Jacques Callot

French, 1592 - 1635

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This is a drawing of a scene with angels and a procession under an archway. The illustration portrays a celestial environment with clouds, angelic figures, and musical celebrants with trumpets. There is a central figure surrounded by others under a monumental arch. Below the scene is a cartouche with a Latin and French inscription. The drawing features intricate detailing and hatching to add texture to the composition.
Jacques Callot, Frontispiece for "The Calendar of Saints", 1636, etching on laid paper, R.L. Baumfeld Collection, 1969.15.641

Frontispiece for "The Calendar of Saints"

Jacques Callot · 1636 · etching on laid paper ·  Accession ID  1969.15.641

This is a drawing of a battle scene with fortified castles in the background. Soldiers on horseback and infantry with spears and banners engage in combat. The sky is dramatic with dark clouds and rays of light shining through. The lines are heavily inked, giving a sense of movement and chaos. The style resembles historical engravings or etchings of battles.
Jacques Callot, Conversion of Paul, 1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.890

Conversion of Paul

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1969.15.890

This is a drawing of an architectural and human scene. The drawing depicts numerous figures gathered in an architectural setting with grand columns and structured buildings. The figures are dressed in flowing robes and elaborate headwear. There is a central interaction or event catching everyone's attention. The background includes an arched passageway and multiple structures, indicating a complex urban environment. The cross-hatching technique is used to add depth and detail to the image.
Jacques Callot, Christ and the Woman Taken in Adultery, 1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.885

Christ and the Woman Taken in Adultery

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1969.15.885

This is a drawing of a courtyard scene depicting an outdoor market or gathering. The illustration shows multiple figures in a stone courtyard enclosed by buildings, engaging in conversation and exploring items on tables. The architecture includes tall buildings with arched windows, and there is an archway leading to another area. French text below the scene provides context or commentary.
Jacques Callot, Israel Henriet, The Parents Bestow Gifts, 1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.839

The Parents Bestow Gifts

Jacques Callot, Israel Henriet · 1635 · etching on laid paper ·  Accession ID  1969.15.839

The image shows a group of figures surrounding a central figure in a cave-like setting. The central figure is seated on a cloth-covered slab while onlookers in long robes stand around them. The drawing is characterized by intricate linework and shading. The background depicts a rocky environment. The figures are tightly clustered together, with postures and gestures suggesting tension and movement.
Jacques Callot, Raising of Lazarus, 1635, etching on laid paper, Rosenwald Collection, 1946.21.71

Raising of Lazarus

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1946.21.71

This is a drawing of an interior scene in a temple featuring archways, columns, and drapery. The image shows figures positioned in an architectural space, some seated and others standing, surrounding a central figure up on a platform. The architectural design includes columns, arches, and draped fabric creating a sense of depth. The attention to details of clothing and the surrounding structure suggests a narrative or event within a classical or religious setting.
Jacques Callot, Christ Disputing with the Doctors, 1635, etching on laid paper, Gift of Addie Burr Clark, 1946.9.274

Christ Disputing with the Doctors

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1946.9.274

The image shows a group of individuals seated on a natural landscape, with each person's full figure visible. The central figure is seated on a rock, gesturing with an outstretched arm towards the group, which is positioned in a semicircle around them. This central figure has a halo behind their head. The individuals around them also have halos. All individuals wear long robes and have bearded faces. The setting includes trees and rocky, hilly terrain, suggesting an outdoor gathering in nature.
Jacques Callot, Sermon on the Mount, 1635, etching on laid paper, Rosenwald Collection, 1946.21.68

Sermon on the Mount

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1946.21.68

This is a drawing of an architectural and urban scene, featuring figures within classical columns and arches. The figures are engaged in various interactions, set against detailed architectural elements in the background. Line work and hatching are used to add texture and depth, enhancing light and shadow in the composition.
Jacques Callot, Caesar's Coin, 1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.889

Caesar's Coin

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1969.15.889

This is a depiction of a group of people gathered in a natural setting. The scene shows several figures sitting or standing on the grass in a hilly landscape, with a central figure seated on a rock, gesturing to the others. This figure is emitting light from their head. The group seems to be engaged in a moment of teaching or discussion. The scene is surrounded by trees, and hilly terrain is visible in the background, adding depth to the composition. The style of drawing is linear and detailed, with attention to garment folds and natural textures.
Jacques Callot, Sermon on the Mount, 1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.884

Sermon on the Mount

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1969.15.884

This is a detailed drawing of a triumphal procession. The scene features a large gathering of figures, with a central path where a person on a donkey is followed by others in robes. The figures are celebrating, some holding objects resembling palm fronds. In the background, there are imposing structures like domed buildings and towers, along with palm trees. The composition is balanced, with a strong sense of depth leading the viewer's eye through the scene. The lines in the drawing depict a historical moment filled with jubilation and solemnity.
Jacques Callot, The Entry into Jerusalem, 1635, etching on laid paper, Rosenwald Collection, 1946.21.72

The Entry into Jerusalem

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1946.21.72

Bibliography

1975

  • Russell 1975.