Dena Schuckit

Schuckit, Dena Ms.
American, active late 20th century

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Artwork

This is a drawing of a vintage sign structure. The image showcases a large, metal-framed sign with bold, capital letters spelling out "PUBLIC MARKET." The structure is composed of vertical and horizontal beams with additional cross bracing. The letters are depicted with a three-dimensional effect, appearing slightly raised from the scaffolding. The background is a plain, neutral tone. The clean, minimalist aesthetic suggests careful attention to line and form. The style captures the essence of modernist influences in structure and typography.

Public Market

Ed Ruscha, Dena Schuckit, Crown Point Press

2006

Sugarlift flatbite with hardground etching on gampi chine collé on somerset satin wove paper Accession ID 2011.119.107

Not on view

Artwork

The image displays several rows of baked goods including cupcakes, pastries with swirled designs, and donuts. The color palette consists mainly of shades of brown, black, and beige. The cupcakes with swirled icing are on the left side, followed by pastries with a spiral pattern, and rows of donuts on the far right. The objects are positioned against a uniform background.

Dark Cupcakes and Donuts

Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks

2006

Color direct gravure on gampi paper chine collé Accession ID 2011.119.130

Not on view

Artwork

""

Walking Drawing (Drypoint) [Right]

Tom Marioni, Crown Point Press, Dena Schuckit, Ianne Kjorlie

2006

Right panel of two parts: color drypoint with etching on wove somerset paper Accession ID 2011.119.52.b

Not on view

Artwork

""

Walking Drawing (Drypoint)

Tom Marioni, Crown Point Press, Dena Schuckit, Ianne Kjorlie

2006

Color drypoint with etching on two sheets of wove somerset paper Accession ID 2011.119.52.a-b

Not on view

Artwork

The image shows a tree trunk in the center of a landscape, taken from an elevated position. The horizon is partially blocked by the angle, revealing a distant cityscape with various buildings, including a tall structure. The tree has few leaves and its branches extend across the sky. The photograph has a monochromatic tone with shades of gray. In the foreground, there is natural vegetation like shrubs and grass, while the city in the background appears hazy.

24th at Carolina (Left Variation)

John Chiara, Crown Point Press, Dena Schuckit, Emily York

2006

Photogravure in black on gampi paper chine collé, mounted onto wove somerset paper Accession ID 2011.119.21

Not on view

Artwork

""

Desert Gravure

Ed Ruscha, Dena Schuckit, Crown Point Press

2006

Photogravure on somerset wove paper Accession ID 2011.119.106

Not on view

Artwork

The image shows a large, unadorned billboard structure viewed from below against a pale sky. The horizon is not visible. The structure and perspective focus on the billboard and its scaffolding. The brushstrokes or lines are precise and clean, with minimal texture. The color palette is muted, with soft grays and blues. The base of the billboard is visible, supporting the geometric framework leading to the rectangular surface dominating the upper part of the image, blending with the sky.

Your Space on Building

Ed Ruscha, Dena Schuckit, Crown Point Press

2006

Color aquatint with sugarlift aquatint and flatbite etching on somerset wove paper Accession ID 2011.119.111

Not on view

Artwork

The image shows a tree trunk prominently positioned in the center with a hazy horizon line towards the top third of the composition. There are faint outlines of distant trees or foliage in the background. The brushstroke style is soft and layered. The color palette includes gradients of blue, earthy browns, and greens. Closest to us, there is a blend of grass or groundcover, possibly leaves, which are slightly out of focus.

24th at Carolina (Center)

John Chiara, Crown Point Press, Dena Schuckit, Emily York

2006

Color photogravure printed on gampi paper chine collé, mounted onto wove somerset paper Accession ID 2011.119.20

Not on view

Artwork

The image shows a row of triangular and square-shaped objects resembling slices of cake with circular garnishes on top. The color palette is comprised of beige, cream, and dark brown shades. The cakes are placed horizontally across the upper part of the image, above a patterned strip, with a dark solid area at the bottom.

Dark Cakes and Pies

Wayne Thiebaud, Crown Point Press, Dena Schuckit, Catherine Brooks, Emily York

2006

Color direct gravure on gampi paper chine collé Accession ID 2011.119.129

Not on view

Artwork

The image shows a view from the side of a hill, featuring a large tree trunk in the center. Surrounding branches lead upward to a sky with pale blue and soft yellow hues. In the distance, a dense urban landscape of buildings blends into the base of hills on the horizon. The image appears to be a photograph with overlaid textures and manipulation techniques creating soft, blurred transitions and atmospheric effects. The color palette includes muted tones of pale blues, soft yellows, and hints of darker shadows around the tree and nearby vegetation.

24th at Carolina (Left)

John Chiara, Crown Point Press, Dena Schuckit, Emily York

2006

Color photogravure on gampi paper chine collé, mounted onto wove somerset paper Accession ID 2011.119.22

Not on view

Artwork

""

23rd at Carolina

John Chiara, Crown Point Press, Dena Schuckit, Emily York

2006

Photogravure in black on gampi paper chine collé, mounted onto wove somerset paper Accession ID 2011.119.18

Not on view

Artwork

The image shows sharp, straight lines and angular forms creating an abstract shape resembling a directional sign or an arrow pointing to both sides. The intersecting lines and narrow central triangle evoke the image of road signs used for navigation, adding a sense of directionality. The light gray and off-white tones combined with minimal texture provide a simple appearance capturing familiar road side elements interpreted abstractly.

City Space

Ed Ruscha, Dena Schuckit, Crown Point Press

2006

Color aquatint with sugarlift flatbite and hardground etching on somerset wove paper Accession ID 2011.119.105

Not on view