Giancristoforo Romano

Gian Cristoforo Romano
Romano, Giovanni Cristoforo

Mantuan, c. 1465 - 1512

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The sculpture on this coin features a standing female figure with large wings, holding a staff in one hand. The figure is accompanied by a snake at her feet and a centaur holding a bow above her head. The coin is golden in color, made primarily of a metallic material. The figure is depicted in relief with detailed textures and forms, giving it a three-dimensional appearance. Inscriptions around the edge of the coin frame the scene.
Giancristoforo Romano, Winged Victory [reverse], 1498, bronze, Samuel H. Kress Collection, 1957.14.669.b

Winged Victory [reverse]

Giancristoforo Romano · 1498 · bronze ·  Accession ID  1957.14.669.b

Giancristoforo Romano, Isabella d'Este, 1474-1539, Wife of Francesco II Gonzaga of Mantua 1490 [obverse], 1498, bronze, Samuel H. Kress Collection, 1957.14.669.a

Isabella d'Este, 1474-1539, Wife of Francesco II Gonzaga of Mantua 1490 [obverse]

Giancristoforo Romano · 1498 · bronze ·  Accession ID  1957.14.669.a

The sculpture is a medallion featuring a raised relief of a phoenix emerging from flames. The phoenix has detailed plumage, a crest on its head, and spreading wings. Above the phoenix, rays of light emanate from a cloud. The medallion is made of bronze and has inscriptions around its circumference.
Mantuan 15th Century, Giancristoforo Romano, Phoenix on a Pyre Looking at the Sun [reverse], c. 1485, bronze//Later cast, Samuel H. Kress Collection, 1957.14.668.b

Phoenix on a Pyre Looking at the Sun [reverse]

Mantuan 15th Century, Giancristoforo Romano · c. 1485 · bronze//Later cast ·  Accession ID  1957.14.668.b

The sculpture is a circular cameo or medal depicting the profile of a woman facing left, with an inscription around the edge. The woman is intricately detailed, showcasing braided and wrapped hair and a high-necked garment adorned with lace or embroidery design. The inscription reads "DIVA IVLIA ASTALLIA", which is carved around the edge of the medal. The sculpture appears to be made of a bronzed material, as indicated by the deep brown color with areas of patina. The craftsmanship of the sculpture is delicate, conveying a sense of fineness and historical artistry commonly found in portrait medallions from the Renaissance or classical periods. The surface exhibits some signs of aging, with minor irregularities contributing to its antique appearance.
Mantuan 15th Century, Giancristoforo Romano, Giulia Astallia [obverse], c. 1485, bronze, Samuel H. Kress Collection, 1957.14.668.a

Giulia Astallia [obverse]

Mantuan 15th Century, Giancristoforo Romano · c. 1485 · bronze ·  Accession ID  1957.14.668.a

Anonymous Artist, Jacoba Correggia [obverse], c. 1500, gilded bronze//Five times pierced, Samuel H. Kress Collection, 1957.14.673.a

Jacoba Correggia [obverse]

Anonymous Artist · c. 1500 · gilded bronze//Five times pierced ·  Accession ID  1957.14.673.a

The sculpture depicts a cherubic figure seated in a rocky or natural setting, surrounded by branch-like elements and possible animal figures. The figure has wings on its back and is centrally placed on a circular medal. The material appears to be a metallic gold color, suggesting it could be made of metal like brass or gilded. The medal has a textured and embossed surface with additional elements such as inscriptions around the perimeter. There are small holes near the edge, potentially for mounting. The detailed design reflects historical artistic expression and is intended for up-close viewing.
Anonymous Artist, Captive Cupid Bound to a Tree [reverse], c. 1500, gilded bronze//Five times pierced, Samuel H. Kress Collection, 1957.14.673.b

Captive Cupid Bound to a Tree [reverse]

Anonymous Artist · c. 1500 · gilded bronze//Five times pierced ·  Accession ID  1957.14.673.b

The image displays a round bronze-colored medal with a sculpture embossed on its surface. The sculpture features a seated female figure holding a caduceus in one hand, depicted next to a stylized palm tree. Surrounding the figures, there are inscriptions in Latin that read "CASTITATI VIRTVTIQ INVICTAE" along the edges of the medal. The material of the medal appears to be a burnished bronze or similar metallic alloy.
Giancristoforo Romano, Figure before a Palm Tree [reverse], 1507, bronze, Samuel H. Kress Collection, 1957.14.670.b

Figure before a Palm Tree [reverse]

Giancristoforo Romano · 1507 · bronze ·  Accession ID  1957.14.670.b

The sculpture featured in the image is a profile portrait of a person on a circular medallion. The sculpture captures a side profile of the figure's head and upper torso, with detailed attention given to the clothing and the figure's facial features. The edges of the medallion feature inscribed text.
Giancristoforo Romano, Isabella of Aragon, 1470-1524, Wife of Giangaleazzo Sforza, Duke of Milan, 1489 [obverse], 1507, bronze, Samuel H. Kress Collection, 1957.14.670.a

Isabella of Aragon, 1470-1524, Wife of Giangaleazzo Sforza, Duke of Milan, 1489 [obverse]

Giancristoforo Romano · 1507 · bronze ·  Accession ID  1957.14.670.a

The sculpture depicted on the metal is of a bird. The bird is perched with its wings slightly spread and head elegantly turned. Flame-like patterns are visible beneath the bird. The sculpture is made of a bronze-colored metal and is surrounded by an inscription. The worn texture of the metal suggests age and endurance.
Giancristoforo Romano, Phoenix on a Burning Pyre [reverse], probably c. 1500, bronze, Ailsa Mellon Bruce Fund, 1988.30.5.b

Phoenix on a Burning Pyre [reverse]

Giancristoforo Romano · probably c. 1500 · bronze ·  Accession ID  1988.30.5.b

The sculpture features a relief of a woman's side profile on a round surface, resembling a coin or medallion. The woman wears a headpiece covering her hair, styled in waves, and a string of beads around her neck. The material appears to be bronze or brass with a warm, golden-brown hue and a slightly weathered texture. Inscriptions encircle the profile portrait, giving it the appearance of a traditional coin with lettering on the face. The facial features and attire are detailed, adding a dimensional quality, while the finish suggests aged metalwork.
Giancristoforo Romano, F. Francina, lived late fifteenth century [obverse], probably c. 1500, bronze, Ailsa Mellon Bruce Fund, 1988.30.5.a

F. Francina, lived late fifteenth century [obverse]

Giancristoforo Romano · probably c. 1500 · bronze ·  Accession ID  1988.30.5.a