Paul Haasen

French, active 20th century

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  • This is a photograph of the cover of a book titled 'L' Apocalypse' by Stanley William Hayter. The cover features a muted brown color with a cream-colored spine, which is offset slightly to the left. The text, 'STANLEY WILLIAM HAYTER / L’ APOCALYPSE', is printed in an elegant serif font, centered horizontally on the cover. The book has an aged appearance with slight wear and subtle discolorations.

    L'apocalypse (The Apocalypse)

    Stanley William Hayter, Georges Hugnet, Paul Haasen, Galerie Jeanne Bucher

    1932

    Paper and clothbound portfolio of 6 engravings with drypoint, including title page and colophon page  Accession ID  1944.14.12-17

    Not on view
  • The image shows a series of straight lines and geometric shapes. The central component resembles an abstract representation of a structure amidst a fragmented landscape. Linear patterns and shading are used to create the composition. An architectural element in the central structure suggests rooms and levels. Around the structure, an abstract landscape with jagged lines is shown, resembling cracked earth or a canyon. A round object is seen partially submerged in the ground, while overhead, a circular shape is shown. The work's aesthetic and use of distorted imagery gives it an abstract quality.

    Untitled

    Stanley William Hayter, Paul Haasen, Galerie Jeanne Bucher

    1931

    Engraving and drypoint in black  Accession ID  1944.14.17

    Not on view
  • The image shows curving, interlocking lines creating an abstract design that resembles horses galloping in formation. Stars are interspersed throughout, similar to the stars in a constellation. The background features shaded lines forming abstract shapes for added depth.

    Untitled

    Stanley William Hayter, Paul Haasen, Galerie Jeanne Bucher

    1931

    Engraving and drypoint in black  Accession ID  1944.14.13

    Not on view
  • The image contains intricate composition of overlapping lines and shapes creating abstract formations. Soft, curving lines intertwine with sharp, geometric triangular shapes across the canvas. In the foreground, a dark circular form is situated near the bottom left corner. The interplay of these elements gives the overall piece an abstract quality, suggesting outlines of hands reaching and overlapping, adding a dynamic sense of motion to the image.

    Untitled

    Stanley William Hayter, Paul Haasen, Galerie Jeanne Bucher

    1931

    Engraving and drypoint in black  Accession ID  1944.14.15

    Not on view
  • The image shows fluid, intertwining lines forming an abstract composition on a neutral background. The lines create layered and overlapping shapes that resemble silhouettes of human figures. The outlines suggest limbs, torsos, and possibly facial features, evoking a sense of movement or connection. Shaded areas provide depth, while gestural markings enhance the dynamism of the artwork, akin to figures in Matisse's cut-outs or Picasso's line drawings.

    Untitled

    Stanley William Hayter, Paul Haasen, Galerie Jeanne Bucher

    1931

    Engraving and drypoint in black  Accession ID  1944.14.14

    Not on view
  • The image shows curving lines and shapes overlapping and intertwining to create movement and depth. The abstract composition resembles twisting, elongated forms that evoke a spiraling tower or organic structure made of interwoven strands. The lines have a fluid, ribbon-like quality, spiraling around a central column with undulating shapes suggesting motion. The background is minimal, allowing the abstract shapes to stand out prominently.

    Untitled

    Stanley William Hayter, Paul Haasen, Galerie Jeanne Bucher

    1931

    Engraving and drypoint in black  Accession ID  1944.14.12

    Not on view
  • This is a photograph of a book cover. The cover is primarily a beige or light grey color with signs of aging such as spots and discolorations. Attached to the top right is a rectangular paper label with text in French. The label has a black border and includes the title "Paysages Urbains," the author "S. W. Hayter," and publishing information "Éditions Des Quatre Chemins Paris." The book is tied with a beige string at the top right corner.

    Paysages urbains (Cityscapes)

    Stanley William Hayter, Paul Haasen, Editions des Quatre Chemins

    1930

    Gray paper-covered portfolio with six engravings  Accession ID  1990.106.7-12

    Not on view
  • The image depicts a city street scene viewed from a slightly elevated angle. The horizon is not visible, focusing on the street and buildings. In the center, a streetlight is partially obscured by energetic lines. To the right, a narrow street slopes upwards, with silhouettes of figures walking away. The bold, graphic brushstrokes depict sharp angles and hatching, creating texture and depth. The monochromatic color palette contrasts black lines against a white background, offering a dynamic composition.

    Rue de la Villette

    Stanley William Hayter, Paul Haasen, Editions des Quatre Chemins

    1930

    Engraving and drypoint in black on wove paper  Accession ID  1990.106.12

    Not on view
  • The image shows a view looking up a steep street lined with angular, overlapping buildings. The perspective is from the lower part of the street, angled upwards towards the top. The horizon is not prominently defined. The focus is on the architectural structures and the steep slope of the street. Cross-hatching and sharp, defined lines give texture and depth to the buildings. The color palette is monochromatic, using shades of gray and black for contrast and detail, emphasizing light and shadow. Close to us, the street and building facades dominate with strong linear angles. The eye is led up the slope towards less detailed structures in the distance. The technique creates a dynamic and somewhat abstract urban environment.

    La Villette

    Stanley William Hayter, Paul Haasen, Editions des Quatre Chemins

    1930

    Drypoint and engraving on wove paper  Accession ID  1990.106.7

    Not on view
  • This is a drawing of a surreal street scene. The drawing shows a narrow alley or path bordered by a brick wall on one side and an undefined boundary on the other. In the foreground, a human-like form is sprawled diagonally across the path, drawn with sketchy lines. Lines or cables cut across the image in an abstract manner. The background features trees and indistinct structures, contributing to a feeling of disquiet or surrealism within an urban environment.

    Père Lachaise

    Stanley William Hayter, Paul Haasen, Editions des Quatre Chemins

    1930

    Engraving and drypoint in black on wove paper  Accession ID  1990.106.8

    Not on view
  • The image shows a waterfront scene with buildings and structures. The horizon is above the midpoint, and a mountain or large hill can be seen in the distance. The precise lines and cross-hatching in the etching detail the architecture and surroundings in shades of gray and black. A building labeled "VINS RESTAURANT" is in the foreground, with French words visible. Other buildings, trees, and a small tree near the horizon line are shown, with the reflection of a building on the water suggested by lines.

    Rue du Repos

    Stanley William Hayter, Paul Haasen, Editions des Quatre Chemins

    1930

    Engraving, etching, and drypoint in black on wove paper  Accession ID  1990.106.11

    Not on view
  • The image showcases a series of rectangular shapes that form the facade of a building, with bold lines defining the edges and windows. Within these shapes, a distorted human-like figure appears to be standing on one of the window ledges. The composition resembles urban architecture with exaggerated perspectives and angles, emphasizing its abstract nature. The scene is reminiscent of a cityscape under a bright circle in the sky.

    Rue d'Assas

    Stanley William Hayter, Paul Haasen, Editions des Quatre Chemins

    1930

    Engraving, drypoint, and mezzotint in black on wove paper  Accession ID  1990.106.9

    Not on view