Alberto Giacometti

Swiss, 1901 - 1966

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An abstracted nude man strides forward on long, spindly legs with his arms by his sides in this free-standing bronze sculpture. The man’s limbs are unnaturally thin and elongated with oversized hands and feet. The surface of the sculpture and the narrow, rectangular base is bumpy and rough. His body is angled to our right against a light gray background in this photograph.
Alberto Giacometti, Walking Man II, 1960, bronze, Gift of Enid A. Haupt, 1977.47.7

Walking Man II

Alberto Giacometti · 1960 · bronze ·  Accession ID  1977.47.7

An abstracted, nude person stands on a platform perched on two wheels, all cast in bronze, which balances on wooden blocks in this freestanding sculpture. The elongated, unnaturally thin woman stands with her arms slightly bent and held out to her sides. She has low-set breasts, and her blocky, oversized feet stand on a metal platform supported on two vertical strips of bronze that perch on the axle. The wheels are oversized with four spokes each arranged to look like Xs. The surface of the woman and wheels are rough and knubby, and all of the metal is colored gold. The wood blocks stand upright with channels cut into their upper surfaces to hold the wheels. The sculpture is angled to our left in this photograph, and it is shown against a pale gray background.
Alberto Giacometti, The Chariot, 1950, bronze, Gift of Enid A. Haupt, 1977.47.2

The Chariot

Alberto Giacometti · 1950 · bronze ·  Accession ID  1977.47.2

An abstracted, thin, nude woman with a round face half sits, half leans back against a tall, narrow support in this free-standing bronze sculpture. Her body faces us in this photograph. Her wide, oval face has two stylized, star-like eyes and a triangular opening for a mouth. The torso is tall and thin, and her limbs elongated. With thin arms, she holds up open hands with palms facing each other at the level of her round breasts. Her fingers are long and delicate. She is encased within a tall, rectangular frame. With knees slightly bent and resting against a panel that runs in front of her shins, she leans against a slat against her backside, perhaps the seat to a stylized chair. Her feet are pressed together on a double-tiered, low, square base with four bulbous feet at the corners.
Alberto Giacometti, The Invisible Object (Hands Holding the Void), model 1934, cast 1935, bronze, Ailsa Mellon Bruce Fund, 1973.27.1

The Invisible Object (Hands Holding the Void)

Alberto Giacometti · model 1934, cast 1935 · bronze ·  Accession ID  1973.27.1

Carved from a slab of white marble, the top surface of this sculpture is covered with shallow, cuplike and deep rectangular depressions of various sizes. We look slightly down onto the slab in this photograph. The surface is divided into three vertical sections, which are defined by incised lines. The cuplike depressions are in the sections to the left and right. Two tiny, carved, dark wooden objects, like game pieces, stand upright in a cup with one the left and one to the right. Each piece is flat with a symmetrical design and a point at the bottom that inserts into the cup. The left piece has a disk flanked by triangular protrusions with a clover shape at top. The second piece has four stacked, small circles, and a U-shaped form to suggest the outline of a person with raised arms. Three smaller but deep rectangular cavities are carved into the middle section, and each one has a lid. Two lids sit askew on the top surface of the board near their respective openings, and inside are additional wooden pieces. A blank, rectangular section outlined with lightly inscised lines in the lower right is carved with reversed script letters that read, “on ne joue plus.” The entire surface has beveled edges, so it sits on a stepped base.
Alberto Giacometti, No More Play, 1931-1932, marble, wood, and bronze, Gift of The Patsy R. and Raymond D. Nasher Collection, Dallas, Texas, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.40.1

No More Play

Alberto Giacometti · 1931-1932 · marble, wood, and bronze ·  Accession ID  1991.40.1

Alberto Giacometti, Bust of Annette IX, conceived 1964, cast 1966, bronze, Gift of Richard and Elaine Kaufman, 2016.44.1

Bust of Annette IX

Alberto Giacometti · conceived 1964, cast 1966 · bronze ·  Accession ID  2016.44.1

Bernard Cathelin, Jean Adhémar, Alfred Manessier, Akira Kito, Paul Jenkins, André Minaux, Jean Cocteau, Maurice Brianchon, André Brasilier, Richard Florsheim, Various Artists, Paul Guiramand, Maurice Estève, Alberto Giacometti, Alexander Calder, Henri Matisse, André Beaudin, Joan Miró, Pablo Picasso, Marc Chagall, Prints from the Mourlot Press, 1964, bound volume with 19 lithographs, The John U. and Evelyn S. Nef Collection, 2011.60.85

Prints from the Mourlot Press

Bernard Cathelin, Jean Adhémar, Alfred Manessier, Akira Kito, Paul Jenkins, André Minaux, Jean Cocteau, Maurice Brianchon, André Brasilier, Richard Florsheim, Various Artists, Paul Guiramand, Maurice Estève, Alberto Giacometti, Alexander Calder, Henri Matisse, André Beaudin, Joan Miró, Pablo Picasso, Marc Chagall · 1964 · bound volume with 19 lithographs ·  Accession ID  2011.60.85

Alberto Giacometti, Kneeling Woman, 1956, bronze, Gift of Enid A. Haupt, 1977.47.5

Kneeling Woman

Alberto Giacometti · 1956 · bronze ·  Accession ID  1977.47.5

Alberto Giacometti, Interior - Annette Sewing, 1954, graphite on wove paper, Collection of Mr. and Mrs. Paul Mellon, 1995.47.43

Interior - Annette Sewing

Alberto Giacometti · 1954 · graphite on wove paper ·  Accession ID  1995.47.43

Alberto Giacometti, Studio II (Atelier II), 1954, lithograph on buff wove paper, Gift of Christopher and Beverly With in memory of Karl and Gerda With, 2017.133.2

Studio II (Atelier II)

Alberto Giacometti · 1954 · lithograph on buff wove paper ·  Accession ID  2017.133.2

Alberto Giacometti, The Forest, 1950, painted bronze, Gift of Enid A. Haupt, 1977.47.4

The Forest

Alberto Giacometti · 1950 · painted bronze ·  Accession ID  1977.47.4