Théophile Alexandre Steinlen

Caillou, Jean

Swiss, 1859 - 1923

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This is a painting of a dim street with several people carrying sacks. The people wear long skirts and aprons in dark colors, and their large sacks are filled with white cloth. The people are bent over under the weight of the sacks. They walk across a cobblestone street in front of a building with a lit interior and blue wallpaper. On the right side of the painting is another street with more buildings and a carriage where people appear to pass up their sacks to a person on top.
Théophile Alexandre Steinlen, The Laundresses, 1899, oil on canvas, Chester Dale Collection, 1954.4.4

The Laundresses

Théophile Alexandre Steinlen · 1899 · oil on canvas ·  Accession ID  1954.4.4

The image shows an artistic sketch of two men's upper bodies. Both men are depicted from the side, facing to the right. The man in the foreground wears a cloth wrapped as a headscarf, covering his hair, and the other man wears a cap as well. Their facial features are outlined with sharp, dark strokes, and they both appear to have prominent cheekbones and elongated noses. The figures are dressed in clothing that is loosely sketched. The background is also sketched, with swirling lines and shapes that suggest a textured, abstract backdrop. There are no visible jewelry or objects held by the figures.
Théophile Alexandre Steinlen, A Wounded Soldier and His Comrade, 1916, black and white chalk on blue laid paper, Joseph F. McCrindle Collection, 2009.70.219

A Wounded Soldier and His Comrade

Théophile Alexandre Steinlen · 1916 · black and white chalk on blue laid paper ·  Accession ID  2009.70.219

The image is an etching depicting multiple people sitting together. The scene shows three individuals huddled close to one another on the ground. The figures are bundled in heavy clothing, with hoods and hats covering their heads. The person on the far left appears to have a beard. One person holds what appears to be a child wrapped in layers. The ground around them suggests a barren landscape. In the background, lines sketch the suggestion of a hill or mountain range under a textured sky. The image uses shading to convey depth and texture.
Théophile Alexandre Steinlen, Exodus (L'exode), 1916, etching, Rosenwald Collection, 1943.3.8025

Exodus (L'exode)

Théophile Alexandre Steinlen · 1916 · etching ·  Accession ID  1943.3.8025

The image is a pencil sketch of a woman and two children. The woman stands holding a large sack over her shoulder. She wears a headscarf and a long dress. Beside her is a young boy wearing a flat cap and holding a sack, and on the other side is a smaller child holding a case. In the background are sketchy outlines of an architectural structure resembling ruins, with trees and distant figures.
Théophile Alexandre Steinlen, C'est ici, chez nous!, 1916, black chalk, Rosenwald Collection, 1943.3.8049

C'est ici, chez nous!

Théophile Alexandre Steinlen · 1916 · black chalk ·  Accession ID  1943.3.8049

This is a drawing of several figures gathered together in conversation. The drawing shows a group of individuals dressed in heavy coats and carrying backpacks. They are standing closely together, possibly engaged in discussion. In the background, shadowy figures and buildings are visible. On the left side, there are several smaller sketches of faces. The use of cross-hatching and strong contour lines give the work a dynamic appearance. This drawing is in the style of Théophile Steinlen.
Théophile Alexandre Steinlen, Soldiers on Leave - Night Scene (Permissionnaires - Effet de Nuit), 1916, etching, Rosenwald Collection, 1943.3.8027

Soldiers on Leave - Night Scene (Permissionnaires - Effet de Nuit)

Théophile Alexandre Steinlen · 1916 · etching ·  Accession ID  1943.3.8027

This is a drawing of a group of figures walking against the wind. The image depicts three figures on the left struggling to move forward as they battle against a strong wind. The figures appear determined and resilient, their clothes and hair flowing backward. The background shows a simple, abstract landscape of swirling lines. This minimalistic style focuses on the movement and struggle against the elements.
Théophile Alexandre Steinlen, In the Rain: Mother and Children (Sous la pluie: La mere et les enfants), 1915, etching and aquatint, Rosenwald Collection, 1943.3.8019

In the Rain: Mother and Children (Sous la pluie: La mere et les enfants)

Théophile Alexandre Steinlen · 1915 · etching and aquatint ·  Accession ID  1943.3.8019

The image depicts a group of five people, including a woman and four children, shown in full body. The woman stands in the center, leaning forward slightly while carrying a child in her arms and holding a large bundle. Her facial features are drawn with concentration, and she wears a headscarf. The children around her are clutching hands and looking forward, dressed in long coats, pants, and head coverings. One little girl mirrors the woman by holding a similar bundle against her side. The environment around them seems to depict a barren or windy landscape, with trees bending and a textured sky, suggesting strong winds. The lines convey movement and struggle within an empty background.
Théophile Alexandre Steinlen, In the Rain: Mother and Children (Sous la pluie: La mere et les enfants), 1915, etching and aquatint, Rosenwald Collection, 1943.3.8020

In the Rain: Mother and Children (Sous la pluie: La mere et les enfants)

Théophile Alexandre Steinlen · 1915 · etching and aquatint ·  Accession ID  1943.3.8020

The image shows a side view of a landscape with a lone figure close to us, bent over and engaged in an activity. The horizon is positioned about one third from the top, with a silhouette of a village or buildings visible. The brushstrokes are linear and sketch-like, with cross-hatching for texture and movement. The color palette is monochromatic, with shades of brown and tan, emphasizing the drawing's illustrative quality.
Théophile Alexandre Steinlen, Tramp with Bundle (Le chemineau a la besace), 1914, drypoint and (etching?), Rosenwald Collection, 1943.3.8034

Tramp with Bundle (Le chemineau a la besace)

Théophile Alexandre Steinlen · 1914 · drypoint and (etching?) ·  Accession ID  1943.3.8034

This is a drawing of a rural interaction between a woman holding a child and a man with a bag. The scene takes place outdoors, presumably in the countryside. The landscape extends into the horizon, showcasing fields with subtle lines and elevations. The woman stands on the left and appears to be communicating something to the man on the right. She holds a small child in her arm, and another child stands by her side, clutching her skirt and a stick. The man leans on a cane and carries a large sack over his shoulder. The overall drawing employs fine line work to create texture in the clothing and landscape, capturing a moment of rural life with simplicity and attention to detail.
Théophile Alexandre Steinlen, The Distant City (La ville lointaine), 1914, etching and drypoint, Rosenwald Collection, 1943.3.8033

The Distant City (La ville lointaine)

Théophile Alexandre Steinlen · 1914 · etching and drypoint ·  Accession ID  1943.3.8033

The image shows a group of people. Most individuals are in a seated or crouched position, with the focus being on an older man with a cap holding a child in his lap. There is an older woman beside him and a young girl holding a baby on the other side. Another child is crouched in front, holding flowers. They are all dressed in simple clothing, and there are scattered items in the background. The backdrop is minimal, with sketched lines indicating space. There is no visible jewelry, and the image is monochromatic.
Théophile Alexandre Steinlen, Poor People (Les pauvres gens), 1914, etching and drypoint, Rosenwald Collection, 1943.3.8024

Poor People (Les pauvres gens)

Théophile Alexandre Steinlen · 1914 · etching and drypoint ·  Accession ID  1943.3.8024