Pamela Paulson

American, active late 20th century

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  • The image shows an intricate composition of curved black lines forming a large helmet-like shape intersected by thinner lines creating an abstract mesh pattern. In the top left corner, a smaller object with red outlines resembles a cube transformed into an elongated horn-like form. The elements suggest structures like a geodesic dome or woven basket, with lines converging and diverging across the surface.

    Untitled

    Martin Puryear, Pamela Paulson

    2001

    Etching and softground etching with drypoint and gampi on somerset wove paper  Accession ID  2006.148.1

    Not on view
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    Marilyn

    Graciela Iturbide, Pamela Paulson, Renée Bott, Deli Sacilotto, Graphicstudio

    1997

    Photogravure on rives paper  Accession ID  1998.87.5

    Not on view
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    Tabaco

    Graciela Iturbide, Pamela Paulson, Renée Bott, Deli Sacilotto, Graphicstudio

    1997

    Photogravure on rives paper  Accession ID  1998.87.2

    Not on view
  • ""

    Janet

    Graciela Iturbide, Pamela Paulson, Deli Sacilotto, Renée Bott, Graphicstudio

    1997

    Photogravure on rives paper  Accession ID  1998.87.9

    Not on view
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    Espiritu Santo

    Graciela Iturbide, Pamela Paulson, Renée Bott, Deli Sacilotto, Graphicstudio

    1997

    Portfolio of six photogravures with text by richard hakluyt and title/colophon pages on rives paper  Accession ID  1998.87.1-6

    Not on view
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    Galgo (Title Page)

    Graciela Iturbide, Renée Bott, Pamela Paulson, Deli Sacilotto, Graphicstudio

    1997

    Photogravure on rives paper  Accession ID  1998.87.1

    Not on view
  • ""

    Conquistadores

    Graciela Iturbide, Renée Bott, Pamela Paulson, Deli Sacilotto, Graphicstudio

    1997

    Photogravure on rives paper  Accession ID  1998.87.3

    Not on view
  • ""

    Pájaros

    Graciela Iturbide, Pamela Paulson, Renée Bott, Deli Sacilotto, Graphicstudio

    1997

    Photogravure on rives paper  Accession ID  1998.87.6

    Not on view
  • ""

    Paisaje con Chimenea

    Graciela Iturbide, Renée Bott, Pamela Paulson, Deli Sacilotto, Graphicstudio

    1997

    Photogravure on rives paper  Accession ID  1998.87.4

    Not on view
  • The image depicts several figures wearing full-body dark red garments with only their feet visible. These figures are walking on a striped path from an overhead perspective. Many wear wide-brimmed hats, and some have their faces partially covered. In the center, there is an indistinct figure in a seated or crouching position. The scene is lit softly, casting subtle shadows, and the background consists of the striped path.

    Flight

    Christopher Brown, Pamela Paulson, Crown Point Press

    1993

    Color softground etching, spitbite aquatint, and aquatint on somerset soft white textured paper  Accession ID  1998.40.45

    Not on view
  • This is a painting of an abstract crowd of figures in a public space. The image displays dark silhouetted forms in a large open area, possibly a plaza or a walkway with a tiled or patterned floor illuminated by diffuse light. The figures vary in color from opaque black to more vibrant hues of blue, orange, and red, with some blending into the background. Their arrangement suggests movement and interaction, hinting at the hustle and bustle of a busy location. The use of light and shadow creates depth, while the blending colors contribute to an abstract feel. The medium suggests watercolor or light ink washes, adding a sense of fluidity and soft outlines to the composition in a style reminiscent of Alex Katz.

    Station

    Christopher Brown, Pamela Paulson, Crown Point Press

    1993

    Softground etching and spitbite aquatint on somerset textured soft white paper  Accession ID  1997.8.34

    Not on view
  • This is a painting of several abstract figures in motion. The scene includes abstract human figures in different postures, with one figure lying down and others standing or walking. The color palette includes blues, reds, and beiges. The figures are stylized with a focus on their clothing colors and shadows, creating a sense of movement and interaction. The style is reminiscent of Edgar Degas, known for his depictions of people in everyday settings with an impressionistic approach.

    Eighty-second Street

    Christopher Brown, Pamela Paulson, Crown Point Press

    1993

    Color softground etching, spitbite aquatint, and aquatint on somerset soft white textured paper  Accession ID  1998.40.43

    Not on view