James Robertson

British, 1813 - 1888

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The image shows a view of a narrow, cobbled lane between stone walls. An archway with a small structure on top is slightly off-center to the right. Stone buildings can be seen in the distance. The color palette is muted and natural, typical of aged stone. The texture of the stonework is detailed, adding to the historic feel.
James Robertson, Felice Beato, Antonio Beato, Arch of the Ecce Homo, Jerusalem, 1857, salted paper print, Gift of Michael and Jane Wilson, 2012.137.5.14

Arch of the Ecce Homo, Jerusalem

James Robertson, Felice Beato, Antonio Beato · 1857 · salted paper print ·  Accession ID  2012.137.5.14

The image shows an upward view of an ancient architectural structure with large columns and ruins. The surface is uneven with scattered stones and debris. Several people, dressed in traditional clothing, are among the remnants of the structure. The color palette is sepia-toned, giving the image a vintage look with tones of brown and tan.
James Robertson, Felice Beato, Antonio Beato, The Propylae on the Acropolis, 1857, salted paper print, Gift of Michael and Jane Wilson, 2012.137.12

The Propylae on the Acropolis

James Robertson, Felice Beato, Antonio Beato · 1857 · salted paper print ·  Accession ID  2012.137.12

The image shows an ancient architectural complex in a rugged landscape. The structures are built with stone, showcasing rectangular forms and arches. The color palette is dominated by earthy tones like browns, beiges, and grays. The buildings are integrated into the surroundings, with natural rock formations blending harmoniously with the structures.
James Robertson, Felice Beato, Convent of Mar Saba, 1857, albumen silver print, Purchased as the Gift of the Richard King Mellon Foundation, 2018.7.38

Convent of Mar Saba

James Robertson, Felice Beato · 1857 · albumen silver print ·  Accession ID  2018.7.38

The image shows ancient stone columns in a clear, orderly line. The horizon is low, emphasizing the columns against the sky. In the distance, low buildings and a mountain range are visible. The image likely depicts a photograph of the stone columns, showing their texture and weathering. The color palette is monochromatic, giving an aged look. A person stands close to a column, providing scale, with others sitting on the grass nearby.
James Robertson, Felice Beato, Antonio Beato, Temple of Minerva, 1857, albumen silver print, Gift of Michael and Jane Wilson, 2012.137.18

Temple of Minerva

James Robertson, Felice Beato, Antonio Beato · 1857 · albumen silver print ·  Accession ID  2012.137.18

The image was captured from an elevated point of view. The horizon line is low in the composition. A series of ancient columns stand above the horizon. A sprawling urban area extends to the left. A large building is visible behind the columns. A mountain rises in the background. The color palette is sepia-toned, giving a vintage feel. The image has gentle tonal variations and soft contrasts, creating a sense of calm and timelessness.
James Robertson, Felice Beato, Antonio Beato, View of Athens with the Temple of the Olympian Zeus, 1857, salted paper print, Gift of Michael and Jane Wilson, 2012.137.5.13

View of Athens with the Temple of the Olympian Zeus

James Robertson, Felice Beato, Antonio Beato · 1857 · salted paper print ·  Accession ID  2012.137.5.13

This is a photograph of an ornate architectural structure in a courtyard. The image captures a detailed section of an intricately decorated pavilion or kiosk with carvings and latticework. In the background, there is a large building with arched doorways and windows. The ground is covered with rough stone slabs, and objects like baskets and crates are placed around. The architectural elements feature decorative stone or tile patterns. The photograph has a sepia tone, giving it a vintage appearance.
James Robertson, Felice Beato, Antonio Beato, Gate to Imperial Palace and Fountain of Ahmed III, 1857, albumen silver print, Gift of Michael and Jane Wilson, 2012.137.30

Gate to Imperial Palace and Fountain of Ahmed III

James Robertson, Felice Beato, Antonio Beato · 1857 · albumen silver print ·  Accession ID  2012.137.30

The image shows a path bordered by tall cypress trees on both sides, forming a natural archway. A slender minaret is visible in the distance at the center of the scene. The horizon is low in the frame, highlighting the vertical elements of the trees and the minaret. The composition features a range of tones from dark shadows to light highlights. The path is broad and well-lit, with some individuals walking along it. The color scheme is grayscale, typical of early black-and-white photography.
James Robertson, Felice Beato, Antonio Beato, Vue dans le Grand Cimetière de Scutari (Scene in the Large Cemetery of Scutari), 1857, salted paper print, Gift of Michael and Jane Wilson, 2012.137.29

Vue dans le Grand Cimetière de Scutari (Scene in the Large Cemetery of Scutari)

James Robertson, Felice Beato, Antonio Beato · 1857 · salted paper print ·  Accession ID  2012.137.29

The image displays ancient Greek ruins with tall, weathered columns. The view is straight on with a slightly elevated point of view. Near the horizon, there are remaining structures of a temple, including columns with Ionic capitals and fragmented stone walls. The sky above is clear and light-colored. Close to the viewer, rubble and rocky ground lead towards the architectural elements. A few figures are visible nearby. In the distance, faint outlines of hills or mountains can be seen. The color palette is monochromatic in tones of sepia, adding to the historical feel of the image.
James Robertson, Felice Beato, Antonio Beato, The Erectheum, 1857, salted paper print, Gift of Michael and Jane Wilson, 2012.137.9

The Erectheum

James Robertson, Felice Beato, Antonio Beato · 1857 · salted paper print ·  Accession ID  2012.137.9

The image shows an ancient Greek temple from a slightly elevated point of view, displaying its length and column alignment. The horizon is low, separating the sky and the earth. The temple's structure dominates the scene, with columns casting shadows. The image is a photograph, not a painting, with a grayscale color palette emphasizing stone texture. In the background, faint hills and structures are visible. Rocks lead up to the temple, where a few people stand, providing scale to the building.
James Robertson, Felice Beato, Antonio Beato, The Theseum, 1857, albumen silver print, Gift of Michael and Jane Wilson, 2012.137.19

The Theseum

James Robertson, Felice Beato, Antonio Beato · 1857 · albumen silver print ·  Accession ID  2012.137.19

The image shows a cityscape looking towards a busy street. People guide carts pulled by oxen on a dirt path in the foreground. In the center, a mosque with a large dome and four minarets stands out. The skyline is above the buildings, with wooden structures lining the street. The scene is in sepia tones, emphasizing shades of brown.
James Robertson, Felice Beato, Antonio Beato, Hagia Sophia from Place l'Hippodrome, 1857, salted paper print, Gift of Michael and Jane Wilson, 2012.137.27

Hagia Sophia from Place l'Hippodrome

James Robertson, Felice Beato, Antonio Beato · 1857 · salted paper print ·  Accession ID  2012.137.27