Landfall Press

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This is a drawing of a conceptual art stock certificate. The image features a bordered certificate-like design with the heading "ONE SHARE ART STOCK" inscribed at the top. The central part of the image contains text overlaid with stylized blue brushstrokes. The text appears to be an excerpt from the writings of Thomas Hart Benton. The piece is outlined with a decorative border resembling a Greek key pattern.
Roger Brown, Jack Lemon, Landfall Press, One Share Art Stock, 1989, color lithograph on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.8

One Share Art Stock

Roger Brown, Jack Lemon, Landfall Press · 1989 · color lithograph on wove paper ·  Accession ID  2015.115.8

The image features the head and upper shoulder of a person in profile, looking to the left. The person has red hair flowing away from their head and wears a colorful mask with blue and grey feather decorations. The background includes a green textured area on the left side, transitioning to a light backdrop on the right.
Robert Lostutter, Landfall Press, Ross's Turaco Looking Back, 1988, etching in black with colored pencil on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.32

Ross's Turaco Looking Back

Robert Lostutter, Landfall Press · 1988 · etching in black with colored pencil on wove paper ·  Accession ID  2015.115.32

The sculpture depicts the head and neck of an older man set upon a rounded, pedestal-like base. The subject has curly hair, a full white beard, deep-set eyes, and a furrowed brow. The sculpture has a textured surface and a weathered appearance, likely made of stone or plaster. The lighting creates shadows and highlights, emphasizing the contours of the subject's face and the folds in the base.
Robert Arneson, Landfall Press, Squint, 1981, color lithograph, Gift of Bob Stana and Tom Judy, 2020.168.2

Squint

Robert Arneson, Landfall Press · 1981 · color lithograph ·  Accession ID  2020.168.2

The image shows a sculpture of a human figure holding a large jug or sack. The sculpture appears to be made of stone or a similar material, with a rough texture and a dark gray color. The figure is partially obscured, with facial features not clearly visible, and is depicted in a side-on view, highlighting its musculature. The sculpture has a weathered appearance, suggesting age and exposure to the elements.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (6), 1977, lithograph in black and gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.6

Stones for a Wall (6)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.6

The image displays overlapping and uneven shapes in shades of deep red and gray. Jagged lines are cutting across the right side. The central red forms resemble stones or boulders interlocked together. The composition has a textured appearance.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (2), 1977, lithograph in black and red on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.2

Stones for a Wall (2)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and red on John Koller HMP handmade paper ·  Accession ID  2016.148.1.2

The image displays a large irregular shape against a darker textured background. The formation is bordered by mottled textures that give it an undefined, organic perimeter. The darker background features various shades and patterns. Scribbled writing in a handwritten style is visible at the bottom of the image.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (9), 1977, lithograph in gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.9

Stones for a Wall (9)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.9

The image shows an abstract black outline resembling an oversized hand with elongated fingers on a textured gray background resembling a stone wall.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (4), 1977, lithograph in black and gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.4

Stones for a Wall (4)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in black and gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.4

The image shows a grid of ten panels with abstract shapes and lines. Panel one has irregular grey stone-like forms, panel two has a bold red smear, panel three shows a silhouette resembling a handgun, panel four has black lines resembling an outstretched hand, and panel five features an arched form against a textured background. The bottom row includes a sculpture-like figure, large black graffiti-style text, stacked blocks creating shadows, a blank space with dark textures, and vibrant green strokes on a grey texture.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall, 1977, unbound portfolio of ten lithographs, Gift of Bob Stana and Tom Judy, 2016.148.1.1-10

Stones for a Wall

Vito Acconci, Jack Lemon, Landfall Press · 1977 · unbound portfolio of ten lithographs ·  Accession ID  2016.148.1.1-10

The image displays an abstract scene with a tilted rectangular building, featuring a grid of windows that form distinct, angular shapes. The silhouettes of people occupy the windows, each figure engaged in different poses. Surrounding the building, there are more simplified structures and arc-like shapes, against a banded sky with alternating horizontal lines of dark and light shades.
Roger Brown, Landfall Press, Study for "Standing While All Around Are Sinking", 1977/1998, etching and aquatint in black on textured wove paper, Gift of the Collectors Committee, 2015.157.3

Study for "Standing While All Around Are Sinking"

Roger Brown, Landfall Press · 1977/1998 · etching and aquatint in black on textured wove paper ·  Accession ID  2015.157.3

The image shows close-up views of large stones stacked upon one another. The stones have varied, irregularly-shaped surfaces with a rugged texture. They have a speckled appearance with a mix of dark and light areas, accentuated by shadows and highlights. The color palette is dominated by subtle greens and purples. The edges of the photograph are irregularly torn. There is handwriting at the bottom of the image.
Vito Acconci, Jack Lemon, Landfall Press, Stones for a Wall (1), 1977, lithograph in gray on John Koller HMP handmade paper, Gift of Bob Stana and Tom Judy, 2016.148.1.1

Stones for a Wall (1)

Vito Acconci, Jack Lemon, Landfall Press · 1977 · lithograph in gray on John Koller HMP handmade paper ·  Accession ID  2016.148.1.1