Lothar Osterburg

American, active late 20th century

Displaying 1 - 12 of 66

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  • ""

    Radish

    Pat Steir, Crown Point Press, Daria Sywulak, Lothar Osterburg, Renée Bott

    1993

    Color soapground reversal with aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.133

    Not on view
  • ""

    Peony

    Pat Steir, Crown Point Press, Lothar Osterburg, Daria Sywulak

    1993

    Color soapground reversal with aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.132

    Not on view
  • ""

    Evening

    Pat Steir, Daria Sywulak, Lothar Osterburg, Crown Point Press

    1993

    Color soapground reversal with aquatint and spitbite aquatint on wove somerset paper  Accession ID  2006.122.116

    Not on view
  • The image shows a stone structure resembling an ancient ruin with rectangular blocks forming a doorway. The focus is on the architecture, and the horizon is not visible. The photograph features clean lines, sharp contrast, and black and white tones, emphasizing the texture of the stone.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.9

    Not on view
  • Thin and erratic lines form an abstract composition resembling a room with large pillars or columns. The lines suggest a fragmented landscape with glimpses of a textured surface beneath a clear sky. The artwork evokes ancient ruins or remnants of an old structure, like weathered stone or crumbling architecture.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.7

    Not on view
  • The image depicts ancient temple ruins, composed of stacked stone blocks of varying sizes and shapes. The horizon is not visible, and the sky forms a pale backdrop. The style is black and white, with detailed lines capturing the stone texture. The color palette is monochromatic, highlighting shadows and illuminated surfaces.

    Title page from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.2

    Not on view
  • The image shows a landscape depicted in an abstract, sketch-like style. The perspective is slightly elevated, capturing rocky cliffs and a horizon with sparse, brown brushstrokes on a pale background. The composition is monochromatic with a minimalist approach focusing on form and line.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.5

    Not on view
  • This is a drawing of a simple abstract sketch. The image consists of a rectangular sketch outlined in dark brown ink, featuring loosely drawn shapes that resemble ancient ruinous columns or architectural structures set against a roughly textured background. The scene is rendered with minimal line work. There is a handwritten note and signature on the lower right. The image exudes a sense of minimalism and abstract expression.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Etching in brown on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.6

    Not on view
  • The image shows a person standing among large, shadowy columns of an ancient or monumental structure. The individual faces a bright area in the background. They wear a light-colored, flowing garment, and have short hair. The ground is made of a rough stone surface with visible cracks.

    Untitiled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.10

    Not on view
  • The image shows the upper part of a sculpture featuring a seated figure. The sculpture is composed of a material that looks like stone with a weathered, light gray color. The sculpture is partially broken, and its top features a large head with arms set horizontally. It is against a background of stone blocks. The photograph is in black and white, highlighting the texture and form of the sculpture and the stones.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.12

    Not on view
  • This is a photograph of a book cover titled "TEMPLE RUINS." The cover features a fabric texture with a small black and white image in the center. The title "TEMPLE RUINS" is in bold uppercase letters, with "BRYAN HUNT" at the bottom. The black text stands out against the light fabric.

    Cover for Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photolithograph from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.1

    Not on view
  • The image features a view through an ancient stone doorway with engraved carvings and hieroglyphs. The perspective is from a shaded interior space looking into an illuminated area beyond, casting a long shadow across the ground. The horizon is not visible, and the composition is enclosed within tall vertical lines. The image is captured in black and white, emphasizing contrasts in the texture of the walls. Light and shadow are used effectively to highlight the carvings, creating a sense of antiquity and mystery.

    Untitled from Temple Ruins

    Bryan Hunt, Lothar Osterburg, Crown Point Press

    1992

    Photogravure on wove somerset paper from a portfolio of six photogravures (including title page), five softground etchings, and photolithograph printed cover  Accession ID  1998.40.207.8

    Not on view