Andrea Guacialoti

Guaccialotti, Andrea
Guacialotti, Andrea
Guazzalotti, Andrea

Florentine, 1435 - 1495

Explore selected works

See all 12 works of art
The image shows a circular medallion sculpture with a profile portrait of a male figure in ecclesiastical attire. The figure is wearing a papal tiara with intricate designs. The figure's profile faces left, with finely sculpted details on the face. The medallion is made of a bronze-like material, giving it a brownish hue with aged patina. There is a partially visible inscription in Latin with the name "SIXTVS IIII" referencing Pope Sixtus IV. The sculpture seems small, with a hole near the top, possibly designed for suspension or wearing.
Andrea Guacialoti, Sixtus IV (Francesco della Rovere, 1414-1484), Pope 1471 [obverse], 1481, bronze, Samuel H. Kress Collection, 1957.14.803.a

Sixtus IV (Francesco della Rovere, 1414-1484), Pope 1471 [obverse]

Andrea Guacialoti · 1481 · bronze ·  Accession ID  1957.14.803.a

The sculpture depicted on the medallion features a figure. The figure is a classical representation of a female subject, possibly a deity or mythological character, standing upright. The subject holds a long staff or rod in one hand and the other hand appears to be holding a piece of draped cloth. The sculpture is rendered in a brown bronze material, emphasizing the intricate details and texture of the figure and the surrounding elements. Surrounding the central figure are ships and small figures or designs. The surface features inscriptions encircling the border, with the words "SIXTIE POTES" and "CONSTANTIA" being visible. The image captures a historical artistic style associated with a medallion or coin format, as a form of antique or historical artifact.
Andrea Guacialoti, Constancy with Turkish Captives [reverse], 1481, bronze, Samuel H. Kress Collection, 1957.14.803.b

Constancy with Turkish Captives [reverse]

Andrea Guacialoti · 1481 · bronze ·  Accession ID  1957.14.803.b

The sculpture is a round bronze medal with a relief portrait of a man in profile. The subject is wearing a hat with a crest and ornate collar, suggesting historical or noble significance. The bronze material gives the sculpture a dark brown color with subtle highlights. It is small and detailed, with text encircling the portrait for contextual identification.
Andrea Guacialoti, Alfonso II of Aragon, 1448-1495, Duke of Calabria 1458, afterwards King of Naples 1494 [obverse], 1481, bronze, Samuel H. Kress Collection, 1957.14.1326.a

Alfonso II of Aragon, 1448-1495, Duke of Calabria 1458, afterwards King of Naples 1494 [obverse]

Andrea Guacialoti · 1481 · bronze ·  Accession ID  1957.14.1326.a

This is a photograph of a bronze medallion depicting a historical scene. The medallion is intricately engraved with architectural elements and a group of armor-clad figures. The upper portion shows a fortified building, while the central section features figures gathered, some carrying flags and banners. To the right, a horse is being ridden by a person holding an object high. The figures are artistically rendered in high relief. Along the perimeter are inscriptions in Latin.
Andrea Guacialoti, Alfonso's Triumphal Entry into Naples [reverse], 1481, bronze, Samuel H. Kress Collection, 1957.14.1326.b

Alfonso's Triumphal Entry into Naples [reverse]

Andrea Guacialoti · 1481 · bronze ·  Accession ID  1957.14.1326.b

The sculpture depicted on this coin shows a historical or battle scene with multiple human figures, possibly soldiers, along with structures resembling buildings or fortifications in the background. There are also figures on horseback and what might be flags or standards raised above the crowd. The composition is busy and dynamic, filled with detailed and compact forms. The color of the sculpture is a mix of browns and bronzy tones, indicating it is made of metal, likely bronze or a similar alloy, giving it an antiqued appearance. The sculpture is on a circular coin with intricate designed features showcasing a scene from a historical context. The border of the coin features some text.
Andrea Guacialoti, Alfonso's Triumphal Entry into Naples [reverse], 1481, bronze, Ailsa Mellon Bruce Fund, 1988.30.4.b

Alfonso's Triumphal Entry into Naples [reverse]

Andrea Guacialoti · 1481 · bronze ·  Accession ID  1988.30.4.b

The sculpture is a round medallion featuring a bas-relief of a person's head and upper chest, identified by the inscription around the border as "ALFONSVS FERD DVX CALABRIE." The sculpture is made of bronze, evident from its brownish-orange hue and metallic sheen. The figure carved on the medallion has long, wavy hair and is adorned with a cap and a detailed garment with a high collar. The intricate details of the hair, facial features, and clothing are prominently raised against the flat background of the medallion.
Andrea Guacialoti, Alfonso II of Aragon, 1448-1495, Duke of Calabria 1458, afterwards King of Naples 1494-1495 [obverse], 1481, bronze, Ailsa Mellon Bruce Fund, 1988.30.4.a

Alfonso II of Aragon, 1448-1495, Duke of Calabria 1458, afterwards King of Naples 1494-1495 [obverse]

Andrea Guacialoti · 1481 · bronze ·  Accession ID  1988.30.4.a

The sculpture is a medallion featuring a profile portrait of a man with prominent facial features and a receding hairline. The man is depicted in a side view, with a strong nose, pronounced chin, and detailed ear engraving. This medallion is crafted from bronze, giving it a rich, brownish color with a warm metallic sheen. The surface displays a subtle texture. Around the profile, there is a border with an inscription in a classical font. The sculpture is a round medallion about the size of a large coin, focusing on the representation of the man in a solemn pose in a historical style.
Andrea Guacialoti, Niccolò Palmieri, 1401-1467, Bishop of Orte 1455-1467 [obverse], 1467, bronze, Samuel H. Kress Collection, 1957.14.801.a

Niccolò Palmieri, 1401-1467, Bishop of Orte 1455-1467 [obverse]

Andrea Guacialoti · 1467 · bronze ·  Accession ID  1957.14.801.a

The sculpture depicts a nude male figure standing in a contrapposto pose, with one arm extended holding a rectangular object. The figure stands on a small pedestal within a circular format resembling a medallion or coin. The sculpture is made of bronze, highlighting the figure's muscular form through shadows and highlights. Inscriptions in large capitalized text surround the circular sculpture. The design balances art and text in a historical or commemorative style.
Andrea Guacialoti, Male Figure Holding an Hourglass [reverse], 1467, bronze, Samuel H. Kress Collection, 1957.14.801.b

Male Figure Holding an Hourglass [reverse]

Andrea Guacialoti · 1467 · bronze ·  Accession ID  1957.14.801.b

This is a photograph of a carved medallion. The medallion features a relief portrait in profile of a distinguished figure, facing left, detailed with intricate textural carvings to depict clothing and facial features. Around the edge of the medallion is an embossed inscription. The color of the medallion is a warm bronze. The craftsmanship is detailed and precise, suggesting a significant cultural or historical value.
Andrea Guacialoti, Pius II (Aeneas Silvius Piccolomini, 1405-1464), Pope 1458 [obverse], 1458/1464, bronze, Samuel H. Kress Collection, 1957.14.1285.a

Pius II (Aeneas Silvius Piccolomini, 1405-1464), Pope 1458 [obverse]

Andrea Guacialoti · 1458/1464 · bronze ·  Accession ID  1957.14.1285.a

The sculpture features an eagle with its wings raised in a protective stance. It is crafted from bronze and displayed on a circular medal. The eagle is in high relief, showing detailed feathers and form. There is an inscription in capital letters encircling the perimeter of the medal.
Andrea Guacialoti, Pelican in Her Piety [reverse], 1458/1464, bronze, Samuel H. Kress Collection, 1957.14.1285.b

Pelican in Her Piety [reverse]

Andrea Guacialoti · 1458/1464 · bronze ·  Accession ID  1957.14.1285.b