John Storrs

Storrs, John Bradley
Storrs, John Henry Bradley

American, 1885 - 1956

Explore selected works

This abstract image features a composition of circular and triangular shapes interlocking with the form of an anthropomorphic figure and a large bird. The central human figure resembles the shape of Leonardo da Vinci's Vitruvian Man, laying spread-eagle upon a multipointed star. Above him, a bird with broad wings stretches across the top of the scene, its beak positioned towards the figure's forehead. The background consists of a pattern of zigzag and triangular shapes in a spectrum of colors, forming concentric circles. The scene is framed by a rich blue hue, adding depth to the intricate patterns and figures.
John Storrs, Holy Spirit, 1945, oil on wood, Corcoran Collection (Museum Purchase through a gift of the Francis Sydney Smithers Memorial, 1987), 2014.136.149

Holy Spirit

John Storrs · 1945 · oil on wood ·  Accession ID  2014.136.149

The image displays a partial illustration of a person's face. The head is slightly tilted to one side, and the facial features include large eyes, a straight nose, and full lips with a serene expression. The hair is stylized and pulled back. No clothing or accessories are present. The background is plain, emphasizing the drawn head. Shading and line work create dimension in the illustration.
John Storrs, Female Head, c. 1925-1928, graphite on glossy card stock, Corcoran Collection (Museum Purchase, 1979), 2015.19.2772

Female Head

John Storrs · c. 1925-1928 · graphite on glossy card stock ·  Accession ID  2015.19.2772

The sculpture is an abstract form resembling a tall, architectural structure or column. It features a series of rectangular and linear geometric projections, with a spiral design at the top. The sculpture is primarily composed of two main colors: a tan or beige base color with black accents that emphasize the sculptural details and contours. The material appears to be a solid, possibly stone-like substance. The design elements, such as the stepped protrusions and vertical lines, give the sculpture a modern, structured appearance. The sculpture is positioned upright on a rectangular base that matches the tan color of the main sculpture.
John Storrs, Auto Tower, Industrial Forms (part B), c. 1922, cast and painted concrete, Gift of Deborah and Ed Shein, 2011.1.1

Auto Tower, Industrial Forms (part B)

John Storrs · c. 1922 · cast and painted concrete ·  Accession ID  2011.1.1

John Storrs, Auto Tower, Industrial Forms (part A), c. 1922, cast and painted concrete, Gift of Deborah and Ed Shein, 2008.33.2

Auto Tower, Industrial Forms (part A)

John Storrs · c. 1922 · cast and painted concrete ·  Accession ID  2008.33.2

The image displays three interconnected human-like figures created with bold, angular shapes using contrasting black and white lines. Dynamic patterns of stripes and zigzags give the figures a sense of movement and texture, similar to woodcut prints. The shapes and lines suggest the outline of people standing together, reminiscent of a group of friends or companions in conversation, with geometric bodies and appendages stretching out robotically or industriously. The image employs a minimalist, high-contrast style focusing on form and interaction without additional detailing or background distractions.
John Storrs, Three Soldiers, 1918, woodcut, Reba and Dave Williams Collection, Gift of Reba and Dave Williams, 2008.115.4666

Three Soldiers

John Storrs · 1918 · woodcut ·  Accession ID  2008.115.4666

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Le Sergent de Ville

John Storrs · model by 1919, cast c. 1923 · bronze with selective silver plating ·  Accession ID  2014.136.282

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Coming from the Bath

John Storrs · 1918 · woodcut ·  Accession ID  2008.115.4665

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Horses' Heads

John Storrs · 1917-1919 · bronze ·  Accession ID  2014.136.285