Associated American Artists

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  • The image consists of multiple rectangular panels with wavy lines and blocky shapes, creating a fragmented landscape. The colors used are rich earth tones such as reds, blacks, blues, greens, and beige, resembling rock formations and valleys.

    Grand Canyon

    Clare Romano, Associated American Artists

    1977

    Color collagraph on wove paper  Accession ID  2016.148.44

    On View: West Building Ground Floor, Gallery G24
  • The image shows a place setting with a plate, a folded napkin, a fork, a knife, and a spoon. The palette consists of various shades of gray. The plate is positioned centrally with the folded napkin on top, while the fork extends towards the lower left corner and the knife and spoon are placed across the center of the plate.

    Place Setting

    Nona Hershey, Associated American Artists

    1976

    Etching and aquatint in black on wove paper  Accession ID  1987.41.33

    Not on view
  • The image displays overlapping shapes with curved lines in various colors, forming an abstract design. There is a large blue semi-circle at the top, with a smaller maroon arch inside it enclosing a white area. Below these are deep green shapes and a bright red section. A purple shape resembling a heart rests on the red area.

    Ryder's Evening

    Carol Summers, Associated American Artists

    1976 (published 1977)

    Color woodcut on laid paper  Accession ID  2015.19.3238

    Not on view
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    Girl in Red

    Raphael Soyer, Bank Street Atelier, Associated American Artists

    1972

    Color lithograph on wove paper  Accession ID  2008.97.6

    Not on view
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    Saddle

    Stanley William Hayter, Hector Saunier, Associated American Artists

    1970 (published 1972)

    Color softground etching on wove paper  Accession ID  2008.97.2

    Not on view
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    Silent Seasons—Autumn

    Will Barnet, Atelier Mourlot, Associated American Artists

    1969 (published 1971)

    Color lithograph on wove paper  Accession ID  1986.55.27

    Not on view
  • The image is a close-up, side profile view of a man's face. The man is facing to the right and has long, unkempt hair. His facial features are bold with heavy use of lines, including prominent eyebrows, a pronounced nose, and a mustache. The background is plain, emphasizing the detailed drawing of the man's head and features. No jewelry or objects are visible.

    Masaccio

    Leonard Baskin, Associated American Artists

    1969 (published 1970)

    Etching in black on wove paper  Accession ID  2013.121.95

    Not on view
  • This artwork shows a low angle view through tall grasses and foliage dominating the scene. The horizon is not distinctly visible as the vegetation encloses the viewer's line of sight on all sides. The style includes intricate, detailed brushstrokes or etchings capturing the textures and shapes of the plants. The color palette is monochromatic, using dark and light shades of black and white to differentiate between light and shadow, creating a dramatic visual impact. In the distance, the darkened sky suggests a night-time scene, intensifying the mysterious and serene nature of the scene.

    Moonlit Pond

    Ruth Cyril, Associated American Artists

    1969 (published 1973)

    Etching and aquatint in black  Accession ID  1980.45.346

    Not on view
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    Silent Seasons—Winter

    Will Barnet, Atelier Mourlot, Associated American Artists

    1968 (published 1974)

    Color lithograph on wove paper  Accession ID  1986.55.26

    Not on view
  • The image contains two panels with intersecting curving lines on a teal background. The lines are black with some purple accents, creating an abstract design resembling twisting threads or flowing roots. The composition can be interpreted as flowing water or a maze, prompting viewers to follow the patterns.

    Diptych

    Stanley William Hayter, Hector Saunier, Associated American Artists

    1967 (published 1970)

    Two-plate color engraving on wove paper  Accession ID  2015.19.2971

    Not on view
  • The image shows a bridge stretching into the distance, leading to a towering structure on the horizon. The horizon is positioned just below the midline of the image, where the linear elements of the bridge and road converge. The strokes are varied, with vertical streaks creating a sense of continuous flow and movement. The color palette is monochromatic, composed of various shades of black, gray, and white. Bright round lights line the bridge on both sides, providing a rhythmic pattern and contrasting with the darker shades of the sea and sky in the background.

    Rush Hour

    Richard Florsheim, George C. Miller & Son, Associated American Artists

    1967 (published 1968)

    Lithograph in black on wove paper  Accession ID  1987.41.28

    Not on view
  • The image depicts swirling lines and intricate shapes forming a dense, chaotic abstract scene. At the center is a figure with long flowing hair and an alien-like mask, surrounded by various animals and creatures including an eagle, a warthog, a dragon, a monkey, and others. The backdrop includes trees and foliage, resembling a jungle or forest setting. The figure wears a crown of flowers.

    Circe Cirensis

    Fritz Eichenberg, Associated American Artists

    1966

    Wood engraving in black on wove paper  Accession ID  2015.19.1167

    Not on view