Desiderio da Settignano

da Settignano, Desiderio
Settignano, Desiderio da
Florentine, c. 1429 - 1464

Explore selected works

The sculpture depicts the bust of a young child with heavily lidded eyes, thin lips, and chubby cheeks, their face in a neutral expression. The child has short, wavy hair, one prominent curl falling onto their forehead. The child's gaze is directed towards us. They are wearing a draping garment with a wide neckline. The sculpture is made of smooth, light-colored material.
Desiderio da Settignano, The Christ Child (?), c. 1460, marble, Samuel H. Kress Collection, 1943.4.94

The Christ Child (?)

Desiderio da Settignano · c. 1460 · marble ·  Accession ID  1943.4.94
This sculpture is an architectural structure resembling a small tower or pavilion with intricate carvings. It has a domed top with detailed classical motifs, including flowers, columns, scale-like shapes, and swirling designs. The sculpture is white, standing on a square base with decorative carvings like garlands and rosettes. The cylindrical body has a multi-faceted section with small golden panels framed by columns and arches. It is placed indoors on a gray square base.
Florentine 15th Century, Desiderio da Settignano, Florentine 19th Century, Ciborium for the Sacrament, 1460s-c.1470 (stem with integral base); probably 1860s-c. 1870 (dome, enclosure, base beneath enclosure); 1870s (finial, bottom plinth), marble, Samuel H. Kress Collection, 1952.5.100

Ciborium for the Sacrament

Florentine 15th Century, Desiderio da Settignano, Florentine 19th Century · 1460s-c.1470 (stem with integral base); probably 1860s-c. 1870 (dome, enclosure, base beneath enclosure); 1870s (finial, bottom plinth) · marble ·  Accession ID  1952.5.100
The sculpture is a detailed bust of a young man with pale skin and wavy brown hair that almost reaches to his shoulders, seen from the chest up. He has thin, arched eyebrows, a long, straight nose, and thin red lips that are partially open. A dark red and green cloth or cloak is draped over his shoulders and tied near his left arm, and it appears to cover a light brown garment with the texture of fur. The sculpture has no base.
Florentine 15th Century, Saint John the Baptist, c. 1490, painted terracotta, Andrew W. Mellon Collection, 1937.1.130

Saint John the Baptist

Florentine 15th Century · c. 1490 · painted terracotta ·  Accession ID  1937.1.130
The head and shoulders of a young boy have been carved from white marble in this freestanding sculpture. In this photograph, the boy’s shoulders are square to us, and he turns his head to look off to our left. His wavy hair comes low on his forehead and curls along the back of his neck. He has slightly raised brows, and the irises of his eyes are lightly carved so the boy appears to look up under heavy lids. He has an oval face with smooth cheeks, a delicate nose, and his lips are closed. He wears a garment that appears to be fur under a more voluminous robe, which drapes over one shoulder and wraps around the chest. The sculpture ends in a straight, blunt line below the shoulders, and it sits on a stepped, white marble base. The background is pale gray.
Anonymous Artist, The Young Saint John the Baptist, c. 1460, marble, Widener Collection, 1942.9.142

The Young Saint John the Baptist

Anonymous Artist · c. 1460 · marble ·  Accession ID  1942.9.142
A man wearing a cloak tied around his body kneels with his hands together at the foot of a crucifix, set against a rocky outcropping on this stone panel. The scene is shallowly carved in low relief from pale, apricot-peach marble. Both the kneeling man, Saint Jerome, and the man hanging on the cross have raised, disk-like halos. Slightly right of center, the kneeling man looks up at the cross from under heavy brows. He has hollow cheekbones and short hair. His robe is tied over his shoulders and falls across his hips, but his feet and slender arms are bare. The man on the cross is smaller in scale, less than half the size of Saint Jerome. He hangs heavily from his hands, which are nailed into the cross, and his head falls forward. He is nude except for a loincloth across his hips. A rocky, hut-like form fills the space behind Saint Jerome. A few details are lightly carved so are visible only on closer inspection. These include a smaller cross along the left edge of the panel and a skull at the base of the crucifix. Between the crucifix and rocky structure, a male and female lion run toward Saint Jerome, mouths open. In the space between Saint Jerome and the right edge of the panel, another person is lightly carved into the background. He runs to our right while looking back over one shoulder, perhaps at the lions. One hand is flung high, his mouth wide open, and his hair stands on end. His voluminous robe flutters around his body. Beyond him, triangular trees recede into the distance under a cloud-streaked sky.
Desiderio da Settignano, Saint Jerome in the Desert, c. 1461, marble, Widener Collection, 1942.9.113

Saint Jerome in the Desert

Desiderio da Settignano · c. 1461 · marble ·  Accession ID  1942.9.113
This free-standing, white marble bust shows the head, shoulders, and upper chest of a young boy. In this photograph, the sculpture is angled to our right. The boy has full cheeks, a slightly upturned nose, and short, wavy hair. He stares straight ahead, his faint eyebrows slighty lifted. His loose garment drapes from his right shoulder, on our left, down and across his chest to just below his left shoulder.
Desiderio da Settignano, A Little Boy, 1455/1460, marble, Andrew W. Mellon Collection, 1937.1.113

A Little Boy

Desiderio da Settignano · 1455/1460 · marble ·  Accession ID  1937.1.113
This square sculpture shows two people in profile, positioned close together. The person on the left has long hair and has their hands up in prayer. The person on the right is a child who appears to have a faint halo around their head. The material of the sculpture is cream-colored marble, with a smooth texture and veins of light gray running across surface. The carving on the surface lacks contrast from the background, making it difficult to see. The sculpture is positioned against a simple, light gray background.
Anonymous Artist, Christ with Saint John the Baptist as Children, probably 1855/1860, marble, Andrew W. Mellon Collection, 1937.1.115

Christ with Saint John the Baptist as Children

Anonymous Artist · probably 1855/1860 · marble ·  Accession ID  1937.1.115
The sculpture depicts a side profile of a human figure with curly hair. The figure is shown in a position of prayer, with both hands held together near the face. The material of the sculpture appears to be bronze. The relief is set against a rectangular plaque, and the figure occupies the majority of the space.
Anonymous Artist, Saint John the Baptist, c. 1850/1875, bronze, Samuel H. Kress Collection, 1957.14.13

Saint John the Baptist

Anonymous Artist · c. 1850/1875 · bronze ·  Accession ID  1957.14.13
The sculpture is a bust of a young person with delicate features and a gentle, downward gaze. The figure's hair is styled neatly with short curls framing the forehead and a braid along the back. They are adorned with a garment draped elegantly over one shoulder, featuring intricate detailing such as leaf-like patterns. The sculpture is made from a material resembling terracotta, giving it a warm, earthy brown color. The bust has a serene, contemplative appearance with smooth, finely crafted surfaces.
Anonymous Artist, Saint John the Baptist, 1400/1899, terracotta, Samuel H. Kress Collection, 1943.4.83

Saint John the Baptist

Anonymous Artist · 1400/1899 · terracotta ·  Accession ID  1943.4.83