Sperandio

Savelli, Sperandio di Bartolommeo
Sperandio, Savelli

Mantuan, c. 1425/1428 - c. 1504

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The sculpture depicts five male figures on a rectangular plaque. The central figure appears distressed, surrounded by four other figures. All figures are detailed with textured hair and clothing folds, conveying movement and interaction. The sculpture is made of metallic bronze, giving it a warm brown color with highlights suggesting aged patina. The plaque has a small hole at the top center for hanging or attachment. The design suggests a narrative-oriented artwork capturing a frozen moment in time.
Sperandio, The Flagellation, c. 1480, bronze//Medium brown patina, Samuel H. Kress Collection, 1957.14.210

The Flagellation

Sperandio · c. 1480 · bronze//Medium brown patina ·  Accession ID  1957.14.210

The image shows a circular medal featuring a man seated on a chariot, reading a book. A tree and a bird, likely a swan, are carved in the background. The medal includes inscriptions like "CELO.M.SA.RE.AT." and "OPVS.SPERANDI". It is made of a dark, metallic material with slight patinas. The details are finely worked, showcasing artistic craftsmanship.
Sperandio, Apollo on a Car Drawn by Swans [reverse], probably 1496/1504, bronze//Late cast, Samuel H. Kress Collection, 1957.14.727.b

Apollo on a Car Drawn by Swans [reverse]

Sperandio · probably 1496/1504 · bronze//Late cast ·  Accession ID  1957.14.727.b

This is a photograph of a round, bronze medallion featuring a profile portrait in bas-relief. The medallion shows a figure wearing a tall, pointed cap and elaborate garment, with detailed facial features. The outer edge of the medallion contains an inscription of raised letters encircling the portrait. A small hole is present at the top. The surface of the medallion shows signs of age, with a patina. The craftsmanship suggests a classical design.
Sperandio, Antonio Vinciguerra, 1468-1502, Poet, Secretary to the Republic of Venice [obverse], probably 1496/1504, bronze//Late cast, Samuel H. Kress Collection, 1957.14.727.a

Antonio Vinciguerra, 1468-1502, Poet, Secretary to the Republic of Venice [obverse]

Sperandio · probably 1496/1504 · bronze//Late cast ·  Accession ID  1957.14.727.a

The image depicts a circular relief sculpture with a seated man interacting with a winged lion. The man has a beard, wears a robe and hat, and holds a staff with a banner. The lion stands with wings spread and has a halo. The relief is on a circular disk with engraved text at the bottom. The material appears to have a reddish-brown patina, possibly copper or bronze. The sculpture is a medallion with detailed relief carvings.
Sperandio, Doge Barbarigo Kneeling before the Winged Lion of Venice [reverse], c. 1495, bronze//Late cast, Samuel H. Kress Collection, 1957.14.725.b

Doge Barbarigo Kneeling before the Winged Lion of Venice [reverse]

Sperandio · c. 1495 · bronze//Late cast ·  Accession ID  1957.14.725.b

The image depicts a round sculptural medallion with a relief portrait of a man with a long beard and a headpiece resembling a beret or turban. The material appears to be bronze with a brownish patina. The portrait is in a three-quarter view, facing towards the viewer, showing facial features and textured clothing details. Surrounding the portrait is text inscribed in a circular format on the medallion's rim.
Sperandio, Agostino Barbarigo, c. 1420-1501, Doge of Venice 1486-1501 [obverse], c. 1495, bronze//Late cast, Samuel H. Kress Collection, 1957.14.725.a

Agostino Barbarigo, c. 1420-1501, Doge of Venice 1486-1501 [obverse]

Sperandio · c. 1495 · bronze//Late cast ·  Accession ID  1957.14.725.a

The image shows a round medallion featuring a profile portrait of a man in armor. The subject is depicted in left profile, with a detailed beard and a helmet adorned with a textured design. The man is wearing a suit of armor with visible rivets and articulated plates. The material appears to be bronze, with a metallic sheen and brownish-gold color. The medallion includes an inscription around the edge identifying the individual. The surface of the medallion shows fine detailing, with textures and lines adding depth to the figure.
Sperandio, Francesco II Gonzaga, 1466-1519, 4th Marquess of Mantua 1484 [obverse], c. 1495, bronze, Samuel H. Kress Collection, 1957.14.724.a

Francesco II Gonzaga, 1466-1519, 4th Marquess of Mantua 1484 [obverse]

Sperandio · c. 1495 · bronze ·  Accession ID  1957.14.724.a

The image shows a round relief sculpture featuring a pair of hands joined in a prayer position, with a rosary hanging between them. The sculpture is made of a dark brownish metallic material, likely bronze, with highlights where the surface is polished or worn. The hands are shown with sleeves falling back, against the backdrop of the medallion. Inscriptions in raised lettering adorn the edges. The central depiction of the praying hands suggests a focus on spirituality or piety.
Sperandio, Praying Hands Holding a Rosary [reverse], c. 1495, bronze//Late cast, Samuel H. Kress Collection, 1957.14.726.b

Praying Hands Holding a Rosary [reverse]

Sperandio · c. 1495 · bronze//Late cast ·  Accession ID  1957.14.726.b

The sculpture is a circular medallion depicting a profile bust of a man in a hooded garment. The man seems mature, with detailed facial features and hood draping. The medallion is made of a dark metallic material with a shiny finish on raised areas. There are inscribed letters surrounding the figure in a border.
Sperandio, Lodovico Brognolo, of the Observant Friars, Patrician of Mantua [obverse], c. 1495, bronze//Late cast, Samuel H. Kress Collection, 1957.14.726.a

Lodovico Brognolo, of the Observant Friars, Patrician of Mantua [obverse]

Sperandio · c. 1495 · bronze//Late cast ·  Accession ID  1957.14.726.a

The sculpture is a circular medallion featuring a group of heavily armored soldiers and horses. The soldiers are depicted in a relief style, standing out in three dimensions from the flat background of the medallion. The scene suggests a military procession or medieval knights. A metallic, earthy color with brown tones and hints of copper oxidation gives the material of the medallion a historical appearance. There is an inscription or text in a circular pattern around the edges of the medallion.
Sperandio, Francesco Gonzaga on Horseback, with Soldiers [reverse], c. 1495, bronze, Samuel H. Kress Collection, 1957.14.724.b

Francesco Gonzaga on Horseback, with Soldiers [reverse]

Sperandio · c. 1495 · bronze ·  Accession ID  1957.14.724.b

The sculpture on the metallic piece depicts a central human figure with flowing hair and attire, seated between a unicorn on the left and a bull on the right. The figure is holding a staff in one hand and a snake in the other. The sculpture is bronze in color, giving it an aged appearance. The edge of the sculpture features engraved text in a circular fashion, including the phrases "SIC ITVR ADASTRA" and "OPVS SPERANDEI." The craftsmanship is detailed and intricate, showcasing figures that are intricately entwined against a solid background.
Sperandio, Seated Female Figure [reverse], c. 1490/1495, bronze//Rough cast, not contemporary, Samuel H. Kress Collection, 1957.14.723.b

Seated Female Figure [reverse]

Sperandio · c. 1490/1495 · bronze//Rough cast, not contemporary ·  Accession ID  1957.14.723.b