Atelier Mourlot

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The image is a black and white drawing of a person's head with a closely cropped hairstyle. The face is depicted with bold lines highlighting the eyes, nose, and lips. The person's eyes are large and looking upward and to the side. The background is plain and light cream colored. Below the head, the text reads "DINE" in bold, uppercase font, followed by "FROZEN AND BRUISED" in a thinner uppercase style. The drawing has a simplistic and stylized aesthetic, emphasizing the facial expression.
R. B. Kitaj, Atelier Mourlot, Graphis, Dine: Frozen and Bruised, 1970-1972, lithograph in black on wove paper, Corcoran Collection (Gift of Raymond W. Merritt, 1977), 2015.19.2623.9

Dine: Frozen and Bruised

R. B. Kitaj, Atelier Mourlot, Graphis · 1970-1972 · lithograph in black on wove paper ·  Accession ID  2015.19.2623.9

The image shows three triangles with thick black outlines on a yellow background. The triangles have dotted patterns inside them, creating a visual effect.
Roy Lichtenstein, Atelier Mourlot, Pyramids, 1969, lithograph in yellow and black on Arches paper, Gift of Roy and Dorothy Lichtenstein, 1996.56.51

Pyramids

Roy Lichtenstein, Atelier Mourlot · 1969 · lithograph in yellow and black on Arches paper ·  Accession ID  1996.56.51

This image features a large tree with thick branches and dense foliage, set against geometric shapes and straight lines suggesting a modern architectural structure on the right side. Silhouettes resembling people are scattered along the bottom, alongside circles and stamps reminiscent of seals or coins. Soft hues and blurred shading evoke a calm background landscape, creating a contrast between nature and constructed environments.
Saul Steinberg, Atelier Mourlot, The Tree, 1969, color lithograph with watercolor, graphite, ink, collage, and rubber-stamping on wove paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II, 1978), 2015.19.2762

The Tree

Saul Steinberg, Atelier Mourlot · 1969 · color lithograph with watercolor, graphite, ink, collage, and rubber-stamping on wove paper ·  Accession ID  2015.19.2762

The image shows a painting of a building with an industrial design style. The artwork features a large rectangular structure with windows arranged in a grid pattern, depicted using bold lines and monochromatic colors. The building is set against a background filled with uniform dots, creating an abstract sky and ground.
Roy Lichtenstein, Atelier Mourlot, Real Estate, 1969, published 1971, lithograph in blue on Arches paper, Gift of Roy and Dorothy Lichtenstein, 1996.56.53

Real Estate

Roy Lichtenstein, Atelier Mourlot · 1969, published 1971 · lithograph in blue on Arches paper ·  Accession ID  1996.56.53

The image displays bold, interlocking geometric shapes such as triangles, semicircles, and rectangles in black, white, and yellow. Some areas have a dotted texture. The layout forms a pattern resembling stylized birds or arrows. The overall composition is abstract, prompting viewers to associate shapes and colors.
Roy Lichtenstein, Atelier Mourlot, Repeated Design, 1969, lithograph in yellow and black on Arches paper, Gift of Roy and Dorothy Lichtenstein, 1996.56.55

Repeated Design

Roy Lichtenstein, Atelier Mourlot · 1969 · lithograph in yellow and black on Arches paper ·  Accession ID  1996.56.55

The image displays a collection of colorful shapes and lines in an abstract composition. Dark swirling curves are present alongside splattered spots and rings of red, yellow, blue, green, and black across the expanse. The pattern resembles scattered confetti or paint splashes, evoking a sense of celebration or creativity. The interaction of colors and shapes creates a visually striking scene.
Sam Francis, Atelier Mourlot, H.K.L. Ltd., Untitled, 1968, color offset lithograph on wove paper, Corcoran Collection (Gift of the National Collection of Fine Arts, 1968), 2015.19.1066

Untitled

Sam Francis, Atelier Mourlot, H.K.L. Ltd. · 1968 · color offset lithograph on wove paper ·  Accession ID  2015.19.1066

Claes Oldenburg, Atelier Mourlot, H.K.L. Ltd., Scissors as Monument, 1968, color lithograph on wove paper, Corcoran Collection (Gift of the National Collection of Fine Arts, 1968), 2015.19.1067

Scissors as Monument

Claes Oldenburg, Atelier Mourlot, H.K.L. Ltd. · 1968 · color lithograph on wove paper ·  Accession ID  2015.19.1067

The image shows a city skyline with reflective surfaces hinting at water below. The horizon is in the upper third, with a dark, textured sky above the silhouette of buildings. The skyline includes rectangular forms and spires of varying heights, suggesting different architectural styles. The shading creates depth and softens the outlines of the structures. The color scheme is monochromatic, with shades of gray, black, and white. Darker tones ground the buildings, while lighter shades highlight their reflections in the water.
Richard Florsheim, Atelier Mourlot, Associated American Artists, Shoreline, 1964, lithograph in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1177

Shoreline

Richard Florsheim, Atelier Mourlot, Associated American Artists · 1964 · lithograph in black on wove paper ·  Accession ID  2015.19.1177

The image showcases a dynamic composition of curved and angular lines forming an abstract depiction of a horse-drawn chariot. The shapes suggest a horse with a flowing mane pulling a two-wheeled chariot, driven by a figure holding a flag. The sparse yet expressive lines and forms fill the central space, surrounded by a thick border that enhances movement within the scene.
Georges Braque, Atelier Mourlot, Daniel H. Kahnweiler, Phaéton (Phaeton), 1945, color lithograph, Rosenwald Collection, 1947.7.10

Phaéton (Phaeton)

Georges Braque, Atelier Mourlot, Daniel H. Kahnweiler · 1945 · color lithograph ·  Accession ID  1947.7.10

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Guy de Cointet, Atelier Mourlot · 1973 · color screenprint on wove BFK Rives paper ·  Accession ID  2011.144.26