Giovanni Antonio de' Rossi

Rossi, Giovanni Antonio
Rubeus, Johann Anton

Milanese, 1513 - after 1575

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This is a photograph of a gold coin. The coin features an intricate relief showing the side profile of a bearded individual in elaborate religious garb, including ornate robes richly decorated with patterns and a collar that suggests high ecclesiastical authority. The figure has raised hands, depicted as if in a gesture of prayer. Around the edge of the coin, there is a circular inscription in Latin. The top of the coin is punctured with a small hole. The overall craftsmanship highlights skilled metallurgy, reflecting artistic and cultural values from the period it represents.
Giovanni Antonio de' Rossi, Pius V (Antonio Ghislieri, 1504-1572), Pope 1566 [obverse], 1571, gilded bronze, Gift of Lisa and Leonard Baskin, 1999.109.19.a

Pius V (Antonio Ghislieri, 1504-1572), Pope 1566 [obverse]

Giovanni Antonio de' Rossi · 1571 · gilded bronze ·  Accession ID  1999.109.19.a

This is a photograph of a gold medallion featuring three figures. The medallion showcases a detailed engraving of three classical figures. Two figures are dressed in Roman-style clothing and the central figure is slightly more adorned. The border of the medallion has an inscription in Latin script that reads "FOEDERIS IN TVRCAS SANCTIO." The medallion features intricate details and relief work. There is a hole at the bottom of the medallion. The craftsmanship highlights a high level of artistry. The overall composition emphasizes unity amongst the figures presented.
Giovanni Antonio de' Rossi, Alliance of the Papacy, Spain, and Venice [reverse], 1571, gilded bronze, Gift of Lisa and Leonard Baskin, 1999.109.19.b

Alliance of the Papacy, Spain, and Venice [reverse]

Giovanni Antonio de' Rossi · 1571 · gilded bronze ·  Accession ID  1999.109.19.b

The sculpture in the image is a bas-relief medallion showing a profile portrait of a bearded man in ornate robes. The robes feature intricate patterns and religious imagery, including a seated figure and ornamental designs. The medallion is made of a warm-toned metal, likely bronze or a similar alloy, with aged patina. It is circular with inscribed text along the border identifying the individual as Pius III Pont. Opt. Max., potentially referencing Pope Pius III. The overall appearance is historically significant, with a classic and authoritative presence conveying religious importance.
Giovanni Antonio de' Rossi, Pius IV (Giovanni Angelo de' Medici, 1499-1565), Pope 1559, 1559, bronze, Samuel H. Kress Collection, 1957.14.977

Pius IV (Giovanni Angelo de' Medici, 1499-1565), Pope 1559

Giovanni Antonio de' Rossi · 1559 · bronze ·  Accession ID  1957.14.977

The sculpture depicted on the medal is of a standing figure dressed in flowing robes, holding a goblet in one hand and a ladder tucked under the other arm. The material of the sculpture appears to be a reddish-brown metal, likely bronze. The figure is detailed, with a sense of movement suggested by the drapery of the robes. The background of the medal is inscribed with “ANNO DOMINI M D LVI PONT SVI.” The scene is set within the circular boundary of a coin-like object with a small hole at the top.
Giovanni Antonio de' Rossi, Faith [reverse], 1556, bronze, Gift of Andrew Brown in honor of Eleonora Luciano, 2013.40.1.b

Faith [reverse]

Giovanni Antonio de' Rossi · 1556 · bronze ·  Accession ID  2013.40.1.b

The sculpture is an embossed depiction of a man with a long beard, shown in profile facing right. The figure wears a robe with intricate patterns and smaller figures. Surrounding the border are the words "PAVLVS TIVS PONT MAX." The circular sculpture is made of bronze, giving it a reddish-brown color. The surface is textured, and the details are finely crafted. There is a small hole near the top of the medallion.
Giovanni Antonio de' Rossi, Paul IV (Gian Pietro Carafa, 1476-1559), Pope 1555 [obverse], 1556, bronze, Gift of Andrew Brown in honor of Eleonora Luciano, 2013.40.1.a

Paul IV (Gian Pietro Carafa, 1476-1559), Pope 1555 [obverse]

Giovanni Antonio de' Rossi · 1556 · bronze ·  Accession ID  2013.40.1.a

The sculpture depicted is a medallion with a profile portrait of a man believed to be Marcellus II, as inscribed "MARCELLUS" on the edge. The man is depicted in a thoughtful pose, wearing ornate clothing with detailed textures. The medallion, made of a metallic substance, likely silver, has a polished appearance with intricate engravings and raised relief defining facial features, a beard, and robes. The circular medallion has a small hole at the top, potentially for hanging, and the outer rim is decorated with fine dots.
Giovanni Antonio de' Rossi, Marcellus II (Marcello Corvino, 1501-1555), Pope 1555, 1555, lead medallic obverse, Gift of Lisa and Leonard Baskin, 1992.55.8

Marcellus II (Marcello Corvino, 1501-1555), Pope 1555

Giovanni Antonio de' Rossi · 1555 · lead medallic obverse ·  Accession ID  1992.55.8

The relief image on a coin portrays a bust of an elderly man in profile, facing left. The figure has a long beard, a prominent nose, and is depicted in intricate ecclesiastical vestments with floral and figurative motifs. The coin is made of a silvery metal, likely silver, and is inscribed with the text "IVLIVS III PONT MAX AN V," identifying the subject as Julius III. The craftsmanship on the coin showcases a blend of portraiture and ornamental design.
Giovanni Antonio de' Rossi, Julius III (Giammaria Ciocchi del Monte, 1487-1555), Pope 1550, c. 1555, lead, Samuel H. Kress Collection, 1957.14.976

Julius III (Giammaria Ciocchi del Monte, 1487-1555), Pope 1550

Giovanni Antonio de' Rossi · c. 1555 · lead ·  Accession ID  1957.14.976

The sculpture is a relief depiction of a man dressed in clerical attire. The man appears older and has distinct facial features with a full beard. The attire is ornate with intricate patterns and decorations including medallion-like figures. The sculpture is on a circular medallion or medallion-like form, made of a golden-brown material resembling bronze. Around the circumference are the words "MARCELLVS II PONT MAX". The size and detail suggest it could be handheld or part of a series of ceremonial objects.
Giovanni Antonio de' Rossi, Marcellus II (Marcello Corvino, 1501-1555), Pope 1555 [obverse], 1555, bronze, Samuel H. Kress Collection, 1957.14.963.a

Marcellus II (Marcello Corvino, 1501-1555), Pope 1555 [obverse]

Giovanni Antonio de' Rossi · 1555 · bronze ·  Accession ID  1957.14.963.a

The sculpture on the medallion features a seated figure dressed in draped garments. The figure is holding a book in one hand while the other rests on a rectangular table. Next to the figure, there is an object that appears to be a plinth or structure with a domed top. The medallion is round and crafted from a copper or bronze-like material, giving it a rich brownish-orange hue. The detailing and bas-relief style of the sculpture provide a sense of depth. The edges of the medallion are adorned with a beaded border, and there are two small holes at the top.
Giovanni Antonio de' Rossi, Seated Figure of the Church [reverse], 1555, bronze, Samuel H. Kress Collection, 1957.14.963.b

Seated Figure of the Church [reverse]

Giovanni Antonio de' Rossi · 1555 · bronze ·  Accession ID  1957.14.963.b

The sculpture is a circular medallion featuring the profile of a bearded man facing left. The man has a prominent forehead and a long, flowing beard, with detailed curly hair. He appears to be wearing a robe or tunic with fabric folds. The medallion is a rich golden color, suggesting a gilded material such as brass or gold alloy. Around the edge of the medallion is an inscription in raised letters, and the design indicates attention to detail. The surface of the medallion shows variations in texture, and there is a small hole at the top.
Giovanni Antonio de' Rossi, Vincenzo Bovio of Bologna [obverse], 16th century, gilded bronze, Samuel H. Kress Collection, 1957.14.964.a

Vincenzo Bovio of Bologna [obverse]

Giovanni Antonio de' Rossi · 16th century · gilded bronze ·  Accession ID  1957.14.964.a