Carlo Antonio Buffagnotti

Italian, c. 1660 - after 1710

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The image depicts a classical architectural scene with natural elements seen from a slightly elevated point of view. On the left side, there are tall columns, a pot with plants, and a statue on a pedestal. Further back, an arched structure covered in greenery is visible. In the distance, a mountain is seen near a bridge with arches spanning a river or road. The etching shows fine and delicate brushstrokes, especially in the architectural and foliage textures. The color palette consists of primarily black and white, with stark contrasts creating depth and shadows. The horizon line is suggested by the base of the mountain and bridge, enhancing the sense of depth in the landscape.
Carlo Antonio Buffagnotti, Veduta: Design for a Garden Court with a Mountain View, c. 1700, etching on laid paper, Gift of James A. Bergquist, Boston, in honor of Shelley R.Langdale, 2020.149.11

Veduta: Design for a Garden Court with a Mountain View

Carlo Antonio Buffagnotti · c. 1700 · etching on laid paper ·  Accession ID  2020.149.11

The image is an engraving of an architectural scene with a courtyard, sculptures, stone carvings, a basin with a dog, a woman in a flowing dress, and a grand pavilion with columns. The perspective shows depth with small figures and sculptures in the background. The engravings capture intricate details of the architecture and textures of stone and foliage in a monochromatic color palette, emphasizing contrast and detail using light and shadow.
Carlo Antonio Buffagnotti, Design for a Garden Court, c. 1700, etching on laid paper, Gift of James A. Bergquist, Boston, in honor of Shelley R.Langdale, 2020.149.12

Design for a Garden Court

Carlo Antonio Buffagnotti · c. 1700 · etching on laid paper ·  Accession ID  2020.149.12

This is a drawing of an architectural ornament. It features an eagle, decorative floral elements, and a shield. The central eagle has outstretched wings and is flanked by two identical baskets or urns with intricate floral arrangements. Above the eagle, there are two wreaths or garlands, and the lower section includes a shield surrounded by ornate scrollwork. The piece is detailed with shading and line work, typical of classic decorative styles in architectural designs.
Carlo Antonio Buffagnotti, Architectural Motif with a Bird, c. 1690, etching on laid paper, Ailsa Mellon Bruce Fund, 1997.10.9

Architectural Motif with a Bird

Carlo Antonio Buffagnotti · c. 1690 · etching on laid paper ·  Accession ID  1997.10.9

The image shows a large decorative tapestry with a fruit motif, hung against an ornate architectural background. The color scheme is mainly beige and brown. The tapestry is in the center, flanked by acanthus leaves, and framed by a balustrade below. Festoon-like garlands hang from the top corners towards the center.
Carlo Antonio Buffagnotti, Architectural Motif with a Drape with Fruit, c. 1690, etching on laid paper, Ailsa Mellon Bruce Fund, 1997.10.7

Architectural Motif with a Drape with Fruit

Carlo Antonio Buffagnotti · c. 1690 · etching on laid paper ·  Accession ID  1997.10.7

This is a drawing of an ornate architectural design. The image features a detailed illustration of a decorative, baroque-style cartouche with an empty central oval space, surrounded by elaborate swirling acanthus leaves and scrollwork. The lines are intricately drawn, highlighting the elegant curves and intricate detail of the ornamentation. The lower part of the image shows a rectangular panel with parallel lines, suggesting a base or an architectural frieze. The composition showcases the complexity and intricacy typical of classical decorative art.
Carlo Antonio Buffagnotti, Architectural Motif with Three Shields, c. 1690, etching on laid paper, Ailsa Mellon Bruce Fund, 1997.10.11

Architectural Motif with Three Shields

Carlo Antonio Buffagnotti · c. 1690 · etching on laid paper ·  Accession ID  1997.10.11

This is a drawing of an architectural ornament. The image includes a detailed depiction of a decorative architectural element showcasing intricate scrollwork and leaf patterns. The central figure resembles an ornate volute, accompanied by symmetrical curving lines and foliage motifs. The drawing demonstrates a high level of craftsmanship and attention to decorative detail, typical of classical architectural drawings.
Carlo Antonio Buffagnotti, Architectural Motif with a Vase, c. 1690, etching on laid paper, Ailsa Mellon Bruce Fund, 1997.10.8

Architectural Motif with a Vase

Carlo Antonio Buffagnotti · c. 1690 · etching on laid paper ·  Accession ID  1997.10.8

The image features intricate, swirling lines and shapes forming an abstract composition around central text. The shapes resemble mythical creatures and natural forms, with the upper section resembling a scalloped shell adorned with leaves and floral motifs. Angelic figures or cherubs are integrated into the design, with winged forms flowing downward. A serpentine form coils at the bottom, resembling a snake. The composition blends elements from the animal kingdom and botanical ornaments into a harmonious abstract depiction.
Carlo Antonio Buffagnotti, Frontispiece, c. 1690, etching on laid paper, Ailsa Mellon Bruce Fund, 1997.10.1

Frontispiece

Carlo Antonio Buffagnotti · c. 1690 · etching on laid paper ·  Accession ID  1997.10.1

This is a drawing of an ornate architectural cartouche featuring a bust. The drawing depicts a classical decorative element, comprised of an embellished frame or shield. Within the center of the cartouche is an engraved depiction of a bust, set against a background with subtle details. The cartouche is surrounded by decorative scrollwork and intricately carved embellishments, showcasing a high level of craftsmanship. The use of shading and line work details suggest depth and texture throughout the design.
Carlo Antonio Buffagnotti, Architectural Motif with Bust and Two Lamps, c. 1690, etching on laid paper, Ailsa Mellon Bruce Fund, 1997.10.5

Architectural Motif with Bust and Two Lamps

Carlo Antonio Buffagnotti · c. 1690 · etching on laid paper ·  Accession ID  1997.10.5

This is a drawing of an ornate architectural element. The drawing features intricate Baroque-style designs with elaborate scrolls and volutes. The central part of the design includes an empty shield or cartouche surrounded by curved moldings and carvings. The shading and line work suggest a sense of depth.
Carlo Antonio Buffagnotti, Architectural Motif with Three Shields, c. 1690, etching on laid paper, Ailsa Mellon Bruce Fund, 1997.10.6

Architectural Motif with Three Shields

Carlo Antonio Buffagnotti · c. 1690 · etching on laid paper ·  Accession ID  1997.10.6

This is a drawing of an elaborate architectural structure. The structure features classical design elements, including an ornate pediment at the top, supported by elegant curvilinear columns with decorative volutes. The central area contains an emblem or cartouche bordered by intricate scrollwork, which holds a small depiction of a figure in its center. Below the emblem, there is an arch-like form with detailed linear shading that adds depth. The embellishments suggest a sense of grandeur and precision typical of classical or baroque architectural drawings. The balance of the composition and the fineness of the ink work highlight the skill in capturing the three-dimensionality and ornate detailing of classical architecture.
Carlo Antonio Buffagnotti, Architectural Motif with a Figure, c. 1690, etching on laid paper, Ailsa Mellon Bruce Fund, 1997.10.10

Architectural Motif with a Figure

Carlo Antonio Buffagnotti · c. 1690 · etching on laid paper ·  Accession ID  1997.10.10

Bibliography

1907

  • Ref Number: V.201
    T.-B.V.201