Blanche Grambs

Aronson, Grambs
Grambs, Blanche Mary

American, 1916 - 2010

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  • The image shows a partial view of a person's body, specifically focusing on their head, neck, and part of an arm. The person is lying down and resting their head on an arm, with their face turned slightly to the side, gazing downward. Their facial features are softly defined with closed or lowered eyes. The person's hair is medium length and appears smooth. They are wearing a garment patterned with floral designs. There are no visible jewelry or objects being held. The background has a textured appearance with floral motifs.

    Negro Girl

    Blanche Grambs

    1939

    Etching and aquatint in brown and green on wove paper  Accession ID  2016.74.2

    Not on view
  • The image features a downward point of view showing a landscape with a sharp contrast between light and dark tones. The horizon is high, with textured formations in light tones against a dark background. One side displays a striped pattern, while the other side shows an abstract mountain shape with branch-like forms. The style is bold and graphic, focusing on lines and textures with a limited color palette of black and gray.

    Slush Banks

    Blanche Grambs

    1937

    Aquatint and etching in black on wove paper  Accession ID  2002.98.110

    Not on view
  • The image shows a complex arrangement of geometric shapes and lines. There is a large triangular form within a rectangular enclosure, creating an abstract composition. The foreground has a darker, textured appearance resembling the face of an industrial machine or robotic figure, with intersecting lines suggesting a mechanical design. Surrounding the central shape, intricate and repetitive patterns fill the background, resembling a densely packed architectural circuit or cityscape. The structure evokes elements of a futuristic edifice or factory silhouette, with a focus on industrial architecture.

    Design Steel

    Blanche Grambs, Federal Art Project (New York City)

    1937

    Etching and aquatint  Accession ID  2008.115.2217

    Not on view
  • The image shows an elevated view looking down a winding road through a town. The horizon is at the top edge, showcasing rooftops and a church spire against a lightly textured sky. The style appears to be a printmaking technique like a woodcut or etching, with bold strokes creating contrasts and emphasizing building shapes. The color palette is monochromatic, with blacks, grays, and a touch of white creating a dusk-like atmosphere. The road curves past a tree and a fence, disappearing into the distance lined with houses and telephone poles.

    Back Streets

    Blanche Grambs

    1937

    Etching, aquatint and roulette in black on wove paper  Accession ID  2002.98.25

    Not on view
  • The image shows an elevated view looking down into an alley or narrow urban area surrounded by buildings and structures. One building with linear windows is visible, along with a sloped roof extending into the alley. The brushstrokes create a textured effect, evoking shadow and light interplay. The color palette is monochromatic, dominated by shades of black, white, and gray. Contrast highlights some architectural features, making the scene abstract and suggestive.

    Milltown

    Blanche Grambs

    1937

    Aquatint and etching in black on wove paper  Accession ID  2002.98.108

    Not on view
  • The image shows a view from an elevated position, overlooking or adjacent to a bridge structure. A lattice-like framework casts intricate shadows and patterns. The horizon, marked by vague outlines of land or water, blends into the sky. Bold, thick brushstrokes create rough textures enhancing solid forms. The limited black and white color palette offers a stark contrast, giving the image a dramatic and graphic quality. Patterns and textures dominate the scene, with broad strokes in the foreground and more detail towards the distance.

    Coal Breaker

    Blanche Grambs, Federal Art Project (New York City)

    1937

    Etching and aquatint in black on wove paper  Accession ID  2008.115.2221

    Not on view
  • The image displays bold, curving shapes and heavy lines forming an abstract composition. These shapes suggest movement towards a large, dark rectangular entrance. The abstract quality allows for various interpretations such as figures or forms entering a tunnel. The pattern of lighter and darker shaded areas resembles the texture of a cave wall or stone path.

    Going Into The Mines

    Blanche Grambs, Federal Art Project (New York City)

    1937

    Etching and aquatint  Accession ID  2008.115.2218

    Not on view
  • The image shows sharp, angular lines and a series of rectangular shapes forming a composition resembling buildings. The structures give the impression of rooftops and facades, appearing to be part of old warehouses or sheds. Lines curve and swirl around the buildings, suggesting paths or roads. Dark, shadowy elements and textured surfaces create a gritty urban environment. The scene evokes an industrial or historic townscape.

    Mining Town, Landsford, PA

    Blanche Grambs, Federal Art Project (New York City)

    1937

    Etching and aquatint  Accession ID  2008.115.2222

    Not on view
  • The image shows a close-up view of a person's face, capturing the upper portion of the body. The individual is positioned facing forward with a slightly tilted head, giving a direct view of their face. The facial features are highlighted by stark contrasts between light and shadow, with prominent cheekbones and a serious expression. The eyes are emphasized, creating an intense gaze. The hair appears to be closely cropped or under a shadow, with a round light source on top of the head. The clothing, largely obscured by darkness, hints at a work uniform or protective gear. No visible jewelry or additional objects are present aside from the light source. The background is a dark, shadowy space.

    Miner's Head

    Blanche Grambs, Federal Art Project (New York City)

    1937

    Aquatint in black on wove paper  Accession ID  2008.115.2223

    Not on view
  • The image shows a close-up, abstract depiction of two figures. The composition highlights the upper torso and head regions without distinct details, focusing instead on expressive shadowing and form. The primary figure occupies the left side, slightly turned to the right, wearing headgear. The second figure, to the right, also appears to be wearing headgear. Both figures are rendered using a dramatic chiaroscuro effect, emphasizing light and shadow, with hair and facial details suggested through sweeping strokes. The background is dark and textured, offering no clear setting.

    Miners

    Blanche Grambs

    1937

    Etching, aquatint and roulette on wove paper  Accession ID  2002.98.109

    Not on view
  • The image shows a cluster of buildings from an elevated position, dominating the composition. The horizon is obscured by dark tones in the background. The painting technique creates texture and depth with small, grainy dots and lines. The color palette is monochromatic, using blacks, grays, and whites. Light reflects off the roofs, highlighting the geometric forms of the structures. Two vertical elements rise above, suggesting chimneys or smoke stacks, contributing to the industrial theme.

    Mill

    Blanche Grambs

    1936/1939

    Aquatint in black on wove paper  Accession ID  2002.98.107

    Not on view
  • This is a drawing of a group gathered around a fire. The image depicts several figures huddled closely around a small fire. The figures are seeking warmth, with their postures and positions suggesting a sense of coldness. The dark hatching and shading techniques give the drawing depth and a sense of gloom. The overall composition effectively conveys a mood of reliance on the small fire for comfort.

    Cold

    Blanche Grambs

    1936

    Etching and drypoint in black on wove paper  Accession ID  2002.98.106

    Not on view