Antico

Alari Bonacolsi, Pier Jacopo
Antico, Pier Jacopo di Antonio Alari Bonacolsi, called
Bonacolsi, Pier Jacopo di Antonio Alari
L'Antico

Mantuan, c. 1460 - 1528

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The image shows a round, bronze sculpture with intricate designs. The sculpture features multiple human figures in dynamic poses engaged in a battle or struggle. A central figure is prominently positioned, appearing to wear a helmet and gesturing assertively. Additional figures and a horse or similar animal are in the background. The surface of the sculpture has a dark, metallic hue typical of aged bronze. The edges have a detailed border, and the top is inscribed with the words "DVDIA FORTVNA."
Antico, Battle Scene [reverse], c. 1490, bronze, Samuel H. Kress Collection, 1957.14.666.b

Battle Scene [reverse]

Antico · c. 1490 · bronze ·  Accession ID  1957.14.666.b

The image shows a medallion sculpture featuring a relief portrait of a woman in profile. The woman has a detailed braided hairstyle with bead-like elements, and wears a beaded necklace. Her attire includes subtle folds, hinting at luxurious fabric. The medallion is made of bronze or brass-like metal with a warm tone and patina. The edges have small embossments and the inscription reads “DIVAE IVLIA PRIMVM FELIX."
Antico, Diva Giulia [obverse], c. 1490, bronze, Samuel H. Kress Collection, 1957.14.666.a

Diva Giulia [obverse]

Antico · c. 1490 · bronze ·  Accession ID  1957.14.666.a

This is an image of an ancient coin or medallion. The object features a relief design depicting a winged horse alongside a nude figure holding a scepter or staff. Surrounding the figures are additional elements, including what appears to be clouds or flowing water, and various relief markings including the word "SUPERI" at the top edge. The object is circular with a beaded border, two holes, and is made of a metal such as bronze based on the coloration.
Antico, Hope on the Prow of a Broken-Masted Vessel [reverse], c. 1487, bronze, Samuel H. Kress Collection, 1957.14.665.b

Hope on the Prow of a Broken-Masted Vessel [reverse]

Antico · c. 1487 · bronze ·  Accession ID  1957.14.665.b

The image features a round sculpture in the form of a medal or medallion. The subject of the sculpture is the profile of a woman facing right. Her hair is styled neatly, covered in a decorative headpiece which wraps around her head. She is adorned with a detailed garment with patterns and a brooch. The medal is predominantly brownish in color, suggesting it is made of bronze or brass. Around the edge of the sculpture, there is an inscription in capital letters, reading "ANTONIA BAPTIA DEGONZA PRD." The entire piece has a slightly rough texture, and there is a small hole near the top edge.
Antico, Antonia del Balzo, 1441-1538, Wife of Gianfrancesco Gonzaga di Rodigo 1479 [obverse], c. 1487, bronze, Samuel H. Kress Collection, 1957.14.665.a

Antonia del Balzo, 1441-1538, Wife of Gianfrancesco Gonzaga di Rodigo 1479 [obverse]

Antico · c. 1487 · bronze ·  Accession ID  1957.14.665.a

The sculpture is a relief representation on a coin depicting the profile of a man's head in a classical style. The detailed carving shows the man's hair and a draped robe with a decorative clasp at the shoulder. The sculpture is a dark bronze color, suggesting it is made of a metal alloy commonly used in coins or medals. Surrounding the profile is an inscription that reads "IOHANNES FRANCISCUS," along with a border of raised dots around the edge of the coin.
Antico, Gianfrancesco Gonzaga di Rodigo, 1445-1496, Lord of Bozzolo, Sabbioneta, and Viadana 1478 [obverse], 1486/1490, bronze, Samuel H. Kress Collection, 1957.14.664.a

Gianfrancesco Gonzaga di Rodigo, 1445-1496, Lord of Bozzolo, Sabbioneta, and Viadana 1478 [obverse]

Antico · 1486/1490 · bronze ·  Accession ID  1957.14.664.a

The sculpture is a relief on a round object, possibly a coin or medallion. There are three full-length human figures in relief. The figure on the left appears nude, while the other two are dressed in draped garments. All figures are standing with relaxed postures, some with one arm raised. The rightmost figure holds a small object resembling a bird. To the far left and far right, there are additional elements that could be smaller relief figures or objects. The border of the sculpture is adorned with a beaded edge and writing above the figures. The sculpture is made of bronze with a dark brown color and hints of green patina. The relief work provides texture and depth, making the images stand out against the background.
Antico, Fortune, Mars, and Minerva [reverse], 1486/1490, bronze, Samuel H. Kress Collection, 1957.14.664.b

Fortune, Mars, and Minerva [reverse]

Antico · 1486/1490 · bronze ·  Accession ID  1957.14.664.b

The sculpture is a circular medallion featuring a side profile portrait of a woman named "MAGDALENA MANTVANA." The medallion is made of dark bronze material, with polished raised surfaces creating a contrast against the darker background. The woman is shown in a classical profile view, with her hair styled in a straight, shoulder-length fashion, and adorned with a necklace and textured garment. The medallion's border is encircled with embossed script on the top and bottom.
Anonymous Artist, Maddalena of Mantua [obverse], 1504, bronze, Samuel H. Kress Collection, 1957.14.1321.a

Maddalena of Mantua [obverse]

Anonymous Artist · 1504 · bronze ·  Accession ID  1957.14.1321.a

The sculpture depicts a scene on a round medallion, featuring two human figures in flowing garments. The medallion appears to be made from a golden-colored material. The figures are intricately sculpted and are engaged in an activity involving their extended arms and hands. An inscription follows the curvature around the edge of the medallion.
Anonymous Artist, Occasion in Pursuit of Time [reverse], 1504, bronze, Samuel H. Kress Collection, 1957.14.1321.b

Occasion in Pursuit of Time [reverse]

Anonymous Artist · 1504 · bronze ·  Accession ID  1957.14.1321.b

The sculpture depicts a seated woman. Her upper body is turned slightly to the left, with her left leg crossed over her right. Her right arm is by her thigh, while the other is stretched out behind her, resting on the object she sits on. She is nude except for a cloth that drapes over her legs and waist. Her head is turned to the left, and her curly hair is tied back in a bun. Her hair and the cloth draped over her are both colored in bright gold, while the rest of the sculpture is dark brown. The sculpture is placed on a round brown base.
Antico, Seated Nymph, 1503, bronze with mercury gilding on the drapery and hair and silvering and silver foil in the eyes, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.13

Seated Nymph

Antico · 1503 · bronze with mercury gilding on the drapery and hair and silvering and silver foil in the eyes ·  Accession ID  2022.181.13

The image shows a relief sculpture of a woman in profile. She is depicted wearing detailed necklaces and headwear, suggesting nobility. The sculpture is set in a circular medallion made of dark metal. There is inscription along the outer edge of the medallion and a small hole at the top.
Antico, Antonia del Balzo, 1441-1538, Wife of Gianfrancesco Gonzaga di Rodigo 1479 [obverse], c. 1487, bronze, Widener Collection, 1942.9.153.a

Antonia del Balzo, 1441-1538, Wife of Gianfrancesco Gonzaga di Rodigo 1479 [obverse]

Antico · c. 1487 · bronze ·  Accession ID  1942.9.153.a