Shigemitsu Tsukaguchi

Japanese, active late 20th century

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The image shows an abstract composition with a black irregular shape on the lower left side, blending into a grey gradient. The black shape resembles an ink blot or mountain range, contrasting with a warm wood backdrop on the right. The black has texture and linear indentations. Two circular elements on the wood look like screws or knots.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [#34, black], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.22

Study VI, New York Harbor [#34, black]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.22

The image features soft, rounded white shapes against a rectangular wooden background. The white shapes resemble uneven patches or islands, like frost or melting snow on wood. The wood grain and natural imperfections contrast with the white shapes.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [#3, white-gray], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.3

Study VI, New York Harbor [#3, white-gray]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.3

The image features two elongated, dark ovals that hover horizontally within a rough circular boundary in the center of the composition, set against a wooden texture background. The textured lines and shadows surrounding the ovals add a sense of depth, while the wood grain of the background introduces a natural, earthy element to the image.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [#33, green-black], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.21

Study VI, New York Harbor [#33, green-black]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.21

The image shows an oval shape with a dark blue hue at the center, fading to a whitish border, blending into a wood background. The blue has textured lines resembling ripples, while the wood texture gives a rustic look, like an aged wooden board or driftwood with grain patterns.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [verso, #35, dark green], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.19.b

Study VI, New York Harbor [verso, #35, dark green]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.19.b

The image shows bold and irregular shapes on a wooden surface. Two abstract dark forms contrast with the textured wood grain, which is smooth and honey-brown. The shapes might evoke natural elements or islands from above, with muted tones resembling water. A label and printed text are visible in one corner.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [recto, #31, blue-green], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.19.a

Study VI, New York Harbor [recto, #31, blue-green]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.19.a

The image shows an oval-shaped area of blue and teal tones on a wooden backdrop with a grainy texture and subtle lines. Within the blue area is an abstract shape resembling a distant land or an island viewed from above, with organic edges resembling a shoreline. The wood's patterns suggest ocean waves, enhancing the geographic or topographical look of the composition.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [verso, #30, green and blue], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.11.b

Study VI, New York Harbor [verso, #30, green and blue]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.11.b

The image features abstract wavy shapes layered on a wooden surface. There is a dark green teardrop-shaped form on the left and softer earthy tones on the right. The composition includes a rectangular space and hints at a landscape view. The paint application creates depth and texture, resembling water or terrain from above. The wood grain background adds to the organic feel of the piece.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [recto, #15, blue-green and gray], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.11.a

Study VI, New York Harbor [recto, #15, blue-green and gray]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.11.a

This is a painting of an abstract textured surface with a landscape suggestion. The artwork presents a wooden board with colors and textures forming a scene. In the center, there is a rectangular area depicting a serene scene that could evoke a body of water with reflections, bordered by blue and earthy beige shapes forming an irregular oval around the central image. Crackling and grainy textures add depth, while hints of other colors create a more organic surface.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [recto, #11, blue-gray], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.9.a

Study VI, New York Harbor [recto, #11, blue-gray]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.9.a

The image shows a wooden surface with abstract shapes and textures. A large, irregular oval shape with a creamy, pale yellow color and textured striations dominates the center. Around it are patches of raw wood and brown hues. Below the oval is a triangular, grayish smudge with sharp, dark strokes.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [recto, #24, brown-yellow], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.16.a

Study VI, New York Harbor [recto, #24, brown-yellow]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.16.a

The image features an abstract composition with a large, irregularly shaped blue area blending into brown wood texture. The blue shape resembles a rugged coastline, with jagged edges akin to bays and peninsulas. Above, a lighter sand-colored strip suggests a horizon or sandy beach. A rectangular cutout near the top disrupts the flow, adding depth like a window. The abstract image hints at landscapes with natural patterns and textures in wood and water.
Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics, Study VI, New York Harbor [recto, #12, blue-gray], 1997, carved and inked woodblock, Gift of Marlborough Graphics, New York, 2000.50.10.a

Study VI, New York Harbor [recto, #12, blue-gray]

Richard Estes, Shigemitsu Tsukaguchi, Marlborough Graphics · 1997 · carved and inked woodblock ·  Accession ID  2000.50.10.a