Louisa Chase

Chase, Louisa L.

American, 1951 - 2016

Displaying 1 - 12 of 12

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  • The image displays white swirling lines on a deep green background. The lines intersect and loop, creating an abstract pattern. Two rectangular shapes in muted brown form an "H" shape on top of the swirling lines. The artwork blends complexity and organic structure.

    Mongoose

    Louisa Chase, Bradford Morrow, Leslie Miller, Grenfell Press

    1990

    Relief print in green and brown on somerset wove paper  Accession ID  1998.124.19

    Not on view
  • The image shows yellow lines swirling across a dark background. The lines intersect with blue angular shapes resembling puzzle pieces or stylized animals. The composition depicts a sense of motion and complexity.

    Lemming

    Louisa Chase, Bradford Morrow, Leslie Miller, Grenfell Press

    1990

    Color relief print on somerset paper  Accession ID  1998.124.5

    Not on view
  • ""

    Untitled

    Louisa Chase, Felix Harlan, Carol Weaver

    1984

    Portfolio of six etching and spitbite aquatints in black on wove paper  Accession ID  2004.155.8.1-6

    Not on view
  • The image is composed of thin intersecting lines, arcs, dark smudges, and scattered dots, creating a textured abstract composition. The overlapping lines form a tangled web resembling a nest or a bundle of threads. The overall impression is one of movement and energy, akin to swirling currents of air or water.

    Untitled

    Louisa Chase, Felix Harlan, Carol Weaver

    1984

    Etching and spitbite aquatint in black on wove paper  Accession ID  2004.155.8.2

    Not on view
  • The image displays intersecting black lines and amorphous gray shapes. The lines crisscross in a chaotic pattern, while the gray shapes form a nebulous backdrop. The overall composition is abstract and open to subjective interpretation.

    Untitled

    Louisa Chase, Carol Weaver, Felix Harlan

    1984

    Etching and spitbite aquatint in black on wove paper  Accession ID  2004.155.8.5

    Not on view
  • The image displays intersecting lines and shapes creating an abstract pattern. The lines move in various directions over soft gray patches, resembling shadows.

    Untitled

    Louisa Chase, Carol Weaver, Felix Harlan

    1984

    Etching and spitbite aquatint in black on wove paper  Accession ID  2004.155.8.4

    Not on view
  • The image shows a network of intersecting lines and shapes creating an abstract composition. Soft layers of blue and green brushstrokes form the backdrop. Thin, black lines crisscross the image, giving it a sense of movement. The arcs and loops suggest tangled threads or branches. The complex layering creates a visual texture with rhythmic energy.

    Untitled (Water)

    Louisa Chase, Felix Harlan, Carol Weaver, Diane Villani Editions

    1984

    Drypoint, aquatint, spitbite, and softground on velin arches paper  Accession ID  2004.155.9

    Not on view
  • The image displays a series of overlapping lines and splatters forming complex, crosshatched shapes against a pale background. The lines twist and intersect in a chaotic yet deliberate manner, resembling dense branches or tangled strands. Small, scattered circular forms are present among the lines, suggesting seeds or droplets. The abstract arrangement challenges viewers to discern patterns in the composition.

    Untitled

    Louisa Chase, Carol Weaver, Felix Harlan

    1984

    Etching and spitbite aquatint in black on wove paper  Accession ID  2004.155.8.3

    Not on view
  • The image displays intersecting and curving lines distributed across the canvas, creating an abstract composition. The lines overlap and there are scattered dots present. The composition suggests movement similar to swirling wind or tangled branches. The black lines crisscross and coil, creating a chaotic, nature-inspired texture that could be reminiscent of underbrush or scattered twigs in a forest. These elements combine in an abstract manner, prompting the viewer to draw connections to natural forms and patterns.

    Untitled

    Louisa Chase, Felix Harlan, Carol Weaver

    1984

    Etching and spitbite aquatint in black on wove paper  Accession ID  2004.155.8.1

    Not on view
  • The image shows an array of curved lines overlapping to create an intricate web-like pattern, surrounded by soft shaded areas.

    Untitled

    Louisa Chase, Carol Weaver, Felix Harlan

    1984

    Etching and spitbite aquatint in black on wove paper  Accession ID  2004.155.8.6

    Not on view
  • The image shows jagged angular shapes zigzagging across the composition. These shapes create the impression of a crevice or fissure. The design uses patterns and textures to resemble rocky cliffs or mountainous terrain. The shapes converge toward a central dark pathway with small white spots. A narrow strip of blue appears at the top, suggesting a sky above the landscape.

    Chasm

    Louisa Chase, Chip Elwell, Diane Villani Editions

    1983

    Color woodcut on laid paper  Accession ID  2015.19.3100

    Not on view
  • The image displays swirling shapes and layered swirls with vertical and diagonal lines creating an intricate pattern. The lines and forms can be associated with waves and clouds, resembling a stormy seascape. Spirals in the foreground resemble seashells or waves, while the cloud-like shapes above enhance the impression of a turbulent sky.

    Squall

    Louisa Chase

    1981

    Woodcut in black on wove paper  Accession ID  2004.155.7

    Not on view