Pietro da Cortona

Cortona, Pietro Berrettini da
da Cortona, Pietro
Berretttini, Pietro

Roman, 1597 - 1669

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This is a drawing of mythological figures and symbolic scenes. The composition is centered around a large, oval-shaped motif that features a reclining female figure draped in flowing garments, partially exposed, who is positioned on a cloud. In her hand is a shield, and she appears to be interacting with a cherubic child to her right holding a helmet adorned with a crest. Below her is a muscular male figure, also reclining, with an ornate shield and a bundle of spears or staves nearby. The background contains swirling clouds and architectural details. The drawing has muted tones and intricate linework.
Johann Gottlieb Prestel, Venus Commanding Vulcan to Make Arms for Aeneas, 1788, etching and aquatint printed in brown on laid paper, Gift of James A. Bergquist in honor of Jamie Gabbarelli, 2018.123.6

Venus Commanding Vulcan to Make Arms for Aeneas

Johann Gottlieb Prestel · 1788 · etching and aquatint printed in brown on laid paper ·  Accession ID  2018.123.6

This is a drawing of mythological figures in a celestial scene. The drawing features several figures gathered amidst clouds. One figure, an imposing male, crowned and muscular, dominates the scene. Surrounding him are other male figures integrated with the cloud forms. A female figure on the right appears to be in flight or supported by air, reaching out towards the central male figure. The lower portion of the artwork shows a hint of a natural landscape with clouds and trees. The drawing is executed with precision, using ink to provide detail and shading.
Johann Gottlieb Prestel, Jupiter and Juno, 1788, etching and aquatint on laid paper, Gift of James A. Bergquist in honor of Jamie Gabbarelli, 2018.123.5

Jupiter and Juno

Johann Gottlieb Prestel · 1788 · etching and aquatint on laid paper ·  Accession ID  2018.123.5

The image shows several figures. Two main figures are in the center: a young child standing on a cloud holding a branch, and an adult seated next to the child. Another figure is kneeling in front of them stretching out arms. In the background, other draped figures are sitting against architectural elements and trees. Above the central figures, cherubic faces emerge from the clouds, forming a halo-like formation. The scene is set in a classical, ethereal environment depicted in detailed engraving style.
Italian 17th Century, Virgin and Child with Martyrs, c. 1660, engraving on laid paper, Gift of John O'Brien, 1991.208.25

Virgin and Child with Martyrs

Italian 17th Century · c. 1660 · engraving on laid paper ·  Accession ID  1991.208.25

The sculpture depicts a scene with three human figures and two cherubic faces. The main subject is a child held on the lap of a seated woman, possibly being presented to another kneeling woman. Above them, two cherubic faces emerge from swirling clouds. The background features architectural elements such as a column and a pediment. The scene is rendered in a golden hue. The figures are in high relief against a flat background, offering depth and texture while remaining in alignment with the two-dimensional plane of the sculpture. Drapery, clouds, and architectural elements are intricately detailed.
Cosimo Fancelli, The Virgin and Child Appearing to Saint Martina, c. 1650, gilded bronze, Gift of David Edward Finley and Margaret Eustis Finley, 1984.6.1

The Virgin and Child Appearing to Saint Martina

Cosimo Fancelli · c. 1650 · gilded bronze ·  Accession ID  1984.6.1

The image shows three figures in a classical style setting. On the left, a man with medium-length hair stands with his back to the viewer, slightly turned towards the center of the image; he is dressed in a loosely draped garment and holds an object in one hand. On the right side, a seated man with a crown points at the standing man. The seated man is wearing an intricate garment. In the background, another figure is partially visible behind drapery, observing the interaction. The background features classical architecture with columns and arches, along with foliage on the left side.
Anonymous Artist, Masinissa and Sophonisba, black chalk, Julius S. Held Collection, 1985.1.28

Masinissa and Sophonisba

Anonymous Artist · · black chalk ·  Accession ID  1985.1.28

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Neptune Calms the Waves

Jean-Claude-Richard, Abbé de Saint-Non · 1771 · etching and aquatint ·  Accession ID  1950.1.118.51

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Boreas Abducting Oreithyia and Ignudo (from a painting by Carracci) and the Death of Turno (from a painting by Pietro da Cortona)

Jean-Claude-Richard, Abbé de Saint-Non · 1771 · etching and aquatint ·  Accession ID  1950.1.118.90

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Pan Subdued by Cupid (from a painting by Carracci) and Triumph of Bacchus (from a painting by Pietro da Cortona)

Jean-Claude-Richard, Abbé de Saint-Non · 1771 · etching and aquatint ·  Accession ID  1950.1.118.93

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Massacre of the Innocents (from a painting by Scarsellino), Triumph of Flora (detail from a painting by Poussin), Vessel from the Triumph of Bacchus (from a painting by Pietro da Cortona), and Cupid Awaken from Sleep (from a painting by Albani)

Jean-Claude-Richard, Abbé de Saint-Non · 1771 · etching and aquatint ·  Accession ID  1950.1.118.64

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Aurora (from a painting by Pietro da Cortona), Triumph of Galatea (detail from a painting by Raphael), and Triumph of Flora (from a painting by Poussin)

Jean-Claude-Richard, Abbé de Saint-Non · 1770 · etching and aquatint ·  Accession ID  1950.1.118.56