David Young Cameron

Cameron, D. Y.
Scottish, 1865 - 1945

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The image shows a dilapidated castle or fortification in the center, with a low angled viewpoint. The horizon is placed in the middle vertically, with sky above and land below. The painting style includes delicate brushstrokes and hatching techniques. The color palette is muted and sepia-toned, giving an aged vibe. The castle walls are darker, contrasting with the lighter sandy terrain in the foreground. In the distance, there are small figures or objects hinting at life beyond the ruins.
David Young Cameron, Tantallon, 1932, drypoint and etching in black on laid paper, Gift of Professor Daniel Bell, 1983.107.12

Tantallon

David Young Cameron · 1932 · drypoint and etching in black on laid paper ·  Accession ID  1983.107.12
The image depicts a landscape with a low horizon, featuring a range of mountains dominating the background. The foreground shows detailed lines outlining the mountains and heavier strokes defining trees and hills. In the distance, softer textures represent fields or open land. The color palette is monochromatic, with shades of black, white, and grey. The top half of the image is an empty sky contrasting with the darker land forms below.
David Young Cameron, Monzie, 1932, drypoint in black on laid paper, Gift of Professor Daniel Bell, 1983.107.11

Monzie

David Young Cameron · 1932 · drypoint in black on laid paper ·  Accession ID  1983.107.11
The image displays a coastal landscape with a horizon at the top. In the foreground, there are light, gentle lines suggesting undulating terrain or waves. Further back, there are darker land masses such as possibly cliffs or hills. The background shows a vast, pale sky. The color palette includes soft blacks, browns, and a creamy off-white.
David Young Cameron, Drimnin, 1932, drypoint in black on laid paper, Corcoran Collection (Gift of E. Gerald Lamboley, 1993), 2015.143.1355

Drimnin

David Young Cameron · 1932 · drypoint in black on laid paper ·  Accession ID  2015.143.1355
The image shows a landscape with mountainous terrain viewed from a slightly elevated angle. The horizon line is high, dominated by towering mountains. The artwork features dark brushstrokes for the mountains and vegetation with a light sky. It uses a monochromatic color scheme of black, grey, and beige. Closest to the viewer are dark foliage and rocks around water, with mountains in the distance covered by a haze. The sky is clear, emphasizing the textures of the mountains and water.
David Young Cameron, Tarff, 1931, drypoint in black on laid paper, Gift of Professor Daniel Bell, 1983.107.8

Tarff

David Young Cameron · 1931 · drypoint in black on laid paper ·  Accession ID  1983.107.8
The image shows a rocky mountain dominating the composition, with a horizon line about a third of the way up from the bottom. The mountain rises sharply towards the right, contrasting with the sky. The brushstrokes are vigorous and cross-hatched, adding texture and depth, particularly to the sky. The color palette is monochromatic, creating a moody atmosphere. Light areas illuminate the top of the mountain and part of the sky.
David Young Cameron, The Scuir of Eigg, 1931, drypoint in black on laid paper, Gift of Professor Daniel Bell, 1983.107.10

The Scuir of Eigg

David Young Cameron · 1931 · drypoint in black on laid paper ·  Accession ID  1983.107.10
The image shows a landscape with an open space leading to hills and mountains in the distance. The horizon line is low, creating a vast sky at the top. The sky is blank, contrasting with the detailed land below. The style is intricate with fine lines depicting the hills and mountains. The color palette is dominated by beige tones, giving an aged appearance. Fields in the foreground transition into darker, textured patches representing distant hills. The elements create a calm and expansive rural landscape view.
David Young Cameron, Balquhidder, 1931, drypoint in black on laid paper, Gift of Professor Daniel Bell, 1983.107.7

Balquhidder

David Young Cameron · 1931 · drypoint in black on laid paper ·  Accession ID  1983.107.7
The image shows an elevated view of a rural landscape. The horizon is high in the image, offering a broad view of the land below. The landscape appears empty, with faint outlines of hills or mountains in the distance. The method used in the artwork features precise etching strokes creating detailed textures. The color palette is monochromatic, with sepia and dark ink shades emphasizing different elements. In the foreground, there are rolling fields with scattered shrubs and textures. Further back, a cluster of trees and rooftops near a river add depth to the scene.
David Young Cameron, Valley of the Tay, 1931, drypoint in black on laid paper, Gift of Professor Daniel Bell, 1983.107.9

Valley of the Tay

David Young Cameron · 1931 · drypoint in black on laid paper ·  Accession ID  1983.107.9
The image depicts a landscape with dark hills and mountains extending across the upper portion of the scene. A body of water is centrally located, reflecting the surroundings. The viewer's perspective is elevated, looking down towards the lake. The etching technique used gives the image a textural quality, with lines and shadows creating depth. The color palette is monochromatic, using black and white to create contrast. The sky above is mostly clear, emphasizing the land and water in the foreground and background.
David Young Cameron, Tarff, 1931, drypoint in black on laid paper, Gift of Mrs. Robert A. Hauslohner, 1991.116.25

Tarff

David Young Cameron · 1931 · drypoint in black on laid paper ·  Accession ID  1991.116.25
The image shows a stylized ornamental design with a text inscription. The perspective is straight on, focusing on the central arrangement. The horizon line is depicted within a small oval illustration positioned in the lower center of the composition, showing a distant mountain landscape. The brushstrokes create fine lines and intricate detailing, suggesting an etching technique. The color palette includes aged, earthy hues with dark brown ink against a sepia-toned backdrop. The composition is framed by a border with floral motifs at the top and bottom. The texture and intricate linework convey a sense of refined craftsmanship.
David Young Cameron, Bookplate of Lessing and Edith Rosenwald, 1930, etching and drypoint on laid paper, Rosenwald Collection, 1943.3.2503

Bookplate of Lessing and Edith Rosenwald

David Young Cameron · 1930 · etching and drypoint on laid paper ·  Accession ID  1943.3.2503
This is a drawing of an ornate bookplate design featuring names and decorative elements. The image presents a bookplate with the names "LESSING AND EDITH ROSENWALD" prominently displayed in the center. Above and below the names are circular floral motifs depicting roses with intricate detailing. Near the bottom, there is an image within an oval frame showing a landscape with a mountain and a calm body of water. The entire design is enclosed in a stylized, decorative border with swirls and flourishes.
David Young Cameron, Bookplate of Lessing and Edith Rosenwald, 1930, etching on wove paper, Rosenwald Collection, 1980.45.286

Bookplate of Lessing and Edith Rosenwald

David Young Cameron · 1930 · etching on wove paper ·  Accession ID  1980.45.286

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