Stefano Della Bella

Bella, Stefano della
Stefano della Bella

Florentine, 1610 - 1664

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The image depicts a woman riding a donkey, holding an infant in her arms. A man stands beside the donkey, leading it. In the background are trees, mountains, and cherubic faces or angels in the clouds. The woman wears a headscarf and long garments, and a halo is above her head. The etching is detailed and has a textured background.
Stefano Della Bella, The Flight into Egypt, probably 1662, etching on laid paper [restrike], Transferred from The Library of Congress, 1986.50.33

The Flight into Egypt

Stefano Della Bella · probably 1662 · etching on laid paper [restrike] ·  Accession ID  1986.50.33

This is a drawing of a woman on a donkey in a pastoral setting with angelic figures and cherubs present. The scene features a central focus of a woman seated on a donkey, draped in flowing garments, with an ethereal halo above her head. The composition is framed by detailed, lush foliage with a backdrop that includes cherubic faces within the clouds. The donkey is led by another figure, heading towards distant hills under a serene sky. The surrounding figures include an angelic presence with wings beside the central woman. The intricate linework and shading add depth and texture, emphasizing the peaceful, contemplative mood of the scene.
Stefano Della Bella, The Flight into Egypt, probably 1662, etching and bitten tone, Gift of Mr. and Mrs. William Benedict, 1977.22.1

The Flight into Egypt

Stefano Della Bella · probably 1662 · etching and bitten tone ·  Accession ID  1977.22.1

The image shows two men and two horses in a sketch. The larger man in the foreground is visible from head to waist, facing slightly away from the viewer, gazing toward the right side of the image. His facial features appear detailed yet undefined due to the sketch style, and his hair is covered by a wrapped turban. He wears a garment with fur or heavy fabric draped over one shoulder, alongside a clothing piece gathered and secured at the waist. He is accompanied by a horse with detailed eyes and an elaborate headdress featuring plumes and decorative chain-like elements. In the background, a smaller figure on horseback is positioned to the right, gesturing with one hand and wearing similarly styled clothing. The background is minimal, primarily consisting of a textured, stippled area.
Stefano Della Bella, A Black Man Feeding a Horse, probably 1662, etching, Ailsa Mellon Bruce Fund, 1973.34.2

A Black Man Feeding a Horse

Stefano Della Bella · probably 1662 · etching ·  Accession ID  1973.34.2

The image shows a person standing next to a horse. The individual looks towards the same direction as the horse. The person has short curly hair and wears a loose garment, possibly a robe. The horse has ornate decorative elements on its bridle. In the background, there is another figure on horseback wearing a hat with a feather and a thick coat or cloak. The background is a simple line-drawn texture.
Stefano Della Bella, A Black Man Feeding a Horse, probably 1662, etching on laid paper [restrike], Transferred from The Library of Congress, 1986.50.82

A Black Man Feeding a Horse

Stefano Della Bella · probably 1662 · etching on laid paper [restrike] ·  Accession ID  1986.50.82

The image shows four men facing each other in a circular arrangement. They are depicted from the waist up, with distinct facial features including beards and mustaches. The men wear headgear such as turbans and fur hats, and are dressed in robes with textured details. The background is plain and lightly textured. The image is in monochrome.
Stefano Della Bella, Four Turks Wearing Turbans, probably 1662, etching, Ailsa Mellon Bruce Fund, 1973.34.3

Four Turks Wearing Turbans

Stefano Della Bella · probably 1662 · etching ·  Accession ID  1973.34.3

The image captures a grand outdoor procession or event. The scene features an open-air ceremonial square surrounded by tall, decorated walls and crowded by onlookers. In the center, there is an ornate structure or stage adorned with statues and intricate carvings. The square is filled with numerous uniformed horse riders or guards forming lines or procession paths. A central feature is a grand, flame-topped chariot, possibly part of a parade or theatrical performance. Majestic architecture, including archways and statues, frames the scene, and large flags or banners extend from the walls' heights in the background.
Stefano Della Bella, The Prince of Tuscany, His Horse Troops and Carriages around Mount Atlas, 1661, etching on laid paper [restrike], Transferred from The Library of Congress, 1986.50.28

The Prince of Tuscany, His Horse Troops and Carriages around Mount Atlas

Stefano Della Bella · 1661 · etching on laid paper [restrike] ·  Accession ID  1986.50.28

This is a drawing of a public festivity or parade scene in a grand courtyard. The area is filled with figures, some on horseback and others on foot, engaging in a choreographed display or celebration. In the center stands a large statue of a figure holding a globe. Surrounding the courtyard are structures resembling palatial buildings, with ornate decorations and spectators observing. The background includes foliage and trees, with a sky depicted with horizontal lines. The scene is detailed with intricate linework typical of engravings.
Stefano Della Bella, Entrance of the Prince of Tuscany, 1661, etching on laid paper [restrike], Transferred from The Library of Congress, 1986.50.27

Entrance of the Prince of Tuscany

Stefano Della Bella · 1661 · etching on laid paper [restrike] ·  Accession ID  1986.50.27

There is a drawing of an ornate framed scene with pastoral elements. The central image portrays two horses, one with riders, galloping through a rugged and hilly landscape. Trees and distant buildings are visible in the background, offering a classic pastoral view. The scene is enclosed within an elaborate frame with leaf motifs and angelic figures at the top corner, adding a baroque touch. The artwork showcases a blend of intricate patterns and vivid movement, emphasizing the artist's attention to detail and classical influences.
Stefano Della Bella, Clovis and Clotilda, c. 1657, etching and engraving on laid paper, Gift of Philip and Judith Benedict, 1997.88.3

Clovis and Clotilda

Stefano Della Bella · c. 1657 · etching and engraving on laid paper ·  Accession ID  1997.88.3

The image shows classical ruins from an oblique angle. There is a detailed façade on the left side and scattered ruins on the right. The horizon is high, with a sky depicted using fine, horizontal lines. In the foreground, there are grazing sheep and a figure. The ruins include carvings and columns on the left and crumbling structures on the right. The image is in monochrome, typical of etchings. The linework captures intricate details of the ruins and landscape, giving the scene a historic quality.
Stefano Della Bella, Arch of Constantine, 1656, etching, Andrew W. Mellon Fund, 1977.12.4

Arch of Constantine

Stefano Della Bella · 1656 · etching ·  Accession ID  1977.12.4

The image depicts a pastoral scene from a slightly elevated angle. Two men on horseback are surrounded by sheep, next to a textured tree on the right. In the distance, there are rolling hills, clusters of trees, and a small building on a hill. The sky has a few clouds. The etching is black and white with detailed brushstrokes and hatching for texture. The color palette is monochromatic, creating a classic and historical atmosphere.
Stefano Della Bella, Two Riders Passing Near a Herd of Animals, 1656, etching, Andrew W. Mellon Fund, 1977.12.6

Two Riders Passing Near a Herd of Animals

Stefano Della Bella · 1656 · etching ·  Accession ID  1977.12.6