Patricia Branstead

Branstead Studio

American, active late 20th century

Explore Selected Works

See all 14 works of art
Sol LeWitt, Patricia Branstead, Riverhouse Editions, Brushstrokes in Different Colors in Two Directions, Plate #02, 1993, color aquatint on wove paper, Corcoran Collection (Gift of Richard and Carolyn Susel), 2015.19.3085

Brushstrokes in Different Colors in Two Directions, Plate #02

Sol LeWitt, Patricia Branstead, Riverhouse Editions · 1993 · color aquatint on wove paper ·  Accession ID  2015.19.3085

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Rollercoaster

John Baldessari, Patricia Branstead, Iris Editions, Brooke Alexander, Inc. · 1989-1990 · color softground etching, aquatint, and photogravure on torn Somerset 410 wove paper ·  Accession ID  2008.115.7

Jennifer Bartlett, Patricia Branstead, Harry N. Abrams, Inc., From Rhapsody: House, Trees, Beach, Bird, 1985, color photo-etching, sugarlift, aquatint, spitbite, and drypoint on four sheets of wove T. H. Saunders paper, Corcoran Collection (Museum Purchase, William A. Clark Fund), 2016.22.28.1-4

From Rhapsody: House, Trees, Beach, Bird

Jennifer Bartlett, Patricia Branstead, Harry N. Abrams, Inc. · 1985 · color photo-etching, sugarlift, aquatint, spitbite, and drypoint on four sheets of wove T. H. Saunders paper ·  Accession ID  2016.22.28.1-4

Howardena Pindell, Judith Solodkin, Patricia Branstead, Kyoto: Positive/Negative, 1980, etching and lithograph on dyed Japan paper with five sheets of laminated Kinwashi paper, Gift of Joshua P. Smith, 2005.61.5

Kyoto: Positive/Negative

Howardena Pindell, Judith Solodkin, Patricia Branstead · 1980 · etching and lithograph on dyed Japan paper with five sheets of laminated Kinwashi paper ·  Accession ID  2005.61.5

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Untitled (from the Adriatics portfolio)

Brice Marden, Patricia Branstead · 1973 · etching and aquatint on Rives BFK paper ·  Accession ID  1996.92.3

Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press, Ten Days (c), 1971 (published 1972), etching and aquatint in black and silver on Arches paper, The Nancy Lee and Perry Bass Fund, 2003.92.3

Ten Days (c)

Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press · 1971 (published 1972) · etching and aquatint in black and silver on Arches paper ·  Accession ID  2003.92.3

Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press, Ten Days (e), 1971 (published 1972), etching and aquatint in black and silver grey on Arches paper, The Nancy Lee and Perry Bass Fund, 2003.92.5

Ten Days (e)

Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press · 1971 (published 1972) · etching and aquatint in black and silver grey on Arches paper ·  Accession ID  2003.92.5

Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press, Ten Days (h), 1971 (published 1972), etching in black on Arches paper, The Nancy Lee and Perry Bass Fund, 2003.92.8

Ten Days (h)

Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press · 1971 (published 1972) · etching in black on Arches paper ·  Accession ID  2003.92.8

Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press, Ten Days (a), 1971 (published 1972), etching and aquatint in black on Arches paper, The Nancy Lee and Perry Bass Fund, 2003.92.1

Ten Days (a)

Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press · 1971 (published 1972) · etching and aquatint in black on Arches paper ·  Accession ID  2003.92.1

Brice Marden, Patricia Branstead, Kathan Brown, Parasol Press, Ten Days (b), 1971 (published 1972), etching and aquatint in black and blue on Arches paper, The Nancy Lee and Perry Bass Fund, 2003.92.2

Ten Days (b)

Brice Marden, Patricia Branstead, Kathan Brown, Parasol Press · 1971 (published 1972) · etching and aquatint in black and blue on Arches paper ·  Accession ID  2003.92.2