Domenico Falcini

Italian, born c. 1570

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The image shows the upper half of a female figure seated in profile, facing left. She has long, wavy hair that flows past her shoulders and delicate facial features with pronounced eyebrows and a contemplative expression. She is draped in a loosely fitting garment with flowing sleeves, revealing her bare shoulder. She holds an open book or scroll in her right hand, resting on her lap, while her left hand is placed on her chest. Next to her, an angelic child with wings offers a small pot toward her shoulder. Beams of light radiate around her head, suggesting a halo. The background features a crucifix with a plaque marked 'INRI,' surrounded by foliage, a skull, and a tree branch intruding from the upper left corner. The image has a textured, etched quality capturing fine detail.
Domenico Falcini, The Penitent Magdalene, 17th century, engraving on laid paper, Ailsa Mellon Bruce Fund, 1999.64.3

The Penitent Magdalene

Domenico Falcini · 17th century · engraving on laid paper ·  Accession ID  1999.64.3

This is a drawing of an interior scene with figures and architectural elements. The drawing features an interior set within a religious or ceremonial space. In the center is a framed image of a male figure on a pedestal with his arms spread. The space is ornate, with arches and a niche above the framed image. Two figures in cloaks are kneeling on one knee in the foreground facing the icon. Another figure is entering the room from a door on the left side. The room has intricate stonework and archways, with light coming through a small window. Various letters and labels are included in the drawing.
Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni, Chapel of Saint Sebastian (Cappella di San Sebastiano) [plate N], 1612, engraving, Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.14

Chapel of Saint Sebastian (Cappella di San Sebastiano) [plate N]

Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni · 1612 · engraving ·  Accession ID  2013.67.9.14

The drawing is of an interior with religious elements. It features a detailed depiction of a chapel or religious space. The scene includes a high arched ceiling, an altar with a crucifix, and a decorative panel showing a religious scene. The architecture includes ornate arches and wall panels with intricate designs. In the foreground, three figures are conversing. The drawing is done in a classical style with attention to perspective and line work, highlighting depth and spatial arrangement in the room.
Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni, Interior of the Minor Church (Interno della chiesa minore) [plate F], 1612, engraving with an engraved overslip showing the addition of an altar screen, Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.7

Interior of the Minor Church (Interno della chiesa minore) [plate F]

Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni · 1612 · engraving with an engraved overslip showing the addition of an altar screen ·  Accession ID  2013.67.9.7

This is a drawing of figures within a large room or structure. The scene depicts two figures seated on a bench in front of an ornate structure or altar, which is central in the image. The altar features a framed image within it, showing a kneeling figure holding a cross. Below the altar, there is an inscription with decorative elements, and in front of it, two additional figures are kneeling, both holding or gesturing with rods toward a grid-like structure. The room seems to have a high vaulted ceiling. The artwork's intricate details in linework and shading suggest a focus on depth and perspective.
Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni, Interior of the Chapel of Mary Magdelene (Interno della cappella della Maddalena) [plate H], 1612, engraving, Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.9

Interior of the Chapel of Mary Magdelene (Interno della cappella della Maddalena) [plate H]

Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni · 1612 · engraving ·  Accession ID  2013.67.9.9

The image shows an aerial view of a rocky terrain with a small brick structure featuring an open doorway in the center. A figure stands to the left of the structure. Trees obscure the horizon, providing depth to the scene. The detailed rendering uses fine lines to depict textures and contrasts of light and shadow, with a monochromatic color palette of black and white.
Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni, Monastic Cell of the Blessed John of La Verna (Cella del beato Giovanni della Verna) [plate T], 1612, engraving, Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.20

Monastic Cell of the Blessed John of La Verna (Cella del beato Giovanni della Verna) [plate T]

Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni · 1612 · engraving ·  Accession ID  2013.67.9.20

The image shows a cavern with rock formations surrounding an opening or alcove. The rocks display detailed texture with dense linework. Two figures in robes are walking along a path next to a structured wall with a window. The scene is dominated by twisting branches and leaves of trees, with a monochromatic color palette of gray and brown.
Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni, The Site of the Bed and Oratory of Saint Francis (Luogo del 'letto' e dell'oratorio di San Francesco) [plate R], 1612, engraving with two engraved overslips, Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.18

The Site of the Bed and Oratory of Saint Francis (Luogo del 'letto' e dell'oratorio di San Francesco) [plate R]

Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni · 1612 · engraving with two engraved overslips ·  Accession ID  2013.67.9.18

The image shows the upper half of a person positioned in a central frame, with their hands raised slightly to shoulder height. The person's facial features include a prominent beard and deep-set eyes, and their hair is short and slightly tousled. They appear to be depicted with a halo around their head. The person is wearing a robe with a simple design. The surrounding area is richly decorated with intricate designs, including shields, crests, and religious symbolism. Above the person, there is a cherub-like face. The background is filled with complex detailing of religious regalia, including papal crowns, swords, and other emblematic motifs.
Jacopo Ligozzi, Domenico Falcini, Lino Moroni, Frontispiece with Portrait of Saint Francis, 1612, engraving, Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.1

Frontispiece with Portrait of Saint Francis

Jacopo Ligozzi, Domenico Falcini, Lino Moroni · 1612 · engraving ·  Accession ID  2013.67.9.1

The image features a path leading to a small building among tall trees. The horizon is obscured by dense foliage and trees. The building sits centrally, surrounded by trees. The illustration uses traditional engraving techniques with cross-hatching for texture. The color palette is monochromatic, ranging from dark to light greys. Two human figures are present, one standing and one kneeling. In the distance is a house resembling a chapel or temple with a brick-like texture. The scene exudes tranquility and detail in depicting a woodland setting.
Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni, Chapel of the Blessed John of La Verna (Cappella del beato Giovanni della Verna) [plate S], 1612, engraving, Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.19

Chapel of the Blessed John of La Verna (Cappella del beato Giovanni della Verna) [plate S]

Jacopo Ligozzi, Italian 16th/17th Century, Domenico Falcini, Lino Moroni · 1612 · engraving ·  Accession ID  2013.67.9.19

Jacopo Ligozzi, Raffaello Schiaminossi, Domenico Falcini, Lino Moroni, Descrizione del Sacro Monte della Vernia, 1612, bound volume with one engraved frontispiece and 22 engraved or etched illustrations with 5 overslips on plates F, G, I, R (2), Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.1-23

Descrizione del Sacro Monte della Vernia

Jacopo Ligozzi, Raffaello Schiaminossi, Domenico Falcini, Lino Moroni · 1612 · bound volume with one engraved frontispiece and 22 engraved or etched illustrations with 5 overslips on plates F, G, I, R (2) ·  Accession ID  2013.67.9.1-23

The image shows a detailed drawing with a monumental architectural structure resembling a large archway or gate. The scene includes abundant foliage of large trees framing the structure. A solitary figure is sitting beneath a tree in the distance. There are four figures standing in front of the archway, dressed in historical attire. The horizon is visible beyond the archway, marked by rolling hills. The overall color palette is monochromatic in shades of grey, typical of an engraving. The drawing uses fine hatching and cross-hatching to depict texture and shading in the brickwork, clothing, and foliage.
Jacopo Ligozzi, Domenico Falcini, Italian 16th/17th Century, Lino Moroni, Chapel of the Spring in the Beech Tree (Cappella del faggio dell'acqua) [plate Q], 1612, engraving, Acquisition funded by a grant from The B.H. Breslauer Foundation, 2013, 2013.67.9.17

Chapel of the Spring in the Beech Tree (Cappella del faggio dell'acqua) [plate Q]

Jacopo Ligozzi, Domenico Falcini, Italian 16th/17th Century, Lino Moroni · 1612 · engraving ·  Accession ID  2013.67.9.17