Joel Fisher

American, born 1947

Displaying 1 - 12 of 24

Results

  • ""

    New Year's Greeting

    Joel Fisher

    1994-1995

    Watermark in handmade paper  Accession ID  2007.6.264

    Not on view
  • ""

    New Year's Greeting

    Joel Fisher

    1992-1993

    Watermark in handmade paper  Accession ID  2007.6.263

    Not on view
  • The image is a grid of small, uniformly sized squares in vibrant colors. The composition is made up of various shades of green, pink, black, red, and gray squares. The arrangement of darker squares within the grid creates the appearance of a humanoid figure or silhouette in a dynamic pose.

    Tree

    Joel Fisher

    1990

    Print consisting of 4 panels assembled touching and in 2 rows: aquatint on somerset textured white paper  Accession ID  1997.8.47-50

    Not on view
  • The image shows a grid-like arrangement of colored squares forming an abstract rectangular shape in the bottom left corner of the canvas. The composition features black, green, red, and pink squares, with a predominance of black toward the center. The upper and right portions of the canvas are white, creating a contrast with the colorful grid.

    Tree

    Joel Fisher, Pamela Paulson, Crown Point Press

    1990

    Top right panel of 4 parts: aquatint on somerset textured white paper  Accession ID  1997.8.48

    Not on view
  • The image shows a grid of small squares arranged in a larger square formation, with colors of pink, green, red, black, orange, and gray. This abstract composition resembles a pixelated image or a patchwork quilt, with each colored square resembling a tile in a mosaic. The design is similar to a color chart, where each block contributes to an overall pattern, inviting the viewer to associate the combination of colors with a visual experience.

    Tree

    Joel Fisher, Pamela Paulson, Crown Point Press

    1990

    Bottom left panel of 4 parts: aquatint on somerset textured white paper  Accession ID  1997.8.49

    Not on view
  • The image shows an arrangement of squares in a grid pattern, each displaying variations of colors including green, pink, red, and beige. The squares are evenly spaced with clean lines, maintaining a geometric organization throughout the design.

    Tree

    Joel Fisher, Pamela Paulson, Crown Point Press

    1990

    Top left panel of 4 parts: aquatint on somerset textured white paper  Accession ID  1997.8.47

    Not on view
  • The image shows a grid of colored squares on the left three-quarters of the canvas, transitioning from black and red on the left to black, red, green, and beige on the right. The squares create an abstract pattern. The remainder of the canvas on the right is blank, contrasting with the colorful grid.

    Tree

    Joel Fisher, Pamela Paulson, Crown Point Press

    1990

    Bottom right panel of 4 parts: aquatint on somerset textured white paper  Accession ID  1997.8.50

    Not on view
  • The image consists of sweeping, curved lines that converge and diverge across the canvas. The lines are abstract and may resemble the flow of reeds or strands of hair. In the lower right corner, there is a bold outline resembling a large leaf or a stylized profile of a face. In the upper left, a smaller square contains faint sketches that could resemble leaves or feathers. The overall abstract composition invites viewers to connect the shapes to organic forms in nature.

    Responsibility (Vertical)

    Joel Fisher, Lilah Toland, Crown Point Press

    1981

    Sugarlift aquatint and hardground etching on chine collé of arches lightweight satine on rives bfk roll paper  Accession ID  1997.8.52

    Not on view
  • The image shows thin, delicate lines arranged on textured paper with rough edges. The lines gently curve and intersect, forming shapes resembling a simplistic house-like structure at the top and a kite-like figure at the bottom. The design features familiar yet ambiguous forms against a subtle fibrous backdrop, contributing to the abstract nature of the artwork.

    Untitled #1

    Joel Fisher

    1980s

    Sepia colored pencil on handmade paper  Accession ID  2007.6.21

    Not on view
  • Curving, sweeping lines in a soft red hue create an abstract composition on a textured, off-white surface. The shapes suggest an elongated, flowing form that loosely resembles a cloaked figure or a winding ribbon. The lines intersect and loop, forming an ambiguous outline. The rough edges of the paper and scattered linear marks contribute to the abstract essence of the piece.

    Untitled #7

    Joel Fisher

    1980s

    Brown colored pencil and graphite on handmade paper  Accession ID  2007.6.31

    Not on view
  • The image features an abstract composition with a single, thin, continuous line on a textured, off-white background. The line forms a large loop near the bottom left of the canvas, extending into several branches that arc to the right and upwards. The paper has irregular edges and slight texture, emphasizing simplicity and organic movement.

    Untitled #5

    Joel Fisher

    1980s

    Sepia colored pencil on handmade paper  Accession ID  2007.6.29

    Not on view
  • The image shows a single line that moves across the paper, creating an abstract shape. The line forms a loop and can be seen as a loose balloon string or a distorted musical note. The paper has a textured surface with frayed edges, enhancing the abstract look. The composition's simplicity encourages viewers to perceive recognizable shapes within the design.

    Untitled #8

    Joel Fisher

    1980s

    Graphite on handmade paper  Accession ID  2007.6.32

    Not on view