Giulio Romano

Giulio di Pietro de'Gianuzzi
Pippi, Giulio
Romano, Giulio

Roman, 1499 - 1546

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The image shows a group of four individuals. The first seated person, to the left, is a muscular figure with short hair, using dividers against a surface near a large wheel. Next to them is a woman seated on a surface, wearing a draped garment and a headband, with long hair cascading down her back. The third individual, seated at the center, has a long beard and is dressed in long robes, resting their head thoughtfully on one hand. The standing figure on the right has short, flowing hair and is draped in loose fabric, holding a horn with both hands as if playing it. The background is minimal.
Giulio Romano, The Four Elements, c. 1530, pen and brown ink with brown wash on laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.95

The Four Elements

Giulio Romano · c. 1530 · pen and brown ink with brown wash on laid paper ·  Accession ID  2007.111.95

The image depicts a full-body drawing of a male figure. The figure is seated on a rock or similar surface, with a slightly reclined posture, leaning back on his right arm and resting his left arm on his leg. He has a muscular build, long nose, pronounced beard, and long curly hair flowing down to his shoulders. The figure appears unclothed against a plain textured background, emphasizing his form. There are no visible additional objects, and the drawing is done in fine, sweeping lines with a classical artistic style.
Giulio Romano, River God, c. 1528, pen and brown ink with brown wash on laid paper, Richard King Mellon Charitable Trusts, 1973.29.1

River God

Giulio Romano · c. 1528 · pen and brown ink with brown wash on laid paper ·  Accession ID  1973.29.1

This is a drawing of a winged figure in combat with a monstrous character. The winged figure appears to be winning, as they are shown overpowering the creature. The drawing features dynamic motion, with the winged figure holding a sword and pressing down on the monster. The creature has exaggerated features with horns and a grimace. The lines in the drawing are fluid, capturing the intensity of the moment. In the background, there is another figure with raised arms. The drawing focuses on movement and muscle definition, creating a tense and dramatic scene.
Giulio Romano, Saint Michael, c. 1527/1528, pen and brown ink, Ailsa Mellon Bruce Fund, 1973.5.1

Saint Michael

Giulio Romano · c. 1527/1528 · pen and brown ink ·  Accession ID  1973.5.1

This is a drawing of a ritualistic scene with figures and a sacrificial animal. The drawing features three figures participating in a ceremonial or sacrificial act. One figure kneels beside a horned animal, holding its horns. Flames rise from an altar in the background, suggesting a sacrificial offering. Another figure stands by the altar, gesturing upwards with one hand. The artwork is detailed with fine lines and shading, capturing the garments and poses of the participants.
Giulio Romano, The Sacrifice of a Goat to Jupiter, c. 1527/1528, pen and brown ink with brown wash over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1973.47.1

The Sacrifice of a Goat to Jupiter

Giulio Romano · c. 1527/1528 · pen and brown ink with brown wash over black chalk on laid paper ·  Accession ID  1973.47.1

This is a drawing of a scene depicting a figure reaching out towards another figure in the process of transforming into a tree. The figure on the left is shown with their arms raised as they transform; their hands are extending and turning into branches with leaves sprouting. The posture and lines indicate movement and transformation. The right figure appears to be interacting with the transforming one. The drawing focuses on the central figures and their interaction, with a minimal background.
Giulio Romano, Apollo and Daphne, pen and brown ink on green-blue laid paper, Joseph F. McCrindle Collection, 2009.70.129

Apollo and Daphne

Giulio Romano · · pen and brown ink on green-blue laid paper ·  Accession ID  2009.70.129

The sculpture features a male figure seated on a throne. The figure has a muscular physique and a full beard. The figure is draped in fabric, and a bird, possibly an eagle, is beside him. The sculpture has a monochrome finish resembling classic antique stone or bronze. Flame-like shapes emerge from the figure's hand. The drawing is set against a plain background.
Maria Catharina Prestel, Jupiter, 1781, aquatint and etching in dark and light brown, Rosenwald Collection, 1948.11.268

Jupiter

Maria Catharina Prestel · 1781 · aquatint and etching in dark and light brown ·  Accession ID  1948.11.268

The image shows a seated figure with a muscular and partially draped body. The figure is seated on a classical-style seat with scroll-like designs on its sides. The person leans slightly forward, resting their left elbow on the arm of the chair. Their head is turned slightly to the left, with pronounced facial features including a beard and curly hair reaching their shoulders. The figure is draped in fabric covering their lower body while leaving the upper torso bare. In their right hand, they hold a long staff or scepter resting on the ground. Beside the seat, on the right side, is a sculpted depiction of a multi-headed beast resembling a lion. The background is a plain, light-colored surface with no additional details. The image is encased within a wide, beige matte border.
Maria Catharina Prestel, Pluto, 1781, aquatint and etching in dark and light brown, Rosenwald Collection, 1948.11.264

Pluto

Maria Catharina Prestel · 1781 · aquatint and etching in dark and light brown ·  Accession ID  1948.11.264

The image shows three adults and an infant seated and interacting with each other. The person on the left is a bald man leaning forward, holding a standing frame and looking at the infant. The person in the center is a woman holding the infant in her lap, guiding the child's attention towards the frame. Another woman on the right is observing the interaction. The infant has curly hair and is reaching towards the man. The background is plain with ornamental border designs.
Elisha Kirkall, The Holy Family, 1724, etching and mezzotint with woodcut printed in brown and ocher on laid paper, Paul Mellon Fund, 2001.118.18

The Holy Family

Elisha Kirkall · 1724 · etching and mezzotint with woodcut printed in brown and ocher on laid paper ·  Accession ID  2001.118.18

The image shows a woman from the waist up, seated and facing forward. Her head is upright, with her gaze directed slightly to the side. She has a round face shape with defined facial features, and her hair is styled into an intricately detailed updo, adorned with a flower accessory. The woman is wearing a dress with elaborate lace or embroidered patterns, featuring puffed sleeves and detailed cuffs. Draped around her neck are long, ornate chains, one of which is holding a string of beads with various shapes. Her hands rest in her lap, showing a ring on one of her fingers. In the background, there is a scene depicting a woman pulling back a curtain to reveal other figures, set within a framed architectural space.
Pieter Holsteyn II, Isabella d'Este, c. 1655/1660, engraving on laid paper, Andrew W. Mellon Fund, 1975.70.7

Isabella d'Este

Pieter Holsteyn II · c. 1655/1660 · engraving on laid paper ·  Accession ID  1975.70.7

The image depicts a person standing in profile, facing left. The person has one arm bent upward holding a large round object and the other arm hanging by their side. The facial features are detailed, with a straight nose and a serene expression. The hair is intricately styled, braided, and piled on top of the head. The person is dressed in a flowing garment that wraps around their body, exposing one shoulder and partially flowing around the feet. The garment has soft, curving lines suggesting movement. The person has large wings extending from their back. The background has closely drawn parallel lines.
Giorgio Ghisi, Allegorical Figure Holding a Sphere, mid 1560s, engraving on laid paper, Rosenwald Collection, 1964.8.1033

Allegorical Figure Holding a Sphere

Giorgio Ghisi · mid 1560s · engraving on laid paper ·  Accession ID  1964.8.1033